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Little Miss By-The-Day By: Lucille Van Slyke (1880-) |
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BY
LUCILLE VAN SLYKE Author of "Eve's Other Children" With A Frontispiece In Color By MABEL HATT 1919
TO GEORDIE
CONTENTS
CHAPTER PROLOGUE
I IN THE BARRED GARDEN
II THE HOUSE IN THE WOODS
III LOST DREAMS
IV THE UNFINISHED SONG
V "CERTAIN LEGAL MATTERS"
VI THE LAST PRETENDING
PROLOGUE
The older I get the more convinced I become that the most fascinating
persons in this world are those elusive souls whom we know perfectly
well but whom we never, as children say, "get to meet." They slip out
of countries, or towns or rooms even, just before we arrive,
leaving us with an inexplicable feeling of having been cheated of
something that was rightfully and divinely ours. That's the way I
still feel about little Miss By the Day. Perhaps you, too, have been
baffled by the will o' the wispishness of that whimsical young person.
Perhaps you, too, tried to find her but never did. She sounded so casual and commonplace when I first began hearing about
her that I let her slip through my fingers. She was just a little
seamstress who had a "vairee" odd way of speaking; it was quite a long
time before I realized that everybody who spoke about her was
unconsciously trying to imitate her drawling voice. And then I noticed
that everybody who mentioned her smiled dreamily and wondered where on
earth she'd come from. I kept hearing, just as you probably did, odd
scraps of things she had said, droll adventures in which she had
figured, extraordinary and fantastic tales about the house in which
she lived. And presently, when it was too late, I found myself
listening to regretful murmurings of scores of baffled persons who
couldn't find out what had become of her. She suddenly vanished,
leaving nothing behind her save her delectable house. If you'll lend me your pencil a minute I'll show you on the back of
this envelope just how that house was situated. You can understand the
whole amazing story better if you keep in mind how the church on the
corner and the rectory were tucked in beside that great house. For it
is a big house, so huge that the six prim brownstones across the
street from it look like toy houses. But I've been told that in
Brooklyn's early days there was no street, just a long terraced garden
that sloped down to the river. For all that the streets have crowded so disrespectfully about it the
whole place still has a sort of "world with out end amen" air perhaps
because of the impressive squareness of its structure, great blocks of
brownstone joined solidly; perhaps because of the enormous gnarled
wistaria vines that stretch above its massive cornices but one does
feel as Felicia Day herself did when some one asked her how long she
thought it had been there. She said she thought it must have been
there "Much, much more than Always it must have been jamais au grand
forevaire and more than evaire!" Maybe, like me, you've passed that house a dozen times and shuddered
at the filth of the little street. [Illustration: Town map.] I used to hold my breath as I hurried by that dismal old rookery. I
thought it the most hideous purgatory that ever sheltered a horde of
miserable humans. But you needn't be afraid to pass it now! The
immaculate sweetness and serenity of that wee street is like a miracle
and the old house is a fairy dream come true. Its marble steps are softly yellowed with age, an exquisitely wrought
iron balcony stretches across the front above the high ceilinged
basement and great carved walnut doors open into a wide vestibule with
a marble floor exactly like a bit of a gigantic chessboard. The
transformation had so astounded me that I was almost afraid to touch
the neatly polished beaten silver bell for fear the whole house would
vanish. "Coom in!" cried a Scotchy voice from the basement. So I stepped
across the tessellated floor of the hall into the broad drawing room
and stared out through the long French doors of the glass room at the
green smudge of Battery Park beyond the river... Continue reading book >>
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