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The Long Vacation   By: (1823-1901)

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In "The Long Vacation" by Charlotte Mary Yonge, readers are transported back in time to a quaint English village where the rhythm of life seems undisturbed. This charming novel captures the innocence and simplicity of a bygone era, providing a delightful escape from the fast-paced modern world.

The narrative revolves around a group of children who are eagerly anticipating their long summer break. As they embark on their adventures, they discover the joys of nature, forge lasting friendships, and learn valuable life lessons along the way. The author skillfully intertwines multiple storylines, each focusing on a different child, ensuring that readers remain engaged and invested in their journeys.

Yonge's descriptive prose vividly paints the idyllic village setting, allowing readers to visualize the picturesque countryside, quaint cottages, and bubbling brooks. The author's attention to detail is impeccable, immersing readers in the sights, sounds, and smells of this charming locale. It is this vivid imagery that brings the story to life, making it both relatable and enchanting.

The characters in "The Long Vacation" are endearing and well-developed. Each child possesses unique personalities and traits that make them feel authentic and relatable. From the mischievous but kind-hearted Tom to the studious and responsible Margaret, Yonge captures the essence of childhood, presenting a diverse cast of characters that readers of all ages will surely connect with.

Throughout the novel, Yonge skillfully weaves in moral lessons and themes of loyalty, generosity, and perseverance. Through subtle storytelling, the author gently imparts important values to her readers without ever sounding preachy or didactic. The interactions between the children highlight the importance of friendship, teamwork, and compassion, making this novel not only an enjoyable read but also an insightful one.

One aspect that truly stands out in "The Long Vacation" is Yonge's ability to explore the inner workings of a child's mind. Through the thoughts and actions of her young protagonists, she captures the innocence, curiosity, and resilience that characterize childhood. The author's portrayal of the children's emotions and their growth as individuals is both convincing and heartwarming.

If there is a minor flaw in "The Long Vacation," it would be the slower pacing at certain points in the story. However, this can be forgiven as Yonge's purpose seems to be to mirror the languid summer days of the village itself. The slower pace ultimately serves to create a sense of tranquility and reflection, allowing readers to savor the small moments that comprise the essence of the story.

In conclusion, "The Long Vacation" is a charming and captivating novel that transports readers to a simpler time. With its endearing characters, picturesque setting, and timeless themes, this book is sure to captivate both young and old alike. Charlotte Mary Yonge's skillful storytelling and attention to detail make this novel a joy to read, reaffirming the magic that can be found in the ordinary moments of life.

First Page:

THE LONG VACATION

BY

CHARLOTTE M. YONGE

How the children leave us, and no traces Linger of that smiling angel band, Gone, for ever gone, and in their places Weary men and anxious women stand. ADELAIDE A. PROCTOR

PREFACE

If a book by an author who must call herself a veteran should be taken up by readers of a younger generation, they are begged to consider the first few chapters as a sort of prologue, introduced for the sake of those of elder years, who were kind enough to be interested in the domestic politics of the Mohuns and the Underwoods.

Continuations are proverbially failures, and yet it is perhaps a consequence of the writer's realization of characters that some seem as if they could not be parted with, and must be carried on in the mind, and not only have their after fates described, but their minds and opinions under the modifications of advancing years and altered circumstances.

Turner and other artists have been known literally to see colours in absolutely different hues as they grew older, and so no doubt it is with thinkers. The outlines may be the same, the tints are insensibly modified and altered, and the effect thus far changed.

Thus it is with the writers of fiction. The young write in full sympathy with, as well as for, the young, they have a pensive satisfaction in feeling and depicting the full pathos of a tragedy, and on the other hand they delight in their own mirth, and fully share it with the beings of their imagination, or they work out great questions with the unhesitating decision of their youth... Continue reading book >>




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