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The Malady of the Century   By: (1849-1923)

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In Max Simon Nordau's thought-provoking novel, The Malady of the Century, readers are taken on an introspective journey into the depths of human suffering and the ills of the modern world. Groundbreaking and original, this work challenges conventional belief systems and explores the inherent malaise plaguing society during the late 19th century.

Nordau skillfully presents a compelling narrative whereby the protagonist, Dr. Martin Rothmann, an introspective and troubled physician, becomes the symbol of the malady infecting humanity. In his quest for truth, Rothmann grapples with his own mental demons while simultaneously unpacking the psychological damage suffered by society at large. Through Rothmann's experiences and encounters, the author artfully unveils the multifaceted layers of despair, disillusionment, and existential crisis that seem inherent to the modern age.

The author's exceptional ability to depict the complexity of human emotions shines throughout the novel. Nordau's portrayal of Rothmann's internal struggle is raw and gripping, providing readers with a profound exploration of the human psyche. As we witness the doctor's deterioration and his desperate search for meaning, we are reminded of our own vulnerability and the fragility of our mental well-being.

Nordau's deep understanding of the socio-political climate of the era further enriches the narrative. His criticism of societal structures, cultural norms, and scientific advancements offers a compelling commentary on the detrimental consequences of progress without moral grounding. With meticulous attention to detail, the author paints a vivid picture of a society teetering on the brink of self-destruction, serving as a stark warning of the dire consequences of our collective choices.

The author's lyrical prose adds depth and richness to the story, enhancing the reading experience. Nordau's ability to craft evocative descriptions immerses readers in the bleak and haunting atmosphere of late 19th-century Europe. From the dimly lit streets to the dismal hospital wards, each scene is vividly brought to life, intensifying the pervasive sense of despair and melancholy that permeates the narrative.

While some readers may find the philosophical and psychological exploration within The Malady of the Century intellectually demanding, those willing to delve into the depths of the human condition will be rewarded with a profoundly thought-provoking and poignant literary experience. Nordau's work serves as a reminder of the importance of introspection and the need for society to address its own malaise to pave the way towards redemption and renewal.

In conclusion, The Malady of the Century is a captivating and ambitious novel that tackles profound existential questions while examining the societal malaise of the late 19th century. Nordau's exploration of human suffering and his critique of the modern world make this a compelling read for those interested in profound philosophical and psychological inquiries.

First Page:

THE MALADY OF THE CENTURY

BY

MAX NORDAU

Author of "THE COMEDY OF SENTIMENT," "HOW WOMEN LOVE," Etc., Etc.

CONTENTS.

I. Mountain and Forest II. Vanity of Vanities III. Heroes IV. It was not to be V. A Lay Sermon VI. An Idyll VII. Symposium VIII. Dark Days IX. Results X. A Seaside Romance XI. In the Horselberg XII. Tannhauser's Plight XIII. Consummation XIV. Uden Horizo

THE MALADY OF THE CENTURY

CHAPTER I.

MOUNTAIN AND FOREST.

"Come, you fellows, that's enough joking. This defection of yours, melancholy Eynhardt, combines obstinacy with wisdom, like Balaam's ass! Well! may you rest in peace. And now let us be off."

The glasses, filled with clear Affenthaler, rang merrily together, the smiling landlord took up his money, and the company rose noisily from the wooden bench, overturning it with a bang. The round table was only proof against a similar accident on account of its structure, which some one with wise forethought had so designed that only the most tremendous shaking could upset its equilibrium. The boisterous group consisted of five or six young men, easily recognized as students by their caps with colored bands, the scars on their faces, and their rather swaggering manner. They slung their knapsacks on, stepped through the open door of the little arbor where they had been sitting, on to the highroad, and gathered round the previous speaker... Continue reading book >>




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