Marzio's Crucifix, and Zoroaster By: F. Marion Crawford (1854-1909)
Marzio's Crucifix and Zoroaster is a captivating and thought-provoking novel by the renowned author F. Marion Crawford. Set in ancient Rome, the story follows Marzio, a skilled and enigmatic sculptor, as he embarks on a life-altering journey that intertwines with the mystical world of Zoroastrianism. Crawford's narrative style is both elegant and immersive, effortlessly whisking readers away to a bygone era. Through his vivid descriptions, the streets of ancient Rome come alive, evoking a palpable sense of time and place. The author's attention to detail is commendable, as he meticulously paints a picture of the Roman society, from its opulent palaces to its gritty, crowded streets. At the heart of the novel is Marzio, a complex and fascinating protagonist. His dedication to his craft is unwavering, and Crawford masterfully portrays his artistic struggles and triumphs. Marzio's inner conflicts and doubts are compassionately explored, making him a relatable and sympathetic character. As the plot unfolds, Marzio's interactions with the enigmatic Zoroastrian characters add an element of mystery and intrigue, illuminating the religious and philosophical contrasts between Rome and the East. The themes explored in this novel are profound and contemplative. Crawford seamlessly weaves together spirituality, artistry, and the clash of cultures, creating a narrative that prompts readers to reflect on the interplay between belief systems and personal growth. The inclusion of Zoroastrianism, an often overlooked religion, adds a unique layer to the story, highlighting the tensions between ancient faiths. Moreover, Crawford's writing style is eloquent and introspective, beautifully capturing the emotional depth of his characters. The dialogue is engaging and natural, effectively conveying the various personalities and their interactions within the Roman society. The pacing of the story is well-crafted, with moments of quiet introspection balanced by moments of gripping tension. If there is one aspect that could have been further explored, it would be the secondary characters. Although they play vital roles in Marzio's journey, some of them lack the same level of development and depth as the protagonist. However, this minor critique does not overshadow the overall brilliance of the novel. In conclusion, Marzio's Crucifix and Zoroaster is a captivating historical novel that seamlessly blends artistry, spirituality, and culture. F. Marion Crawford's meticulous attention to detail, compelling characters, and thought-provoking themes make this a truly remarkable read. Whether you have an affinity for historical fiction or are simply seeking a profound and engaging story, this book is sure to satisfy your literary appetite. First Page: The Novels of F. Marion Crawford In Twenty five Volumes, Authorized Edition MARZIO'S CRUCIFIX and ZOROASTER by F. MARION CRAWFORD With Frontispiece P.F. Collier & Son New York 1887 [Illustration: HE MOVED NOT THROUGH THE LONG HOURS OF DAY. Zoroaster .] [Illustration] MARZIO'S CRUCIFIX CHAPTER I "The whole of this modern fabric of existence is a living lie!" cried Marzio Pandolfi, striking his little hammer upon the heavy table with an impatient rap. Then he dropped it and turning on his stool rested one elbow upon the board while he clasped his long, nervous fingers together and stared hard at his handsome apprentice. Gianbattista Bordogni looked up from his work without relinquishing his tools, nodded gravely, stared up at the high window, and then went on hammering gently upon his little chisel, guiding the point carefully among the delicate arabesques traced upon the silver. "Yes," he said quietly, after a few seconds, "it is all a lie. But what do you expect, Maestro Marzio? You might as well talk to a stone wall as preach liberty to these cowards." "Nevertheless, there are some there are half a dozen " muttered Marzio, relapsing into sullen discontent and slowly turning the body of the chalice beneath the cord stretched by the pedal on which he pressed his foot... Continue reading book >>

Marzio's Crucifix, and Zoroaster By: F. Marion Crawford (1854-1909)

Marzio's Crucifix and Zoroaster is a captivating and thought-provoking novel by the renowned author F. Marion Crawford. Set in ancient Rome, the story follows Marzio, a skilled and enigmatic sculptor, as he embarks on a life-altering journey that intertwines with the mystical world of Zoroastrianism.

Crawford's narrative style is both elegant and immersive, effortlessly whisking readers away to a bygone era. Through his vivid descriptions, the streets of ancient Rome come alive, evoking a palpable sense of time and place. The author's attention to detail is commendable, as he meticulously paints a picture of the Roman society, from its opulent palaces to its gritty, crowded streets.

At the heart of the novel is Marzio, a complex and fascinating protagonist. His dedication to his craft is unwavering, and Crawford masterfully portrays his artistic struggles and triumphs. Marzio's inner conflicts and doubts are compassionately explored, making him a relatable and sympathetic character. As the plot unfolds, Marzio's interactions with the enigmatic Zoroastrian characters add an element of mystery and intrigue, illuminating the religious and philosophical contrasts between Rome and the East.

The themes explored in this novel are profound and contemplative. Crawford seamlessly weaves together spirituality, artistry, and the clash of cultures, creating a narrative that prompts readers to reflect on the interplay between belief systems and personal growth. The inclusion of Zoroastrianism, an often overlooked religion, adds a unique layer to the story, highlighting the tensions between ancient faiths.

Moreover, Crawford's writing style is eloquent and introspective, beautifully capturing the emotional depth of his characters. The dialogue is engaging and natural, effectively conveying the various personalities and their interactions within the Roman society. The pacing of the story is well-crafted, with moments of quiet introspection balanced by moments of gripping tension.

If there is one aspect that could have been further explored, it would be the secondary characters. Although they play vital roles in Marzio's journey, some of them lack the same level of development and depth as the protagonist. However, this minor critique does not overshadow the overall brilliance of the novel.

In conclusion, Marzio's Crucifix and Zoroaster is a captivating historical novel that seamlessly blends artistry, spirituality, and culture. F. Marion Crawford's meticulous attention to detail, compelling characters, and thought-provoking themes make this a truly remarkable read. Whether you have an affinity for historical fiction or are simply seeking a profound and engaging story, this book is sure to satisfy your literary appetite.

First Page:

The Novels of F. Marion Crawford In Twenty five Volumes, Authorized Edition

MARZIO'S CRUCIFIX

and

ZOROASTER

F. MARION CRAWFORD

With Frontispiece

P.F. Collier & Son New York

1887

[Illustration: HE MOVED NOT THROUGH THE LONG HOURS OF DAY. Zoroaster .]

[Illustration]

MARZIO'S CRUCIFIX

CHAPTER I

"The whole of this modern fabric of existence is a living lie!" cried Marzio Pandolfi, striking his little hammer upon the heavy table with an impatient rap. Then he dropped it and turning on his stool rested one elbow upon the board while he clasped his long, nervous fingers together and stared hard at his handsome apprentice. Gianbattista Bordogni looked up from his work without relinquishing his tools, nodded gravely, stared up at the high window, and then went on hammering gently upon his little chisel, guiding the point carefully among the delicate arabesques traced upon the silver.

"Yes," he said quietly, after a few seconds, "it is all a lie. But what do you expect, Maestro Marzio? You might as well talk to a stone wall as preach liberty to these cowards."

"Nevertheless, there are some there are half a dozen " muttered Marzio, relapsing into sullen discontent and slowly turning the body of the chalice beneath the cord stretched by the pedal on which he pressed his foot... Continue reading book >>

Genres for this book
Fiction
Literature

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