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The Mechanism of the Human Voice   By: (1836-1892)

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In The Mechanism of the Human Voice, Emil Behnke presents a detailed and comprehensive exploration of the human voice that delves into the physical, physiological, and psychological aspects of vocal production. This seminal work serves as a valuable resource for vocalists, speech therapists, and anyone interested in understanding the intricate workings of the voice.

Behnke's expertise as a voice teacher is evident throughout the book, as he seamlessly combines theoretical knowledge with practical examples and exercises. The author begins by laying a strong foundation, outlining the anatomy and physiology of the vocal mechanism in a clear and accessible manner. He then proceeds to discuss the various components involved in voice production, such as breath control, resonance, articulation, and vocal registers.

One of the book's strongest assets is its meticulous attention to detail. Behnke thoroughly explores each aspect, leaving no stone unturned, and provides insightful explanations backed by scientific research. From discussions on the vocal folds and their vibratory patterns to the role of the larynx and the work of the resonators, every aspect is carefully examined, offering the reader a comprehensive understanding of the voice.

Another commendable aspect of Behnke's writing is his ability to relate theoretical concepts to practical applications. He provides numerous exercises that enable readers to directly apply the knowledge they have gained. These exercises not only strengthen the reader's comprehension but also serve as a valuable tool for vocalists seeking to improve their technique and vocal prowess.

Furthermore, Behnke explores the impact of emotions and psychology on vocal production. He recognizes the role of mental and emotional states in vocal performance, highlighting the importance of understanding and managing these elements for a successful and expressive delivery. This multifaceted approach sets the book apart, making it a valuable resource for vocalists, actors, and public speakers alike.

While The Mechanism of the Human Voice is undoubtedly an outstanding resource, it is worth noting that the scientific nature of the content may be overwhelming for readers without prior knowledge of anatomy or physiology. However, Behnke's lucid writing style and his numerous examples help simplify complex concepts, making them more accessible to a broader audience.

In summary, The Mechanism of the Human Voice by Emil Behnke stands as a definitive guide to understanding and mastering vocal production. With its comprehensive coverage of the physical, physiological, and psychological aspects of voice, this book is a valuable resource for anyone seeking to deepen their understanding of the human voice and harness its full potential. Behnke's expertise and dedication shine through every page, making this work a must-have for vocalists and those interested in the art of communication.

First Page:

THE MECHANISM OF THE HUMAN VOICE.

(CURWEN'S EDITION, 5263.)

BY

EMIL BEHNKE,

Late Lecturer on Vocal Physiology at the Tonic Sol fa College, Teacher of Voice Production.

EDITED, WITH A NEW CHAPTER ON "VOICE FAILURE,"

BY MRS. EMIL BEHNKE.

FIFTEENTH EDITION.

LONDON: J. CURWEN & SONS LTD., 24 BERNERS STREET, W.

Price 1s. 6d.; CLOTH 2s. 6d.

PREFACE TO THE NINTH EDITION.

PREFACE TO THE THIRD EDITION.

PREFACE TO THE SECOND EDITION.

PREFACE TO THE FIRST EDITION.

CONTENTS.

PLATES.

INDEX.

FOOTNOTES.

TO MY DEAR WIFE THIS ESSAY IS AFFECTIONATELY DEDICATED

PREFACE TO THE NINTH EDITION.

A ninth edition of this book having been called for, I take the opportunity to return my sincere thanks for the many kind expressions concerning its usefulness which have reached me since the lamented death of its author, my dear husband.

In carrying on his work, both my daughter and myself have felt the benefit of the clear and concise instructions the book contains.

We have also proved with our pupils the absolute truth and value of the BEHNKE SYSTEM OF VOICE TRAINING, by means of which we have obtained results most gratifying to ourselves, and surprising to the pupils, whether speakers or singers.

I hope that the new chapter on "Voice Failure," which I have added by Mr... Continue reading book >>




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