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Mediaeval Lore from Bartholomew Anglicus By: Robert Steele (1860-1944) |
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MEDIAEVAL LORE FROM BARTHOLOMEW ANGLICUS BY ROBERT STEELE WITH PREFACE BY WILLIAM MORRIS "WHEN HOLY WERE THE HAUNTED FOREST BOUGHS,
HOLY THE AIR, THE WATER, AND THE FIRE."
KEATS.
PREFACE It is not long since the Middle Ages, of the literature of which this
book gives us such curious examples, were supposed to be an
unaccountable phenomenon accidentally thrust in betwixt the two
periods of civilisation, the classical and the modern, and forming a
period without growth or meaning a period which began about the time
of the decay of the Roman Empire, and ended suddenly, and more or less
unaccountably, at the time of the Reformation. The society of this
period was supposed to be lawless and chaotic; its ethics a mere
conscious hypocrisy; its art gloomy and barbarous fanaticism only; its
literature the formless jargon of savages; and as to its science, that
side of human intelligence was supposed to be an invention of the time
when the Middle Ages had been dead two hundred years. The light which the researches of modern historians, archaeologists,
bibliographers, and others, have let in on our view of the Middle Ages
has dispersed the cloud of ignorance on this subject which was one of
the natural defects of the qualities of the learned men and keen
critics of the eighteenth and early part of the nineteenth centuries.
The Middle class or Whig theory of life is failing us in all branches
of human intelligence. Ethics, Politics, Art, and Literature are more
than beginning to be regarded from a wider point of view than that
from which our fathers and grandfathers could see them. For many years there has been a growing reaction against the dull
"grey" narrowness of the eighteenth century, which looked on Europe
during the last thousand years as but a riotous, hopeless, and stupid
prison. It is true that it was on the side of Art alone that this
enlightenment began, and that even on that side it progressed slowly
enough at first e.g. Sir Walter Scott feels himself obliged,
as in the Antiquary , to apologize to pedantry for his
instinctive love of Gothic architecture. And no less true is it that
follies enough were mingled with the really useful and healthful birth
of romanticism in Art and Literature. But at last the study of facts
by men who were neither artistic nor sentimental came to the help of
that first glimmer of instinct, and gradually something like a true
insight into the life of the Middle Ages was gained; and we see that
the world of Europe was no more running round in a circle then than
now, but was developing, sometimes with stupendous speed, into
something as different from itself as the age which succeeds this will
be different from that wherein we live. The men of those times are no
longer puzzles to us; we can understand their aspirations, and
sympathise with their lives, while at the same time we have no wish
(not to say hope) to put back the clock, and start from the position
which they held. For, indeed, it is characteristic of the times in
which we live, that whereas in the beginning of the romantic reaction,
its supporters were for the most part mere laudatores temporis
acti , at the present time those who take pleasure in studying the
life of the Middle Ages are more commonly to be found in the ranks of
those who are pledged to the forward movement of modern life; while
those who are vainly striving to stem the progress of the world are as
careless of the past as they are fearful of the future. In short,
history, the new sense of modern times, the great compensation for the
losses of the centuries, is now teaching us worthily, and making us
feel that the past is not dead, but is living in us, and will be alive
in the future which we are now helping to make. To my mind, therefore, no excuse is needful for the attempt made in
the following pages to familiarise the reading public with what was
once a famous knowledge book of the Middle Ages... Continue reading book >>
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