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The Nabob, Volume 1   By: (1840-1897)

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The Nabob, Volume 1 by Alphonse Daudet is a captivating and thought-provoking novel that takes readers on a mesmerizing journey through the complex world of social climbers, greed, and cultural clashes.

Set in 19th-century France, the story revolves around Monsieur Joyeuse, a modest middle-class man, who suddenly finds himself inheriting a vast fortune from a distant relative residing in India. This unexpected windfall thrusts him and his family into a world of opulence and luxury, leading them to be dubbed as "nabobs," a term given to Westerners who obtained immense wealth in the colonial Indian subcontinent.

Daudet skillfully portrays Monsieur Joyeuse's transformation from a humble, virtuous man into a naive and misguided social climber, desperate to gain acceptance and recognition among high society. Through the protagonist's journey, the author delves into the themes of ambition, the search for identity, and the consequences of unchecked materialism.

The characters in The Nabob are vividly depicted and deeply flawed, making them relatable and intriguing. Daudet expertly weaves their stories together, exposing the darker side of human nature and the corrupting influence of wealth. From the cunning and manipulative Countess de Silvis-Bellegarde to the selfish and opportunistic Baroness de Rosen, each character adds depth and complexity to the narrative, making it an engrossing read.

The author's prose is elegant and engaging, transporting readers to the lavish salons and extravagant parties of Parisian high society. Daudet's vivid descriptions and attention to detail not only create a rich and immersive setting but also serve as a scathing commentary on the moral decay and superficiality prevalent in these circles.

Furthermore, The Nabob offers a nuanced exploration of cultural clashes and prejudices, bringing to light the stark differences between French and Indian customs and traditions. Daudet delves into the clash between Western colonial attitudes and Orientalism, presenting a thought-provoking critique of European imperialism and its impact on both the colonizers and the colonized.

While The Nabob, Volume 1 is a captivating novel with an intriguing premise and rich character development, it does suffer from occasional pacing issues. The narrative can feel slow at times, particularly during detailed descriptions of societal events and routines, which may test the patience of some readers.

Overall, The Nabob, Volume 1 is a brilliant exploration of ambition, wealth, and identity that transcends its historical context. Alphonse Daudet's masterful storytelling and incisive observations make this novel a timeless classic that will continue to resonate with readers, inviting them to reflect on the universal themes it presents.

First Page:

[Illustration: "' Take away your flowers, my dear. '"]

THE NABOB

BY

ALPHONSE DAUDET

TRANSLATED BY

GEORGE BURNHAM IVES

WITH AN INTRODUCTION BY

BRANDER MATTHEWS

IN TWO VOLUMES

VOL. I.

BOSTON LITTLE, BROWN, AND COMPANY 1902

Copyright, 1898 , By Little, Brown, and Company.

All rights reserved.

University Press: John Wilson and Son, Cambridge, U.S.A.

PUBLISHER'S NOTE TO FRENCH EDITION

We have been informed that at the time of the publication of The Nabob in serial form, the government of Tunis was offended at the introduction therein of individuals whom the author dressed in names and costumes peculiar to that country. We are authorized by M. Alphonse Daudet to declare that those scenes in the book which relate to Tunis are entirely imaginary, and that he never intended to introduce any of the functionaries of that state.

ALPHONSE DAUDET.

Alphonse Daudet is one of the most richly gifted of modern French novelists and one of the most artistic; he is perhaps the most delightful; and he is certainly the most fortunate. In his own country earlier than any of his contemporaries he saw his stories attain to the very wide circulation that brings both celebrity and wealth. Beyond the borders of his own language he swiftly won a popularity both with the broad public and with the professed critics of literature, second only to that of Victor Hugo and still surpassing that of Balzac, who is only of late beginning to receive from us the attention he has so long deserved... Continue reading book >>




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