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Notes and Queries, Number 55, November 16, 1850 By: Various |
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A MEDIUM OF INTER COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
GENEALOGISTS, ETC. "When found, make a note of." CAPTAIN CUTTLE.
No. 55.]
SATURDAY, NOVEMBER 16. 1850.
[Price Threepence. Stamped Edition 4d.
CONTENTS. NOTES:
Authorship of "Henry VIII." by Samuel Hickson 401
On Authors and Books, No. IX., by Bolton Corney 403
Notes on the Second Edition of Mr. Cunningham's
Handbook of London, by E.F. Rimbault 404
Folk lore: Laying a Ghost A Test of Witchcraft 404
Minor Notes: Quin's incoherent Story Touchstone's
Dial America and Tartary A Deck of Cards Time
when Herodotus wrote "Dat veniuam corvis."
&c. 405 QUERIES:
Dryden's "Absalom and Achitophel" 406
Minor Queries: The Widow of the Wood Edward
the Confessor's Crucifix and Gold Chain Cardinal
Erskine Thomas Regiolapidensis "Her Brow was
fair" Hoods worn by Doctors of Divinity of Aberdeen Irish
Brigade Doctrine of immaculate Conception Gospel
Oak Tree at Kentish Town Arminian
Nunnery in Huntingdonshire Ruding's
annotated Langbaine Mrs. Tempest Sitting
cross legged Twickenham:
Did Elizabeth visit Bacon
there? Burial towards the West Medal struck by
Charles XII. National Debt Midwives licensed 406 REPLIES:
The Black Rood of Scotland 409
Replies to Minor Queries: Hæmony Byron's Birthplace Modena
Family Nicholas Breton's Fantasticks Gaudentio
di Lucca Weights for weighing
Coins Mrs. Partington The East Anglican Word
"Mauther" Cheshire Cat "Thompson of Esholt" Minar's
Book of Antiquities Croziers and Pastoral
Staves Socinian Boast MSS. of Locke Sir Wm.
Grant Tristan d'Acunha Arabic Numerals Luther's
Hymns Bolton's Ace Hopkins the
Witchfinder Sir Richard Steel Ale draper George
Herbert Notaries Public Tobacconists Vineyards 410 MISCELLANEOUS:
Notes on Books, Sales, Catalogues, &c. 414
Books and Odd Volumes Wanted 415
Notices to Correspondents 415
Advertisements 415
NOTES. AUTHORSHIP OF "HENRY VIII." In returning to the question of the authorship of Henry VIII. , I am
anxious to remove a misconception under which MR. SPEDDING appears to
labour relative to the purport of a remark I made in my last communication
to you (Vol. ii., p. 198.) on this subject. As we appear to be perfectly
agreed as to the reasons for assigning a considerable portion of this play
to Fletcher, and as upon this basis we have each worked out a result that
so exactly coincides with the other, I conclude that MR. SPEDDING, as well
as myself, has rested his theory solely on positive grounds; that is, that
he imagines there is strong internal evidence in favour of all that he
ascribes to this writer. It follows, therefore that the "third hand" which
he thought he detected must be sought rather in what remained to
Shakspeare, than in that which had been already taken from him. I never for
an instant doubted that this was MR. SPEDDING's view; but the inequality
which I supposed he had observed and accounted for in this way, I was
disposed to refer to a mode of composition that must needs have been
troublesome to Shakspeare. The fact is, that, with one or two exceptions,
the scenes contributed by the latter are more tamely written than any but
the earliest among his works; and these, different as they are, they
recalled to my mind. But I have no doubt whatever that these scenes were
all written about the same time; my feeling being, that after the opening
Shakspeare ceased to feel any great interest in the work... Continue reading book >>
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