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Original Penny Readings A Series of Short Sketches By: George Manville Fenn (1831-1909) |
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Original Penny Readings, by George Manville Fenn.
ORIGINAL PENNY READINGS, BY GEORGE MANVILLE FENN. CHAPTER ONE. PAYING THE FOOTING. Now, it don't matter a bit what sort of clay a pot's made of, if when
it's been tried in the fire it turns out sound and rings well when it's
struck. If I'm only common red ware, without even a bit of glaze on me,
and yet answer the purpose well for which I'm made, why I'm a good pot,
ain't I, even if I only hold water? But what I hate is this to see the
pots that we come against every day of our lives all on the grumble and
murmur system, and never satisfied. The pot of common clay wishes he
was glazed, and the glazed pot wishes he was blue crockery, and the blue
crock pot wishes he was gilt, and the gilt pot ain't satisfied because
he ain't china; and one and all are regularly blind to the good they
have themselves, and think their neighbours have all the pleasures of
this world. They're so blind that they can't see the flaws in some of
the china. "Oh! if I had only been that beautiful vase!" says the
common yellow basin that the missus washes the tea things up in "Oh! if
I had only been that beautiful vase!" says the basin, alluding to a
piece of china as stands on our mantel piece a vase that I picked up
cheap at a sale. Why, the jolly old useful basin can't see the cracks,
and flaws, and chips in our aristocratic friend; he can't see the
vein like marks, where he has been put together with diamond cement, nor
that half dozen brass rivets let into him with plaster of Paris. There,
go to, brother yellow basin; and look alive, and learn that old saying
about all not being gold that glitters. Aristocratic china is very
pretty to look at very ornamental; but if we put some hot water into
the mended vase, and tried to wash up in it, where would it be, eh?
Tell me that; while you, brother yellow basin, can bear any amount of
hard or hot usage; and then, after a wipe out, stand on your side, dry,
and with the consciousness of being of some use in this world; while the
bit of china well, it is werry pretty to look at, certainly. It's
werry nice to look at your heavy swell the idle man of large means, who
gives the whole of his mind to his tie or his looking glass; the man
with such beautiful whiskers, and such nice white hands; and when you've
done looking at him you can say he's werry ornamental, werry chinaish,
but he ain't much good after all. But there; instead of grumbling about
having to work for your living, just thank God for it. Look at your
dirty, black, horny fists: stretch 'em out and feel proud of them, and
then moisten 'em, and lay hold of whatever tool you work with, and go at
it with the thought strong on you that man had mind, hands, and power
given him to work with; and though toil be hard sometimes, why, the rest
after 's all the sweeter; while over even such poor fare as bread and
cheese and an onion there's greater relish and enjoyment than the china
vase gets over his entrees , which often want spice and
sauce piquante to help them down. Man wasn't meant to be only
ornamental; so don't grumble any more about being a yellow basin. But don't mistake me in what I mean; don't think I turn up my nose at
china: it's right enough in it's way, and at times vastly superior to
your common crockery. I honour and feel proud of the china pots which,
having no occasion to work, throw aside idleness, and with the
advantages of power and position, work, and work hard work with their
heads, and do great things men who live not to eat, but eat to live and
benefit their fellows in some way. Don't mistake my meaning, for I
don't want to make a man look with contempt on those above him; but
learn to see how that, whatever his position in life, he can do some
good, and that he is of service; and above all things, learn to see that
your yellow basin your working man is of quite as much value in this
world of ours as the china ornaments of society, whose aim and end is
often to there I'm almost ashamed to say it to kill time... Continue reading book >>
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