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Perugino   By: (1859-1940)

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Perugino by Selwyn Brinton is a captivating dive into the life and works of the Italian Renaissance artist, Pietro Perugino. Brinton skillfully weaves together an intricate narrative that sheds light on Perugino's artistry and depicts the artist's influence on the Renaissance art movement.

The book takes readers on a journey through Perugino's early life, exploring his humble beginnings and the influences that shaped his artistic style. Brinton's meticulous research is evident, as he delves deep into the historical context of Perugino's time, allowing readers to understand the artist's surroundings and the social, political, and cultural factors that shaped his work.

One of the strengths of Perugino is Brinton's ability to analyze and interpret the artist's paintings in a way that is accessible to both art enthusiasts and casual readers. Through insightful commentary, Brinton highlights the symbolism and techniques employed by Perugino, providing readers with a greater understanding and appreciation of the artist's masterpieces.

Moreover, Brinton's vivid descriptions transport readers to the Italian cities where Perugino's works can still be found today. Whether it is the breathtaking frescoes in the Sistine Chapel or the subtle details of his altarpieces, Brinton's evocative language paints a vivid picture, making readers feel as if they are standing before Perugino's artworks themselves.

In addition to Perugino's art, the book also explores the artist's relationships with his contemporaries, including Leonardo da Vinci and Raphael. Brinton illuminates the influence and collaborations between these artists, providing a deeper understanding of the dynamics of the Renaissance art world.

Though the book primarily focuses on Perugino's life and art, Brinton also delves into the wider themes of the Renaissance era, such as the rise of humanism and the impact of religious and political upheavals. This comprehensive approach adds depth and context to the narrative, making it not only an exploration of Perugino's art but also a study of a transformative period in history.

While the book does an exemplary job of examining Perugino's artistic genius, there are moments when the narrative loses momentum, potentially leaving readers wanting more. Additionally, some readers may find certain sections of the book too heavily focused on art theory and historical analysis, which could be overwhelming for those with a more casual interest in art history.

Overall, Perugino by Selwyn Brinton presents a meticulously researched and engaging portrayal of an often overlooked master of the Renaissance. With its careful examination of Perugino's art and its exploration of the broader historical and artistic context, this book is a valuable resource for art enthusiasts and history buffs alike. Brinton's passion for Perugino and his dedication to uncovering the nuances of the artist's life and works shines through, making this an enlightening and enjoyable read.

First Page:

MASTERPIECES

IN COLOUR

EDITED BY

T. LEMAN HARE

PIETRO PERUGINO

(1446 1524)

[Illustration: PLATE I. VIRGIN AND CHILD WITH ADORING ANGELS

(In the National Gallery, London)

This is the centre panel from the great altar piece commissioned by Duke Lodovico of Milan, from Perugino, for the Certosa of Pavia, and completed in 1499.

The three lower panels are replaced in the church by copies, the originals having been purchased from the Certosa by the Melzi family in 1786, and sold by Duke Melzi to the National Gallery in 1856. A masterpiece of Pietro's religious art, painted in his best method and best period.]

Perugino

BY SELWYN BRINTON, M.A.

ILLUSTRATED WITH EIGHT

REPRODUCTIONS IN COLOUR

[Illustration: IN SEMPITERNUM]

LONDON: T. C. & E. C. JACK

NEW YORK: FREDERICK A. STOKES CO.

LIST OF ILLUSTRATIONS

Plate

I. Virgin and Child with Adoring Angels Frontispiece

In the National Gallery, London Page

II... Continue reading book >>




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