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Poems, &c. (1790) Wherein It Is Attempted To Describe Certain Views Of Nature And Of Rustic Manners; And Also, To Point Out, In Some Instances, The Different Influence Which The Same Circumstances Produce On Different Characters   By: (1762-1851)

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In "Poems, &c. (1790)" by Joanna Baillie, readers are invited on a captivating journey through the vivid landscapes of nature and the intricate fabric of rustic society. Baillie showcases her poetic prowess by skillfully weaving together descriptive verses that simultaneously paint breathtaking natural panoramas and shed light on the multifaceted human condition.

One of the standout features of this collection is Baillie's keen ability to portray nature in all its awe-inspiring glory. She effortlessly crafts images that transport readers to lush meadows, towering mountains, and tranquil lakes. Her evocative descriptions make it easy for readers to become immersed in these settings, experiencing the rich tapestry of sights, sounds, and scents that nature offers. Baillie's command over language is truly exceptional, as she delicately captures the essence of each scene with her finely crafted metaphors and vivid adjectives.

Moreover, "Poems, &c." delves beyond the external beauty of nature and delves into the depths of rustic society. By taking a close look at the lives of rural individuals, Baillie presents a nuanced exploration of their inherent virtues and flaws. She highlights the influence that external circumstances can have on shaping different characters' perspectives and actions. This exploration adds depth and complexity to the overall narrative, making it a thought-provoking read for those interested in human nature and the social dynamics of a bygone era.

Throughout the collection, Baillie exhibits a remarkable understanding of human emotions and experiences. She delves into the inner workings of the human psyche, offering insightful reflections on the hopes, fears, joys, and sorrows that form the fabric of our lives. Baillie's lyrical verses often tackle universal themes, making her poems relatable to readers even centuries later.

However, one aspect that might discourage some readers is the dense and archaic language that Baillie employs. While it adds a certain charm and authenticity to the overall tone of the collection, it can also make the poems feel somewhat inaccessible to those less familiar with traditional poetry styles. This linguistic barrier may inhibit some readers from fully appreciating the depth and beauty of Baillie's work.

In conclusion, "Poems, &c. (1790)" by Joanna Baillie is a captivating collection that transports readers to the splendors of nature and the intricacies of rustic society. Baillie's masterful command over language, coupled with her profound insights into human nature, makes this anthology a noteworthy addition to any poetry enthusiast's library. Despite the occasional linguistic barrier, Baillie's timeless verses continue to resonate with readers, offering glimpses into the human condition that are as relevant today as they were when first penned.

First Page:

POEMS, &c.

POEMS;

WHEREIN IT IS ATTEMPTED TO DESCRIBE

CERTAIN VIEWS OF NATURE

AND OF

RUSTIC MANNERS;

AND ALSO,

TO POINT OUT, IN SOME INSTANCES, THE DIFFERENT INFLUENCE WHICH THE SAME CIRCUMSTANCES PRODUCE ON DIFFERENT CHARACTERS.

LONDON:

PRINTED FOR J. JOHNSON, SAINT PAUL'S CHURCH YARD.

MDCCXC.

A WINTER DAY.

The cock, warm roosting 'midst his feather'd dames, Now lifts his beak and snuffs the morning air, Stretches his neck and claps his heavy wings, Gives three hoarse crows, and glad his talk is done; Low, chuckling, turns himself upon the roost, Then nestles down again amongst his mates. The lab'ring hind, who on his bed of straw, Beneath his home made coverings, coarse, but warm, Lock'd in the kindly arms of her who spun them, Dreams of the gain that next year's crop should bring; Or at some fair disposing of his wool, Or by some lucky and unlook'd for bargain. Fills his skin purse with heaps of tempting gold, Now wakes from sleep at the unwelcome call, And finds himself but just the same poor man As when he went to rest. He hears the blast against his window beat, And wishes to himself he were a lord, That he might lie a bed. He rubs his eyes, and stretches out his arms; Heigh ho! heigh ho! he drawls with gaping mouth, Then most unwillingly creeps out of bed, And without looking glass puts on his clothes... Continue reading book >>




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