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Portuguese Architecture By: Walter Crum Watson |
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[Illustration: FROM THE MARVILLA, SANTAREM.] [Illustration: FROM THE MARVILLA, SANTAREM; ALSO IN THE MATRIZ, ALVITO,
AND ELSEWHERE.]
PORTUGUESE ARCHITECTURE BY WALTER CRUM WATSON ILLUSTRATED LONDON ARCHIBALD CONSTABLE AND COMPANY LIMITED 1908 Edinburgh: T. and A. CONSTABLE, Printers to His Majesty AOS MEUS QUERIDOS PARENTES E AMIGOS
A ILL^{MA} E EX^{MA} SN^{RA}
M. L. DOS PRADOS LARGOS
E OS
ILL^{MOS} E EX^{MOS} SNR^{ES}
BARONEZA E BARÃO DE SOUTELLINHO
COMO RECONHECIMENTO PELAS AMABILIDADES E ATTENÇÕES
QUE ME DISPENSARAM NOS BELLOS DIAS QUE PASSEI
NA SUA COMPANHIA
COMO HOMENAGEM RESPEITOSA
O.D.C.
O AUCTOR
PREFACE
The buildings of Portugal, with one or two exceptions, cannot be said to
excel or even to come up to those of other countries. To a large extent
the churches are without the splendid furniture which makes those of
Spain the most romantic in the world, nor are they in themselves so
large or so beautiful. Some apology, then, may seem wanted for imposing
on the public a book whose subject matter is not of first class
importance. The present book is the outcome of visits to Portugal in April or May of
three successive years; and during these visits the writer became so
fond of the country and of its people, so deeply interested in the
history of its glorious achievements in the past, and in the buildings
which commemorate these great deeds, that it seemed worth while to try
and interest others in them. Another reason for writing about Portugal
instead of about Spain is that the country is so much smaller that it is
no very difficult task to visit every part and see the various buildings
with one's own eyes: besides, in no language does there exist any book
dealing with the architecture of the country as a whole. There are some
interesting monographs in Portuguese about such buildings as the palace
at Cintra, or Batalha, while the Renaissance has been fully treated by
Albrecht Haupt, but no one deals at all adequately with what came before
the time of Dom Manoel. Most of the plans in the book were drawn from rough measurements taken
on the spot and do not pretend to minute accuracy. For the use of that of the Palace at Cintra the thanks of the writer are
due to Conde de Sabugosa, who allowed it to be copied from his book,
while the plan of Mafra was found in an old magazine. Thanks are also due to Senhor Joaquim de Vasconcellos for much valuable
information, to his wife, Senhora Michaelis de Vasconcellos, for her
paper about the puzzling inscriptions at Batalha, and above all the
Baron and the Baroneza de Soutellinho, for their repeated welcome to
Oporto and for the trouble they have taken in getting books and
photographs. That the book may be more complete there has been added a short account
of some of the church plate and paintings which still survive, as well
as of the tile work which is so universal and so characteristic. As for the buildings, hardly any of any consequence have escaped notice. EDINBURGH, 1907.
CONTENTS
INTRODUCTION PAGE Portugal separated from Spain by no natural division geographical or
linguistic; does not correspond with Roman Lusitania, nor with the
later Suevic kingdom Traces of early Celtic inhabitants; Citania,
Sabrosa Roman Occupation; Temple at Evora Barbarian Invasions Arab
Conquest Beginnings of Christian re conquest Sesnando,
first Count of Oporto Christians defeated at Zalaca Count
Henry of Burgundy and Dona Theresa Beginnings of Portuguese
Independence Affonso Henriques, King of Portugal Growth of
Portugal Victory of Aljubarrota Prince Henry the Navigator The
Spanish Usurpation The Great Earthquake The Peninsular
War The Miguelite War The suppression of the Monasteries Differences
between Portugal and Spain, etc... Continue reading book >>
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