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Potterism A Tragi-Farcical Tract By: Rose Macaulay (1881-1958) |
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A TRAGI FARCICAL TRACT BY ROSE MACAULAY Author of 'What Not,' etc. 1920
TO THE UNSENTIMENTAL PRECISIANS IN THOUGHT, WHO HAVE, ON THIS CONFUSED,
INACCURATE, AND EMOTIONAL PLANET, NO FIT HABITATION
'They contract a Habit of talking loosely and confusedly.' J. CLARKE.
'My dear friend, clear your mind of cant.... Don't think foolishly.'
SAMUEL JOHNSON.
'On the whole we are
Not intelligent
No, no, no, not intelligent.' W.S. GILBERT.
'Truth may perhaps come to the price of a Pearle, that sheweth best by
day; But it will not rise to the price of a Diamond or Carbuncle, that
sheweth best in varied lights. A mixture of a Lie doth ever adde
Pleasure. Doth any man doubt, that if there were taken out of men's
mindes Vaine Opinions, Blattering Hopes, False Valuations, Imaginations
as one would, and the like, but it would leave the Mindes of a Number of
Men poore shrunken Things, full of Melancholy and Indisposition and
unpleasing to themselves?' FRANCIS BACON.
'What is it that smears the windows of the senses? Thought, convention,
self interest.... We see the narrow world our windows show us not in
itself, but in relation to our own needs, moods, and preferences ... for
the universe of the natural man is strictly egocentric.... Unless we
happen to be artists and then but rarely we never know the "thing seen"
in its purity; never from birth to death, look at it with disinterested
eyes.... It is disinterestedness, the saint's and poet's love of things
for their own sakes ... which is the condition of all real knowledge....
When ... the verb "to have" is ejected from the centre of your
consciousness ... your attitude to life will cease to be commercial and
become artistic. Then the guardian at the gate, scrutinising and sorting
the incoming impressions, will no longer ask, "What use is this to
me? "... You see things at last as the artist does, for their sake, not
for your own.' EVELYN UNDERHILL.
CONTENTS
PART I. TOLD BY R.M. I. POTTERS
II. ANTI POTTERS
III. OPPORTUNITY
IV. JANE AND CLARE PART II. TOLD BY GIDEON I. SPINNING
II. DINING WITH THE HOBARTS
III. SEEING JANE PART III. TOLD BY LELIA YORKE I. THE TERRIBLE TRAGEDY ON THE STAIRS
II. AN AWFUL SUSPICION PART IV. TOLD BY KATHERINE VARICK A BRANCH OF STUDY PART V. TOLD BY JUKE GIVING ADVICE PART VI. TOLD BY R.M. I. THE END OF A POTTER MELODRAMA
II. ENGAGED TO BE MARRIED
III. THE PRECISIAN AT WAR WITH THE WORLD
IV. RUNNING AWAY
V. A PLACARD FOR THE PRESS
PART I: TOLD BY R.M.
CHAPTER I POTTERS
1 Johnny and Jane Potter, being twins, went through Oxford together. Johnny
came up from Rugby and Jane from Roedean. Johnny was at Balliol and Jane
at Somerville. Both, having ambitions for literary careers, took the
Honours School of English Language and Literature. They were ordinary
enough young people; clever without being brilliant, nice looking without
being handsome, active without being athletic, keen without being
earnest, popular without being leaders, open handed without being
generous, as revolutionary, as selfish, and as intellectually snobbish as
was proper to their years, and inclined to be jealous one of the other,
but linked together by common tastes and by a deep and bitter distaste
for their father's newspapers, which were many, and for their mother's
novels, which were more. These were, indeed, not fit for perusal at
Somerville and Balliol. The danger had been that Somerville and Balliol,
till they knew you well, should not know you knew it. In their first year, the mother of Johnny and Jane ('Leila Yorke,' with
'Mrs. Potter' in brackets after it), had, after spending Eights Week at
Oxford, announced her intention of writing an Oxford novel. Oh God, Jane
had cried within herself, not that; anything but that; and firmly she
and Johnny had told her mother that already there were Keddy , and
Sinister Street , and The Pearl , and The Girls of St... Continue reading book >>
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