Put Yourself in His Place   By: Charles Reade (1814-1884)

By Charles Reade

"I will frame a work of fiction upon notorious fact, so that anybody shall think he can do the same; shall labor and toil attempting the same, and fail such is the power of sequence and connection in writing." HORACE: Art of Poetry.

CHAPTER I.

Hillsborough and its outlying suburbs make bricks by the million, spin and weave both wool and cotton, forge in steel from the finest needle up to a ship's armor, and so add considerably to the kingdom's wealth.

But industry so vast, working by steam on a limited space, has been fatal to beauty: Hillsborough, though built on one of the loveliest sites in England, is perhaps the most hideous town in creation. All ups and down and back slums. Not one of its wriggling, broken backed streets has handsome shops in an unbroken row. Houses seem to have battled in the air, and stuck wherever they tumbled down dead out of the melee. But worst of all, the city is pockmarked with public houses, and bristles with high round chimneys. These are not confined to a locality, but stuck all over the place like cloves in an orange. They defy the law, and belch forth massy volumes of black smoke, that hang like acres of crape over the place, and veil the sun and the blue sky even in the brightest day. But in a fog why, the air of Hillsborough looks a thing to plow, if you want a dirty job.

More than one crystal stream runs sparkling down the valleys, and enters the town; but they soon get defiled, and creep through it heavily charged with dyes, clogged with putridity, and bubbling with poisonous gases, till at last they turn to mere ink, stink, and malaria, and people the churchyards as they crawl.

This infernal city, whose water is blacking, and whose air is coal, lies in a basin of delight and beauty: noble slopes, broad valleys, watered by rivers and brooks of singular beauty, and fringed by fair woods in places; and, eastward, the hills rise into mountains, and amongst them towers Cairnhope, striped with silver rills, and violet in the setting sun.

Cairnhope is a forked mountain, with a bosom of purple heather and a craggy head. Between its forks stood, at the period of my story, a great curiosity; which merits description on its own account, and also as the scene of curious incidents to come.

It was a deserted church. The walls were pierced with arrow slits, through which the original worshipers had sent many a deadly shaft in defense of their women and cattle, collected within the sacred edifice at the first news of marauders coming.

Built up among the heathery hills in times of war and trouble, it had outlived its uses. Its people had long ago gone down into the fruitful valley, and raised another church in their midst, and left this old house of God alone, and silent as the tombs of their forefathers that lay around it.

It was no ruin, though on the road to decay. One of the side walls was much lower than the other, and the roof had two great waves, and was heavily clothed, in natural patterns, with velvet moss, and sprinkled all over with bright amber lichen: a few tiles had slipped off in two places, and showed the rafters brown with time and weather: but the structure was solid and sound; the fallen tiles lay undisturbed beneath the eaves; not a brick, not a beam, not a gravestone had been stolen, not even to build the new church: of the diamond panes full half remained; the stone font was still in its place, with its Gothic cover, richly carved; and four brasses reposed in the chancel, one of them loose in its bed.