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Quisisana, or Rest at Last   By: (1829-1911)

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In Friedrich Spielhagen's captivating novel, Quisisana, or Rest at Last, readers are transported to a world where social conventions and individual desires collide against the backdrop of a charming seaside resort. Set in late 19th century Germany, Spielhagen masterfully weaves together a tale of love, ambitions, and the pursuit of happiness.

Centered around the breathtaking Quisisana, a hospitable haven for both locals and tourists alike, the story introduces us to a diverse cast of characters, each struggling to find their own sense of fulfillment. The protagonist, Arnold Friedrich, is a successful yet inwardly disillusioned lawyer drawn to this idyllic retreat in search of solace and rejuvenation. Spielhagen skillfully portrays Arnold's complex and often conflicting emotions, making him a relatable and compelling protagonist.

Throughout the narrative, Spielhagen explores the themes of societal expectations and the limitations they impose on individual freedom. He expertly dissects the dynamics of the German upper class, revealing the intricate web of social rules that suffocate genuine human connection. The contrast between the carefree atmosphere of Quisisana and the suffocating expectations of society creates a palpable tension, adding depth and authenticity to the characters' struggles.

As the story unfolds, Arnold finds himself irresistibly drawn to two women who represent opposing paths in life. The enigmatic and free-spirited Helene ignites Arnold's passion while challenging his preconceived notions of love and happiness. In contrast, Clara embodies societal expectations, offering stability and security but lacking the spark that Helene ignites within Arnold. Spielhagen's vivid descriptions and emotionally charged dialogue capture the intensity of Arnold's inner conflict, leaving readers torn between rooting for true love or social conformity.

Spielhagen's prose is both elegant and accessible, effortlessly guiding readers through the intricate plot. His meticulous attention to detail immerses us in the world of Quisisana, evoking the sights, sounds, and even the scents of the coastal town. From the gentle rustling of leaves to the crashing of waves against the shore, every scene comes alive, transporting readers into a world where they can almost taste the sea salt in the air.

Quisisana, or Rest at Last is not just a tale of romance, but a poignant exploration of the human condition. Spielhagen's nuanced exploration of the characters' inner struggles resonates on a deeply personal level, inviting readers to reflect on their own desires and aspirations. Despite its setting in another era, the novel's themes are timeless, making it relevant and relatable to contemporary audiences.

In Quisisana, Friedrich Spielhagen weaves an intricate tapestry of love, desire, and societal expectations that challenges our understanding of happiness and fulfillment. With its richly developed characters, evocative prose, and thought-provoking themes, this novel is a must-read for lovers of historical fiction and those seeking a profound exploration of the human spirit.

First Page:

Transcriber's Note: 1. Page scan source: http://www.archive.org/details/cu31924031341906

2. The diphthong oe is represented by [oe].

Q U I S I S A N A

OR

REST AT LAST

From the German of F. Spielhagen

BY

H. E. GOLDSCHMIDT

ONLY TRANSLATION SANCTIONED BY THE AUTHOR AND BY THE INTERNATIONAL LITERARY ASSOCIATION

NEW YORK: JAMES B. MILLAR & CO., PUBLISHERS. 1885.

TROW'S PRINTING AND BOOKBINDING COMPANY, NEW YORK.

QUISISANA.

I.

"Why have you roused me, Konski?"

"You were lying on your left side again, sir," the servant, who held his master clasped by the shoulder, replied, as he completed the task of restoring him to a sitting posture on the sofa; "and you have been drinking champagne at dinner, more than a bottle, John says, and that surely is ..."

Konski broke off abruptly, and turned again to the travelling boxes, one of which was already unlocked; he commenced to arrange its contents in the chest of drawers, and went on, apparently talking to himself rather than to his master

"I am merely doing what the doctor has insisted upon... Continue reading book >>




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