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Recollections of My Youth By: Ernest Renan (1823-1892) |
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BY ERNEST RENAN 1897 [Illustration: Ernest Renan] CONTENTS.
THE FLAX CRUSHER. PART I. PART II. PART III. PART IV. PRAYER ON THE ACROPOLIS ST. RENAN MY UNCLE PIERRE. GOOD MASTER SYSTÈME. PART I. PART II. LITTLE NOÉMI. PART I. PART II. THE PETTY SEMINARY OF ST. NICHOLAS DU CHARDONNET. PART I. PART II. PART III. THE ISSY SEMINARY. PART I. PART II. THE ST. SULPICE SEMINARY. PART I. PART II. PART III. PART IV. PART V. FIRST STEPS OUTSIDE ST. SULPICE. PART I. PART II. PART III. PART IV. PART V. APPENDIX
PREFACE.
One of the most popular legends in Brittany is that relating to an
imaginary town called Is, which is supposed to have been swallowed up
by the sea at some unknown time. There are several places along the
coast which are pointed out as the site of this imaginary city, and
the fishermen have many strange tales to tell of it. According to
them, the tips of the spires of the churches may be seen in the hollow
of the waves when the sea is rough, while during a calm the music of
their bells, ringing out the hymn appropriate to the day, rises above
the waters. I often fancy that I have at the bottom of my heart a city
of Is with its bells calling to prayer a recalcitrant congregation.
At times I halt to listen to these gentle vibrations which seem as if
they came from immeasurable depths, like voices from another world.
Since old age began to steal over me, I have loved more especially
during the repose which summer brings with it, to gather up these
distant echoes of a vanished Atlantis. This it is which has given birth to the six chapters which make up the
present volume. The recollections of my childhood do not pretend to
form a complete and continuous narrative. They are merely the images
which arose before me and the reflections which suggested themselves
to me while I was calling up a past fifty years old, written down in
the order in which they came. Goethe selected as the title for his
memoirs "Truth and Poetry," thereby signifying that a man cannot write
his own biography in the same way that he would that of any one else.
What one says of oneself is always poetical. To fancy that the small
details of one's own life are worth recording is to be guilty of very
petty vanity. A man writes such things in order to transmit to others
the theory of the universe which he carries within himself. The form
of the present work seemed to me a convenient one for expressing
certain shades of thought which my previous writings did not convey.
I had no desire to furnish information about myself for the future use
of those who might wish to write essays or articles about me. What in history is a recommendation would here have been a drawback;
the whole of this small volume is true, but not true in the sense
required for a "Biographical Dictionary." I have said several things
with the intent to raise a smile, and, if such a thing had been
compatible with custom, I might have used the expression cum grano
salis as a marginal note in many cases. I have been obliged to be
very careful in what I wrote. Many of the persons to whom I refer may
be still alive; and those who are not accustomed to find themselves in
print have a sort of horror of publicity. I have, therefore,
altered several proper names. In other cases, by means of a slight
transposition of date and place, I have rendered identification
impossible. The story of "the Flax crusher" is absolutely true, with
the exception that the name of the manor house is a fictitious one.
With regard to "Good Master Système," I have been furnished by M.
Duportal du Godasmeur with further details which do not confirm
certain ideas entertained by my mother as to the mystery in which this
aged recluse enveloped his existence. I have, however, made no change
in the body of the work, thinking that it would be better to leave
M... Continue reading book >>
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