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Rembrandt, With a Complete List of His Etchings   By: (1880-1957)

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Rembrandt, With a Complete List of his Etchings

Arthur M. Hind

Fredk. A. Stokes Company 1912

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[144, II. Rembrandt and his Wife, Saskia, 1636, B. 19]

144, II. Rembrandt and his Wife, Saskia, 1636, B. 19

CONTENTS

REMBRANDT BOOKS OF REFERENCE A CHRONOLOGICAL LIST OF REMBRANDT'S ETCHINGS

ILLUSTRATIONS

144, II. Rembrandt and his Wife, Saskia, 1636, B. 19 1, I. REMBRANDT'S MOTHER, Unfinished state. 1628: B. 354. 7, I. BEGGAR MAN AND BEGGAR WOMAN CONVERSING. 1630. B. 164 20, I. CHRIST DISPUTING WITH THE DOCTORS: SMALL PLATE. 1630. B. 66 23, I. BALD HEADED MAN (REMBRANDT'S FATHER?) In profile r.; head only, bust added afterwards. 1630. B. 292. First state, the body being merely indicated in ink 38, II. THE BLIND FIDDLER. 1631. B. 138 40. THE LITTLE POLANDER. 1631. B. 142. 139. THE QUACKSALVER. 1635. B. 129. 164. A PEASANT IN A HIGH CAP, STANDING LEANING ON A STICK. 1639. B. 133 52, III. REMBRANDT'S MOTHER SEATED. (1631.) B. 343. 54, VI. REMBRANDT WEARING A SOFT HAT, COCKED. 1631. B. 7. Later state, the body added. 57. REMBRANDT WEARING A SOFT CAP. (1631.) B. 2 97, I. THE RAT KILLER. 1632. B. 121 110, I. REMBRANDT WITH PLUMED HAT, AND SABRE. 1634. B. 23. This plate was afterwards cut down to a bust in an oval. 112. REMBRANDT'S WIFE, SASKIA, WITH PEARLS IN HER HAIR. 1634. B. 347 127, I. THE GREAT JEWISH BRIDE. 1635. B. 340. Unfinished state 129. OLD WOMAN SLEEPING. (1635 7.) B. 350. 147. THE RETURN OF THE PRODIGAL SON. 1636. B. 91 151, II. YOUNG MAN IN A VELVET CAP, WITH BOOKS BESIDE HIM. 1637. B. 268 153, I. THREE HEADS OF WOMEN. (1637.) B. 367. First state, with one head (portrait of Saskia) only 161, I. THE DEATH OF THE VIRGIN. 1639. B. 99 167, I. JAN UYTENBOGAERT, RECEIVER GENERAL (THE "GOLD WEIGHER"). 1639. B 281. First state, the face only lightly indicated 168, I. REMBRANDT LEANING ON A STONE SILL. 1639. B. 21 From an impression touched by the artist in black chalk 172. THE TRIUMPH OF MORDECAI. (1640, or later.) B. 40 175. SMALL GREY LANDSCAPE. (1640.) B. 207. 196. SICK WOMAN WITH LARGE WHITE HEAD DRESS (SASKIA). (1642.) B. 359 176, II. VIEW OF AMSTERDAM. (1640.) B. 210 179. THE WINDMILL. 1641. B. 233 184. THE SPANISH GIPSY. (1641.) B. 120 198, I. THE RAISING OF LAZARUS. 1642. B. 72 205. THE THREE TREES. (1643.) B. 212 209, I. SIX'S BRIDGE. 1645. B. 208 215. CHRIST CARRIED TO THE TOMB. (1645.) B. 84 216. THE REST ON THE FLIGHT: LIGHTLY ETCHED. 1645. B. 58 228, II. JAN SIX. 1647. B. 285 229, I. REMBRANDT DRAWING AT A WINDOW. 1648. B. 22. Unfinished state. 231, I. THE ARTIST DRAWING FROM A MODEL, (1648, or later?) B. 192. Unfinished plate 232, I. ST. JEROME BESIDE A POLLARD WILLOW. 1648. B. 103 234, I. JEWS IN SYNAGOGUE. 1648. B. 126 236, I. CHRIST, WITH THE SICK AROUND HIM, RECEIVING LITTLE CHILDREN (The "Hundred Guilder Print"). (1649.) B. 74. First state, before adding shading on the neck of the ass, r. Only nine impressions of this state are known, two being in the British Museum 239, I. CANAL WITH A LARGE BOAT AND BRIDGE. 1650. B. 236 242, I. LANDSCAPE WITH A MILKMAN. (1650.) B. 213 244, III. LANDSCAPE WITH TREES, FARM BUILDINGS AND A TOWER. (1650.) B. 223. The two earlier states show the tower surmounted by a. cupola, which was burnished out to increase the concentration of the subject 249. THE GOLDWEIGHER'S FIELD. 1651. B. 234 251, I. CLEMENT DE JONGHE, PRINTSELLER. 1651. B. 272 252. THE BLINDNESS OF TOBIT: THE LARGER PLATE. 1651. B. 42 254. THE STAR OF THE KINGS: A NIGHT PIECE. (1652.) B. 113 256. CHRIST PREACHING ("LA PETITE TOMBE"). 1652 B. 67 257, I. CHRIST DISPUTING WITH THE DOCTORS; A SKETCH. 1652. B. 65 261. TITUS VAN RYN, REMBRANDT'S SON. (1656.) B. 11 264. LANDSCAPE WITH A ROAD BESIDE A CANAL. 1652. B. 221 267, I. ST. JEROME READING, IN AN ITALIAN LANDSCAPE. (1653.) B. 104 270, I. THE THREE CROSSES. 1653. B. 78. First state 270, IV. THE THREE CROSSES. 1653. B. 78. Fourth state. The plate entirely transformed: ihe figures in the middle and foreground, l... Continue reading book >>




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