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The Renaissance of the Vocal Art   By:

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Edmund Myer's The Renaissance of the Vocal Art is a comprehensive examination of the lost techniques and renewed appreciation for the art form of singing. With his extensive knowledge as a voice teacher and coach, Myer delves into the historical origins and development of vocal techniques, illuminating the pivotal role they play in the world of classical singing.

The book's structure is well-organized, starting with an exploration of ancient vocal traditions and gradually progressing to the Renaissance period. Myer's research is meticulous, presenting evidence and examples from various historical sources. The author's expertise is evident throughout the narrative, making it an invaluable resource for anyone interested in the voice as a musical instrument.

One of the book's strengths lies in Myer's ability to make complex vocal concepts accessible to both performers and enthusiasts. He breaks down technical terms and provides clear explanations, bringing the reader into the fascinating world of vocal mechanics. Consequently, even those without prior knowledge of singing can appreciate and immerse themselves in the subject matter.

Moreover, The Renaissance of the Vocal Art conveys the author's enthusiasm for vocal arts, demonstrating an unwavering belief in its timeless beauty and importance. Myer's passion seeps through the pages, adding depth and richness to the overall reading experience. This zeal serves as both a persuasive force for reviving forgotten techniques and an inspiration to readers, encouraging a renewed interest in this magnificent art form.

However, while the book provides a thorough analysis of historical context and techniques, it occasionally lacks examples that could have further demonstrated the concepts being discussed. Throughout the text, Myer refers to numerous compositions and artists, but additional musical excerpts or vocal demonstrations would have enhanced the reader's understanding. Such multimedia augmentation could have made the book even more engaging and interactive, bridging the gap between theory and application.

In conclusion, Edmund Myer's The Renaissance of the Vocal Art is a remarkable work that rekindles the appreciation for vocal arts by exploring its history and techniques. Myer's expertise and passion shine through each chapter, making this book a compelling read for aspiring singers, voice coaches, and enthusiasts alike. While the absence of accompanying musical examples is a minor drawback, the overall clarity and breadth of information make it an invaluable resource for anyone seeking a deeper understanding of the vocal artistry that has shaped our cultural heritage.

First Page:

The Renaissance of the Vocal Art

A Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers of the Singer, through Flexible, Elastic Bodily Movements

BY EDMUND J. MYER F.S. Sc. (London)

Author of "Truths of Importance to Vocalists," "The Voice from a Practical Stand Point," "Voice Training Exercises" (a study of the natural movements of the voice), "Vocal Reinforcement," "Position and Action in Singing," etc., etc.

1902

" When you see something new to you in art, or hear a proposition in philosophy you never heard before, do not make haste to ridicule, deny or refute. Possibly the trouble is with yourself who knows? "

PREFACE.

To my readers once again through this little work, greetings. For the many kind things said of my former works by my friends, my pupils, the critic and the profession, thanks! To those who have understood and appreciated the principles laid down in my last book, "Position and Action in Singing," I will say that this little work will be an additional help. To my readers in general, who may not have fully understood or appreciated the principles of vitality, of vitalized energy, aroused and developed through the movements set forth in my last book, to such I will say that I hope this little work will make clearer those principles... Continue reading book >>




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