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Robert Browning: How to Know Him By: William Lyon Phelps (1865-1943) |
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ROBERT BROWNING: HOW TO KNOW HIM By WILLIAM LYON PHELPS, M.A., PH.D. Lampton Professor of English Literature at Yale WITH PORTRAIT TO JAMES WHITCOMB RILEY WITH SINCERE AFFECTION AND RESPECT PREFACE In this volume I have attempted to give an account of Browning's life and an estimation of his character: to set forth, with sufficient illustration from his poems, his theory of poetry, his aim and method: to make clear some of the leading ideas in his work: to show his fondness for paradox: to exhibit the nature and basis of his optimism. I have given in complete form over fifty of his poems, each one preceded by my interpretation of its meaning and significance. W. L. P. [Illistration: Seven Gables, Lake Huron] CONTENTS CHAPTER I THE MAN II BROWNING'S THEORY OF POETRY III LYRICS IV DRAMATIC LYRICS V DRAMATIC MONOLOGUES VI POEMS OF PARADOX VII BROWNING'S OPTIMISM INDEX LIST OF POEMS ABT VOGLER ANDREA DEL SARTO APPARENT FAILURE BAD DREAMS BISHOP ORDERS HIS TOMB, THE CALIBAN UPON SETEBOS CAVALIER TUNES "CHILDE ROLAND TO THE DARK TOWER CAME" CONFESSIONS COUNT GISMOND CRISTINA EPILOGUE TO ASOLANDO EPILOGUE TO FEFINE AT THE FAIR EPISTLE (AN) CONTAINING THE STRANGE MEDICAL EXPERIENCE OF KARSHISH EVELYN HOPE EYES CALM BESIDE THEE FACE, A GLOVE, THE GRAMMARIAN'S FUNERAL, A GUARDIAN ANGEL, THE HOME THOUGHTS, FROM ABROAD HOME THOUGHTS, FROM THE SEA HOW IT STRIKES A CONTEMPORARY "HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX" JAMES LEE'S WIFE (two stanzas from) JOHANNES AGRICOLA IN MEDITATION LABORATORY, THE LAST RIDE TOGETHER, THE LOST LEADER, THE LOST MISTRESS, THE LOVE AMONG THE RUINS MEETING AT NIGHT MY LAST DUCHESS MY STAR NEVER THE TIME AND THE PLACE ONE WAY OF LOVE ONE WORD MORE OVER THE SEA OUR GALLEYS WENT PARTING AT MORNING PORPHYRIA'S LOVER PROLOGUE TO ASOLANDO PROLOGUE TO JOCOSERIA PROLOGUE TO LA SAISIAZ PROLOGUE TO PACCHIAROTTO PROLOGUE TO THE TWO POETS OF CROISIC PROSPICE RABBI BEN EZRA REPHAN RESPECTABILITY SAUL SIBRANDUS SCHAFNABURGENSIS SOLILOQUY OF THE SPANISH CLOISTER SONG FROM A BLOT IN THE 'SCUTCHEON SONGS FROM PARACELSUS SONGS FROM PIPPA PASSES STATUE (THE) AND THE BUST SUMMUM BONUM "TRANSCENDENTALISM" UP AT A VILLA DOWN IN THE CITY WHICH? BROWNING I THE MAN If we enter this world from some other state of existence, it seems certain that in the obscure pre natal country, the power of free choice so stormily debated by philosophers and theologians here does not exist. Millions of earth's infants are handicapped at the start by having parents who lack health, money, brains, and character; and in many cases the environment is no better than the ancestry. "God plants us where we grow," said Pompilia, and we can not save the rose by placing it on the tree top. Robert Browning, who was perhaps the happiest man in the nineteenth century, was particularly fortunate in his advent. Of the entire population of the planet in the year of grace 1812, he could hardly have selected a better father and mother than were chosen for him; and the place of his birth was just what it should have been, the biggest town on earth. All his life long he was emphatically a city man, dwelling in London, Florence, Paris, and Venice, never remaining long in rural surroundings. Browning was born on May 7, 1812, in Southampton Street, Camberwell, London, a suburb on the southern side of the river. One hundred years later, as I traversed the length of this street, it looked squalid in the rain, and is indeed sufficiently unlovely. But in 1812 it was a good residential locality, and not far away were fresh woods and pastures.... The good health of Browning's father may be inferred from the fact that he lived to be eighty four, "without a day's illness;" he was a practical, successful business man, an official in the Bank of England... Continue reading book >>
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