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The Roman Question   By: (1828-1885)

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In "The Roman Question" by Edmond About, readers are transported back to mid-19th century Italy, where tensions between the Catholic Church and the Italian government are at a boiling point. Although the book is not a historical account, it vividly captures the political and social unrest of the period, making it a fascinating read for history buffs and enthusiasts alike.

The story revolves around two main characters, Count Leonello Pecci and his cousin Princess Fabiole Fiordelisa, who find themselves caught in the middle of this heated conflict. Pecci, a staunch supporter of Italian unification, is determined to protect the nascent Italian state from the influence and interference of the Vatican. On the other hand, Princess Fiordelisa, being deeply religious, struggles with her loyalty to her faith and her love for her country.

What sets this novel apart is the author's skillful weaving of historical events with a gripping narrative. Edmond About seamlessly incorporates real-life figures, such as Pope Pius IX and prominent Italian politicians, into the story. This allows readers to gain a deeper understanding of the real-life implications of the Roman Question and the power struggle between the Church and the state.

The characters themselves are well-developed and multi-dimensional, adding layers of complexity to the plot. Pecci's unwavering determination to separate church and state is juxtaposed with his internal conflict of maintaining familial harmony. Princess Fiordelisa's struggle between spirituality and patriotism is beautifully portrayed, making her truly relatable and sympathetic. Their interactions and personal growth throughout the novel further enhance the story's depth.

In terms of writing style, About's prose is elegant and engrossing. The vivid descriptions of Rome and the surrounding areas transport readers to the heart of the events, making them feel like active participants rather than mere observers. The author's meticulous research is evident throughout, as he deftly blends fiction with historical accuracy.

However, one aspect that could be improved upon is the pacing. Some sections of the book feel slower than others, and the narrative occasionally loses its momentum. While these moments may not detract significantly from the overall experience, they do slightly hinder the book's flow.

Overall, "The Roman Question" is a remarkable novel that explores the complex web of politics and religion during a transformative period in Italian history. Edmond About's meticulous research, compelling characters, and seamless integration of fact and fiction make this book an engrossing read. Whether you are a history enthusiast or simply enjoy a well-crafted story, "The Roman Question" offers a captivating glimpse into the struggles of a nation torn between church and state.

First Page:

THE ROMAN QUESTION

by

E. ABOUT

Translated From The French By H. C. Coape

New York: D. Appleton and Company, 346 & 348 Broadway

1859

PREFACE

It was in the Papal States that I studied the Roman Question. I travelled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot.

My first impressions, noted down from day to day without any especial object, appeared, with some necessary modifications, in the Moniteur Universel . These notes, truthful, somewhat unconnected, and so thoroughly impartial, that it would be easy to discover in them contradictions and inconsistencies, I was obliged to discontinue, in consequence of the violent outcry of the Pontifical Government. I did more. I threw them in the fire, and wrote a book instead. The present volume is the result of a year's reflection.

I completed my study of the subject by the perusal of the most recent works published in Italy. The learned memoir of the Marquis Pepoli, and the admirable reply of an anonymous writer to M. de Rayneval, supplied me with my best weapons. I have been further enlightened by the conversation and correspondence of some illustrious Italians, whom I would gladly name, were I not afraid of exposing them to danger... Continue reading book >>




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