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Sir George Tressady — Volume I   By: (1851-1920)

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Sir George Tressady — Volume I by Humphry Ward is a captivating novel that delves deep into the intricate web of society and politics in late 19th century England. Set in the backdrop of a changing world, the author skillfully weaves together a compelling narrative that explores themes of ambition, love, duty, and the clash between personal desires and societal expectations.

The protagonist, George Tressady, is an ambitious young politician striving to make his mark in the House of Commons. Ward expertly portrays the internal struggle faced by George as he grapples with his personal desires for success and the burdens of his familial obligations. As the story unfolds, readers witness George's evolution from an ambitious and somewhat callow young man into a more nuanced character burdened by the complexities of his decisions.

Ward's character development is a standout aspect of this novel. Each character, no matter how minor, has a distinct voice and purpose, adding depth and intrigue to the overall narrative. The interactions between George and his immediate family, particularly his mother, Lady Tressady, are rich with tension and emotional depth, illuminating the strain between duty and personal happiness.

Additionally, Ward skillfully incorporates political and social commentary into the story. The novel provides a vivid portrayal of the political landscape during that era, highlighting the power dynamics, corruption, and intrigues prevalent within the British government. The author explores the dilemmas faced by politicians of the time, the pressures to conform to societal expectations, and the compromises needed to navigate the treacherous waters of politics.

The pacing of Sir George Tressady — Volume I is commendable. Ward manages to maintain a steady rhythm, blending moments of introspection with gripping plot developments, keeping readers engaged throughout. The rich historical detail and the author's ability to transport readers back to the late Victorian period adds an extra layer of authenticity to the narrative.

However, the novel does have a tendency to become overly descriptive at times, bogging down the pacing and diluting the impact of certain scenes. Some readers might find these passages tedious and prefer a more concise storytelling style. Additionally, the multiple storylines and the introduction of various characters can feel overwhelming at points, making it difficult to fully invest in each individual subplot.

Overall, Sir George Tressady — Volume I is a fascinating read that delves into the complexities of politics and society during the late 19th century. Humphry Ward's vivid portrayal of characters and his ability to capture the essence of the time period make this novel a compelling choice for historical fiction enthusiasts. While some may find the occasional verbosity and crowded narrative structure challenging, the overarching themes and engaging plot make this book a worthwhile and rewarding read.

First Page:

SIR GEORGE TRESSADY, VOLUME I

IN TWO VOLUMES

BY

MRS. HUMPHRY WARD

AUTHOR OF "MARCELLA," "THE HISTORY OF DAVID GRIEVE," "ROBERT ELSMEKE," ETC.

To my Brother and friend

WILLIAM THOMAS ARNOLD

I INSCRIBE THIS BOOK

VOLUME I.

PART I

CHAPTER I

"Well, that's over, thank Heaven!"

The young man speaking drew in his head from the carriage window. But instead of sitting down he turned with a joyous, excited gesture and lifted the flap over the little window in the back of the landau, supporting himself, as he stooped to look, by a hand on his companion's shoulder. Through this peephole he saw, as the horses trotted away, the crowd in the main street of Market Malford, still huzzaing and waving, the wild glare of half a dozen torches on the faces and the moving forms, the closed shops on either hand, the irregular roofs and chimneys sharp cut against a wintry sky, and in the far distance the little lantern belfry and taller mass of the new town hall.

"I'm much astonished the horses didn't bolt!" said the man addressed. "That bay mare would have lost all the temper she's got in another moment. It's a good thing we made them shut the carriage it has turned abominably cold. Hadn't you better sit down?"

And Lord Fontenoy made a movement as though to withdraw from the hand on his shoulder... Continue reading book >>




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