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Sketches and Studies in Italy and Greece, Third series   By: (1840-1893)

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In Sketches and Studies in Italy and Greece, Third series, John Addington Symonds takes us on a captivating journey through the cultural and historic depths of Italy and Greece. As an enthusiastic traveler and a keen observer, Symonds skillfully intertwines personal anecdotes, detailed descriptions, and deep insights, creating an immersive and enlightening reading experience.

What sets this book apart from others in its genre is Symonds' unique ability to capture the essence of each location he visits. Whether it be the bustling streets of Florence, the ancient ruins of Athens, or the serene landscapes of Sicily, the author's vivid prose brings every scene to life. His attention to detail is exceptional, allowing readers to visualize his surroundings as if they were standing right beside him.

Symonds' deep knowledge of art, history, and literature shines throughout the book. He seamlessly weaves historical context into his narratives, providing readers with a greater understanding of the significance of each location. The author's affection for the classics is apparent, as he frequently references ancient Greek and Roman literature, adding an extra layer of depth to his descriptions.

Another notable aspect of the book is Symonds' engaging storytelling style. He effortlessly combines historical facts with personal reflections, creating a harmonious blend of information and emotion. The inclusion of his own experiences and opinions allows readers to form a more intimate connection with the author and the landscapes he explores. Whether recounting a chance encounter with a local or expressing his awe at the beauty of a particular artwork, these personal touches add an authentic and relatable element to the book.

While the book predominantly focuses on Italy and Greece, Symonds also explores other Mediterranean countries and regions, such as Malta and Turkey. This diverse range of settings provides readers with a wider perspective on the region and enhances the overall richness of the book.

One small drawback of Sketches and Studies in Italy and Greece, Third series is its occasional density. Symonds' extensive knowledge and dense prose may be overwhelming for readers less familiar with the subject matter. However, for those with a deep interest in art, history, and travel, this should not detract from the overall enjoyment of the book.

In conclusion, John Addington Symonds' Sketches and Studies in Italy and Greece, Third series is a captivating journey through the cultural and historic treasures of the Mediterranean. With his descriptive prose, profound insights, and personal anecdotes, Symonds provides an immersive and enlightening reading experience. Whether you have a passion for art and history or simply crave a captivating travel memoir, this book is a must-read for anyone seeking to explore the depths of Italy and Greece.

First Page:

SKETCHES AND STUDIES

IN ITALY AND GREECE

BY JOHN ADDINGTON SYMONDS

AUTHOR OF "RENAISSANCE IN ITALY," "STUDIES OF THE GREEK POETS," ETC.

THIRD SERIES

WITH A FRONTISPIECE

LONDON

JOHN MURRAY, ALBEMARLE STREET, W.

1910

First Edition (Smith, Elder & Co.) December 1898 Reprinted December 1907 Reprinted October 1910 Taken Over by John Murray January 1917

All rights reserved

Printed in Great Britain by

Spottiswoode, Ballantyne & Co. Ltd.

London, Colchester & Eton

CONTENTS

FOLGORE DA SAN GEMIGNANO

THOUGHTS IN ITALY ABOUT CHRISTMAS

SIENA

MONTE OLIVETO

MONTEPULCIANO

PERUGIA

ORVIETO

LUCRETIUS

ANTINOUS

SPRING WANDERINGS

AMALFI, PÆSTUM, CAPRI

ETNA

PALERMO

SYRACUSE AND GIRGENTI

ATHENS

INDEX

The Ildefonso Group Frontispiece

SKETCHES AND STUDIES

IN

ITALY AND GREECE

FOLGORE DA SAN GEMIGNANO

Students of Mr. Dante Gabriel Rossetti's translations from the early Italian poets ( Dante and his Circle . Ellis & White, 1874) will not fail to have noticed the striking figure made among those jejune imitators of Provençal mannerism by two rhymesters, Cecco Angiolieri and Folgore da San Gemignano. Both belong to the school of Siena, and both detach themselves from the metaphysical fashion of their epoch by clearness of intention and directness of style... Continue reading book >>




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