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Sketches of Travel in Normandy and Maine   By: (1823-1892)

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First Page:

SKETCHES OF TRAVEL

IN

NORMANDY AND MAINE

[Illustration: Decoration]

[Illustration: St. Stephens, Caen, E.

Frontispiece ]

SKETCHES OF TRAVEL

IN

NORMANDY AND MAINE

BY

EDWARD A. FREEMAN

WITH ILLUSTRATIONS FROM DRAWINGS BY THE AUTHOR

AND A PREFACE BY

W.H. HUTTON, B.D.

FELLOW AND TUTOR OF S. JOHN'S COLLEGE, OXFORD

London

MACMILLAN AND CO., LIMITED

NEW YORK: THE MACMILLAN COMPANY

1897

All rights reserved

RICHARD CLAY AND SONS, LIMITED, LONDON AND BUNGAY.

EDITOR'S NOTE

The first eight and the last four of these sketches appeared in the Saturday Review , the others in the Guardian . They are here reprinted with a few omissions, but with no other alteration. The permission courteously given to reproduce them is gratefully acknowledged.

FLORENCE FREEMAN.

PREFACE

"Beyond doubt the finished historian must be a traveller: he must see with his own eyes the true look of a wide land; he must see, too, with his eyes the very spots where great events happened; he must mark the lie of a city, and take in, as far as a non technical eye can, all that is special about a battle field."

So wrote Mr. Freeman in his Methods of Historical Study ,[1] and he possessed to the full the instincts of the traveller as well as of the historian. His studies and sketches of travels, already published, have shown him a wanderer in many lands and a keen observer of many peoples and their cities. He travelled always as a student of history and of architecture, and probably no man has ever so happily combined the knowledge of both. Though his thoughts were always set upon principles and upon the study of great subjects, he delighted in the details of local history and local building. "I cannot conceive," he wrote, "how either the study of the general sequence of architectural styles or the study of the history of particular buildings can be unworthy of the attention of any man. Besides their deep interest in themselves, such studies are really no small part of history. The way in which any people built, the form taken by their houses, their temples, their fortresses, their public buildings, is a part of their national life fully on a level with their language and their political institutions. And the buildings speak to us of the times to which they belong in a more living and, as it were, personal way than monuments or documents of almost any other kind."[2]

And no less clearly and decisively did he write of the value of local history: "There is no district, no town, no parish, whose history is not worth working out in detail, if only it be borne in mind that the local work is a contribution to a greater work."[3]

Thus the keenness of his interest in the architecture and the history that could be studied and learnt in every little town made him to the last the most untiring and enthusiastic of historical pilgrims. It is impossible to read his letters, so fresh and natural yet so full of a rare knowledge and insight, without seeing how thoroughly he had succeeded in achieving in himself that union of the traveller and the historian which adds so immeasurably to the powers of each. And that is what makes his letters from foreign lands so delightful to read, and his sketches (published and republished from time to time during the last thirty years) so illuminative. No one, I think, who has seen the places he writes of in his Historical and Architectural Sketches or in his Sketches from French Travel , with the books in his hand, will deny that they have added tenfold to his pleasure. Mr. Freeman tells you what to see and how to see it, just what you want to know and what you ought to know. It would be an impertinence in me to point out the breadth or the accuracy of his knowledge as it appears in these sketches, which can be read again and again with new pleasure... Continue reading book >>




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