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So Runs the World By: Henryk Sienkiewicz (1846-1916) |
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BY HENRYK SIENKIEWICZ AUTHOR OF "QUO VADIS," ETC. Translated by S.C. de SOISSONS
Contents
HENRYK SIENKIEWICZ ZOLA WHOSE FAULT? THE VERDICT WIN OR LOSE
PART FIRST
HENRYK SIENKIEWICZ.
I once read a short story, in which a Slav author had all the lilies
and bells in a forest bending toward each other, whispering and
resounding softly the words: "Glory! Glory! Glory!" until the whole
forest and then the whole world repeated the song of flowers. Such is to day the fate of the author of the powerful historical
trilogy: "With Fire and Sword," "The Deluge" and "Pan Michael,"
preceded by short stories, "Lillian Morris," "Yanko the Musician,"
"After Bread," "Hania," "Let Us Follow Him," followed by two problem
novels, "Without Dogma," and "Children of the Soil," and crowned by a
masterpiece of an incomparable artistic beauty, "Quo Vadis." Eleven
good books adopted from the Polish language and set into circulation
are of great importance for the English reading people just now I am
emphasizing only this because these books are written in the most
beautiful language ever written by any Polish author! Eleven books of
masterly, personal, and simple prose! Eleven good books given to
the circulation and received not only with admiration but with
gratitude books where there are more or less good or sincere pages,
but where there is not one on which original humor, nobleness, charm,
some comforting thoughts, some elevated sentiments do not shine. Some
other author would perhaps have stopped after producing "Quo Vadis,"
without any doubt the best of Sienkiewicz's books. But Sienkiewicz
looks into the future and cares more about works which he is going to
write, than about those which we have already in our libraries, and he
renews his talents, searching, perhaps unknowingly, for new themes and
tendencies. When one knows how to read a book, then from its pages the author's
face looks out on him, a face not material, but just the same full of
life. Sienkiewicz's face, looking on us from his books, is not always
the same; it changes, and in his last book ("Quo Vadis") it is quite
different, almost new. There are some people who throw down a book after having read it, as
one leaves a bottle after having drank the wine from it. There are
others who read books with a pencil in their hands, and they mark
the most striking passages. Afterward, in the hours of rest, in the
moments when one needs a stimulant from within and one searches for
harmony, sympathy of a thing apparently so dead and strange as a book
is, they come back to the marked passages, to their own thoughts,
more comprehensible since an author expressed them; to their own
sentiments, stronger and more natural since they found them in
somebody else's words. Because ofttimes it seems to us the common
readers that there is no difference between our interior world and
the horizon of great authors, and we flatter ourselves by believing
that we are 'only less daring, less brave than are thinkers and poets,
that some interior lack of courage stopped us from having formulated
our impressions. And in this sentiment there is a great deal of truth.
But while this expression of our thoughts seems to us to be a daring,
to the others it is a need; they even do not suspect how much they are
daring and new. They must, according to the words of a poet, "Spin
out the love, as the silkworm spins its web." That is their capital
distinction from common mortals; we recognize them by it at once; and
that is the reason we put them above the common level. On the pages
of their books we find not the traces of the accidental, deeper
penetrating into the life or more refined feelings, but the whole
harvest of thoughts, impressions, dispositions, written skilfully,
because studied deeply. We also leave something on these pages. Some
people dry flowers on them, the others preserve reminiscences. In
every one of Sienkiewicz's volumes people will deposit a great many
personal impressions, part of their souls; in every one they will find
them again after many years... Continue reading book >>
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