Stories by English Authors: Ireland   By: George H. Jessop (-1915)

"Stories by English Authors: Ireland" is an exceptional collection of tales that takes readers on an enchanting journey through the rich and diverse landscape of Irish literature. Compiled and introduced by George H. Jessop, this book offers a captivating selection of stories written by esteemed English authors, each contributing their distinct perspective on the mystical allure of Ireland.

The anthology opens with an insightful introduction by Jessop, which sets the stage for the literary voyage ahead. Through his thoughtful commentary, readers gain a deeper understanding of the historical and cultural context that influenced the writers featured in this anthology. Jessop's expertise shines through as he delves into the intricacies of each author's work, providing a valuable lens through which readers can appreciate the stories that follow.

The collection encompasses a wide range of themes and writing styles, showcasing the diverse voices that have emerged from England while focusing on the Irish experience. From haunting tales of ancient folklore to poignant stories about the struggles of Irish peasantry, each narrative is a testament to the power of storytelling and its ability to evoke emotions and transport readers to another time and place.

Notable contributions from renowned authors such as Bram Stoker, Oscar Wilde, and Maria Edgeworth grace these pages. Stoker's "The Dualists of Drumrane" stands out as a dark and atmospheric tale, steeped in mystery and tinged with supernatural elements. Oscar Wilde's "The Sphinx Without a Secret" captivates readers with its clever plot, highlighting human folly and the consequences of secrets. Maria Edgeworth's "The Bridal of Carrigvarah" reveals her masterful storytelling abilities, intertwining themes of love, duty, and sacrifice within the intricacies of Irish rural life.

Throughout the anthology, the mesmerizing language and vivid descriptions transport readers to the heart of Ireland. The lush landscapes, quaint villages, and mystical folklore come to life on the pages, enveloping the reader in an ethereal atmosphere that is unmistakably Irish.

One of the strengths of this collection lies in its ability to showcase the various facets of Irish society and culture. From aristocratic circles to rural communities, the stories explore themes of class divide, religious tensions, political unrest, and the complex relationship between Ireland and England. It offers readers a multifaceted snapshot of Ireland's history, culture, and identity through the lens of English literature.

Although the collection predominantly features English authors, it does not overshadow the Irish experience. Instead, it provides an interesting perspective and invites readers to reflect on the nuanced relationship between Ireland and England throughout history. This anthology serves as a reminder that literature transcends borders, allowing us to explore the human condition regardless of nationality.

In conclusion, "Stories by English Authors: Ireland" is a captivating compilation of tales that artfully merges the English and Irish literary traditions. George H. Jessop's masterful curation and insightful introduction add depth and context to this anthology, making it a delightful read for anyone interested in Irish literature, folklore, and the interplay between two nations. Succinctly blending myth, history, and imagination, this collection is a testament to the enduring power of storytelling and the profound impact it can have on our understanding of different cultures.

First Page:

A certain old gentleman in the west of Ireland, whose love of the ridiculous quite equalled his taste for claret and fox hunting, was wont, upon festive occasions, when opportunity offered, to amuse his friends by DRAWING OUT one of his servants, exceedingly fond of what he termed, his "thravels," and in whom a good deal of whim, some queer stories, and, perhaps more than all, long and faithful services had established a right of loquacity. He was one of those few trusty and privileged domestics who, if his master unheedingly uttered a rash thing in a fit of passion, would venture to set him right. If the squire said, "I'll turn that rascal off," my friend Pat would say, "Throth you won't, sir;" and Pat was always right, for if any altercation arose upon the "subject matter in hand," he was sure to throw in some good reason, either from former services general good conduct or the delinquent's "wife and children," that always turned the scale... Continue reading book >>