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Stradella   By: (1854-1909)

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In F. Marion Crawford's mesmerizing novel, the readers are transported to 17th century Venice, where they encounter the captivating life story of Alessandro Stradella, a talented and enigmatic musician.

The author skillfully intertwines historical elements with fictionalized events, creating a rich narrative that explores the complexities of love, ambition, and the pursuit of artistic genius. Stradella, the beguiling protagonist, comes to life on the pages as Crawford delves deep into his character, meticulously crafting a flawed yet utterly magnetic persona.

From the opening lines, the reader is immediately enveloped in a world of passion and intrigue. Stradella's journey unfolds against the backdrop of a turbulent era, where societal norms clash with individual desires, and the powerful influence of the Catholic Church cannot be ignored. Crawford expertly captures the essence of the time, weaving in historical events and cultural nuances that lend a delightful authenticity to the narrative.

At the heart of the story lies Stradella's talent as a composer and performer. Crawford's elegant prose beautifully depicts the protagonist's musical genius, leaving the reader with a profound appreciation for the transformative power of art. The author's vivid descriptions of the Venetian music scene and Stradella's performances effortlessly transport the reader to the grand concerts and intimate chambers where music reigns supreme, evoking a sensory experience that is simply breathtaking.

However, it is not just the captivating world-building that makes this novel an absolute delight to read; it is also the deep exploration of human relationships and the raw emotions that permeate the pages. Stradella's complicated love affairs, particularly his deeply passionate yet tumultuous relationship with the captivating Ortensia, provide a compelling emotional undercurrent that keeps the readers captivated until the very end.

While the novel primarily focuses on the life of Stradella, Crawford skillfully incorporates an ensemble cast of characters that adds depth and complexity to the plot. From the cunning Cardinal Borromeo to the mysterious and somewhat enigmatic composer Alessandro Scarlatti, each character brings a unique perspective to the story, contributing to its richness and unpredictability.

Yet, amidst all the grandeur and intrigue, the novel is not without its shortcomings. At times, the pacing feels slightly sluggish, with the plot meandering through subplots that don't necessarily add substantial value to the central narrative. Additionally, certain characters feel underdeveloped, leaving the readers yearning for deeper insights into their motivations and inner struggles.

Overall, F. Marion Crawford's Stradella is an enchanting tale that seamlessly blends history, music, and human drama. With its lush prose, evocative setting, and well-drawn characters, this book is sure to captivate both music enthusiasts and historical fiction aficionados alike. Although it may not be entirely flawless, it remains a highly enjoyable and thought-provoking read that leaves a lasting impression.

First Page:

STRADELLA

[Illustration: 'But Ortensia did not even hear him, and sat quite still in her chair' ( See p. 271. )]

STRADELLA

BY

F. MARION CRAWFORD AUTHOR OF "SARACINESCA," "FAIR MARGARET," ETC., ETC.

ILLUSTRATED

New York THE MACMILLAN COMPANY

1909

All rights reserved

COPYRIGHT, 1908, BY F. MARION CRAWFORD.

COPYRIGHT, 1908, BY BUTTERICK PUBLISHING CO.

COPYRIGHT, 1909. BY THE MACMILLAN COMPANY.

Set up and electrotyped. Published October, 1909.

Norwood Press J. S. Cushing Co. Berwick & Smith Co. Norwood, Mass., U.S.A.

LIST OF ILLUSTRATIONS

'But Ortensia did not even hear him, and sat quite still in her chair' Frontispiece

FACING PAGE

'"This is the celebrated Maestro Alessandro Stradella of Naples"' 11

'The footman came back at last with a white face' 87

'The two Bravi faced the watch side by side' 243

'"The profession has two branches. We take lives, you take purses"' 282

'He began to look about for lodgings' 307

'Trombin advanced upon him slowly, looking more like an avenging demon than a man' 373

'She sat up in his arms and framed his face in her hands' 406

CHAPTER I

The Senator Michele Pignaver, being a childless widower of several years' standing and a personage of wealth and worth in Venice, made up his mind one day that he would marry his niece Ortensia, as soon as her education was completed... Continue reading book >>




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