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The Stranger in France or, a Tour from Devonshire to Paris Illustrated by Engravings in Aqua Tint of Sketches Taken on the Spot.   By: (1772-1832)

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The Stranger in France or, a Tour from Devonshire to Paris Illustrated by Engravings in Aqua Tint of Sketches Taken on the Spot, written by John Carr, offers readers a vivid and intriguing insight into the author's journey through France. Despite the lack of a catchy title, this travelogue manages to capture the essence of 18th-century France with its descriptive prose and accompanying engravings.

Carr takes us on a captivating expedition, starting from the picturesque landscapes of Devonshire in England and guiding us through every significant landmark and city in France before eventually reaching the cultural hub and grandeur of Paris. Throughout the journey, the author's attention to detail becomes apparent, as he provides readers with an immersive experience. His vivid descriptions of the magnificent cathedrals, bustling marketplaces, and scenic valleys transport us to a bygone era, evoking a strong sense of place and time.

What sets this travelogue apart from others of its time is Carr's inclusion of engravings in Aqua Tint. These illustrations, sketched on the spot, offer readers not only a visual depiction of his experiences but also a glimpse into the architecture, fashion, and daily life of the French people. These engravings enhance the text, providing readers with a more comprehensive understanding of the places Carr describes. Although the quality of the engravings may not meet today's standards, they still manage to add charm and authenticity to the overall narrative.

In addition to the vivid descriptions and illustrations, Carr also injects a subtle commentary on the social and cultural aspects of the places he visits. His observations on the differences between the English and French societies, customs, and manners are thought-provoking and add depth to the narrative. While not the central focus of the book, these insights into French culture give readers a broader understanding of the era.

However, readers should be aware that this travelogue was written over two centuries ago, and as such, some of the language and perspectives may feel dated or even ethnocentric at times. What may have been acceptable or common at that time might not resonate with modern readers. It is crucial to approach this book with an understanding of its historical context.

Despite its age, The Stranger in France remains a captivating read for those interested in French history, culture, and travelogues. John Carr's ability to transport readers to his journey, combined with the accompanying engravings, offers a unique and immersive experience that allows us to discover 18th-century France from the comfort of our own armchairs.

First Page:

Transcriber's note: Original spellings (and their inconsistencies) have been maintained. A few obvious printer's error have been corrected: a list of this corrections can be found at the end of the text.

THE STRANGER IN FRANCE:

OR, A TOUR FROM DEVONSHIRE TO PARIS.

ILLUSTRATED BY ENGRAVINGS IN AQUA TINTA

OF SKETCHES, TAKEN ON THE SPOT,

BY

JOHN CARR, Esq.

LONDON:

PRINTED FOR J. JOHNSON, NO. 72, ST. PAUL'S CHURCHYARD. SOLD ALSO BY W. HANNAFORD, TOTNES.

Bryer, Printer, Bridge Street, Black Friars.

1803.

PREFACE.

The little tour which gave birth to the following remarks, was taken immediately after the exchange of the ratifications of a peace, necessary, but not inglorious to my country, after a contest unexampled in its cause, calamity, extension, vicissitudes and glory; amidst a people who, under the influence of a political change, hitherto unparallelled, were to be approached as an order of beings, exhibiting a moral and political form before but little known to themselves and to the world, in the abrupt removal of habits and sentiments which had silently and uninterruptedly taken deep root in the soil of ages.

During a separation of ten years, we have received very little account of this extraordinary people, which could be relied upon. Dissimilar sensations, excited by their principles and proceedings, ever partially and irregularly known, have depicted unaccording representations of them, and, in the sequel, have exhibited rather a high coloured, fanciful delineation, than a plain and faithful resemblance of the original... Continue reading book >>




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