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Studies of Lowell (from Literary Friends and Acquaintance)   By: (1837-1920)

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In Studies of Lowell, William Dean Howells takes readers on a fascinating exploration of the life and works of James Russell Lowell, a prominent American poet, critic, and diplomat of the 19th century. Through a series of insightful essays, Howells offers a multifaceted analysis of Lowell's literary contributions and unveils the essence of his complex character.

Throughout the book, Howells showcases his profound knowledge and deep understanding of Lowell's poetry and prose, demonstrating his expertise as a critic. From Lowell's early works to his later accomplishments, Howells thoroughly examines the evolution of Lowell's style, themes, and ideas, providing readers with a comprehensive perspective on his literary journey. By elucidating the historical and cultural context in which Lowell wrote, Howells helps readers appreciate the significance of his works in shaping American literature.

What sets this book apart is Howells' personal connection to Lowell, as they were friends and acquaintances during their lifetimes. Howells infuses his essays with tender reminiscences of their conversations and interactions, offering readers an intimate glimpse into Lowell's personality and the influences that shaped his work. This personal touch adds a layer of authenticity to the scholarly analysis, creating a unique reading experience that balances intellectual exploration and emotional resonance.

The essays in Studies of Lowell are beautifully written, showcasing Howells' mastery of language and literary craftsmanship. His prose is elegant yet accessible, making complex ideas digestible to a wide range of readers. Howells' genuine admiration for Lowell's talent and accomplishments shines through his writing, making it contagious for anyone reading the book.

Perhaps the most compelling aspect of this collection is Howells' ability to connect the life and work of Lowell to the broader literary and cultural landscape of his time. He discusses Lowell's involvement in the abolitionist movement, his political engagement, and his reflections on social issues, providing readers with a deeper understanding of the societal context in which Lowell operated. Howells showcases Lowell as not only a poet but also a formidable intellect and a significant contributor to the social and political discussions of his era.

While the book primarily focuses on Lowell, Howells also delves into his own reflections as a critic, offering insights into his own writing process and the art of literary criticism. This self-reflection adds an introspective dimension to the book, as Howells contemplates the role and responsibilities of a literary critic, providing valuable insights and provoking readers to contemplate their own engagement with literature.

Studies of Lowell is a captivating and intellectually stimulating collection of essays that celebrates the life and work of James Russell Lowell while offering profound insights into the craft of literary criticism. Howells' expertise, personal anecdotes, and eloquent prose make this book a must-read for anyone interested in exploring Lowell's contributions to American literature or gaining a deeper understanding of the power of literature itself.

First Page:

LITERARY FRIENDS AND ACQUAINTANCES Studies of Lowell

by William Dean Howells

STUDIES OF LOWELL

I have already spoken of my earliest meetings with Lowell at Cambridge when I came to New England on a literary pilgrimage from the West in 1860. I saw him more and more after I went to live in Cambridge in 1866; and I now wish to record what I knew of him during the years that passed between this date and that of his death. If the portrait I shall try to paint does not seem a faithful likeness to others who knew him, I shall only claim that so he looked to me, at this moment and at that. If I do not keep myself quite out of the picture, what painter ever did?

I.

It was in the summer of 1865 that I came home from my consular post at Venice; and two weeks after I landed in Boston, I went out to see Lowell at Elmwood, and give him an inkstand that I had brought him from Italy. The bronze lobster whose back opened and disclosed an inkpot and a sand box was quite ugly; but I thought it beautiful then, and if Lowell thought otherwise he never did anything to let me know it. He put the thing in the middle of his writing table (he nearly always wrote on a pasteboard pad resting upon his knees), and there it remained as long as I knew the place a matter of twenty five years; but in all that time I suppose the inkpot continued as dry as the sand box... Continue reading book >>




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