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Thomas Moore   By: (1864-1950)

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Stephen Lucius Gwynn's biographical work on Thomas Moore provides readers with a captivating and detailed account of the life of one of Ireland's most influential poets. Gwynn's meticulous research and engaging writing style make this book a must-read for anyone interested in Irish literature and history.

Gwynn begins the book by tracing Moore's humble beginnings in Dublin, highlighting the early experiences that shaped his artistic sensibilities. The author skillfully depicts Moore's family background and upbringing, offering valuable insights into the poet's early influences and motivations. From there, Gwynn takes readers on a journey through Moore's life, meticulously covering his education, travels, and extraordinary friendships with notable figures of the time.

One of the book's strengths lies in Gwynn's ability to immerse readers in the political and cultural climate of the era. Readers gain a deep understanding of the tumultuous times in which Moore lived, including the era of the French Revolution and the challenges faced by Ireland in its struggle for independence. The author skillfully weaves these historical events into the narrative, providing readers with a clear context for understanding Moore's poetry and his role in the broader social and political landscape.

Furthermore, Gwynn's analysis of Moore's artistic development is both insightful and comprehensive. Through careful examination of Moore's poetry and musical compositions, Gwynn delves into the poet's creative process and examines the themes and motifs that characterized his work. This analysis not only enhances our understanding of Moore's artistry but also sheds light on the poet's personal and political beliefs.

The book is exceptionally well-researched, with Gwynn incorporating a wide range of primary and secondary sources. The author's extensive knowledge of the period is evident throughout, as he provides an accurate and balanced account of Moore's life, acknowledging both his achievements and his flaws. Gwynn's meticulous attention to detail makes this biography a valuable resource for scholars, while his accessible writing style ensures that it remains engaging for general readers as well.

If there is one criticism to be made, it is that the book occasionally becomes overwhelming with the sheer amount of information presented. Some readers may find certain passages to be overly detailed or excessively focused on minor aspects of Moore's life. However, this is a minor flaw in an otherwise outstanding work.

In conclusion, Stephen Lucius Gwynn's biography of Thomas Moore is an exemplary piece of scholarship that sheds light on the life and art of one of Ireland's most renowned poets. Gwynn's engaging narrative, combined with his extensive research and analysis, makes this book an invaluable resource for anyone interested in Moore's work, as well as Irish literature and history in general.

First Page:

THOMAS MOORE

By

STEPHEN GWYNN

ENGLISH MEN OF LETTERS

LONDON: MACMILLAN & CO., Ltd.

1905

CONTENTS

CHAPTER I Boyhood and Early Poems

CHAPTER II Early Manhood and Marriage

CHAPTER III "Lalla Rookh"

CHAPTER IV Period of Residence Abroad

CHAPTER V Work as Biographer and Controversialist

CHAPTER VI The Decline of Life

CHAPTER VII General Appreciation

APPENDIX

INDEX

THOMAS MOORE

CHAPTER I

BOYHOOD AND EARLY POEMS

Sudden fame, acquired with little difficulty, suffers generally a period of obscuration after the compelling power which attaches to a man's living personality has been removed; and from this darkness it does not always emerge. Of such splendour and subsequent eclipse, Moore's fate might be cited as the capital example.

The son of a petty Dublin tradesman, he found himself, almost from his first entry on the world, courted by a brilliant society; each year added to his friendships among the men who stood highest in literature and statesmanship; and his reputation on the Continent was surpassed only by that of Scott and Byron. He did not live to see a reaction. Lord John Russell could write boldly in 1853, a year after his friend's death, that "of English lyrical poets, Moore is surely the greatest." There is perhaps no need to criticise either this attitude of excessive admiration, or that which in many cases has replaced it, of tolerant contempt... Continue reading book >>




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