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The Thousand and One Nights, Vol. I. Commonly Called the Arabian Nights' Entertainments   By:

The Thousand and One Nights, Vol. I. Commonly Called the Arabian Nights' Entertainments by Anonymous

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Transcriber's Note: There are two levels of notes (footnotes) in this book: The first level is called Notes by the author and are referred from the main body of text as [C n] where C is the Chapter number and n the number of the note related to this chapter. The second level consists of regular footnotes referred from the Notes of the author and are numbered the usual way. In the HTML file Notes and footnotes are numbered without chapter numbers.

[Illustration]

The THOUSAND & ONE nights.

VOL. I.

LONDON: CHATTO AND WINDUS.

THE THOUSAND AND ONE NIGHTS

COMMONLY CALLED THE

ARABIAN NIGHTS' ENTERTAINMENTS

TRANSLATED FROM THE ARABIC, WITH COPIOUS NOTES, BY

EDWARD WILLIAM LANE

EDITED BY HIS NEPHEW EDWARD STANLEY POOLE

FROM A COPY ANNOTATED BY THE TRANSLATOR

WITH A PREFACE BY STANLEY LANE POOLE AND

ILLUSTRATIONS FROM THE DESIGNS OF WILLIAM HARVEY

[Illustration]

A NEW IMPRESSION IN THREE VOLUMES

VOL. I

LONDON

CHATTO & WINDUS

1912

LONDON:

PRINTED BY WILLIAM CLOWES AND SONS, LIMITED. DUKE STREET, STAMFORD STREET, S.E., AND GREAT WINDMILL STREET, W.

[Illustration]

ADVERTISEMENT.

The present edition is an exact reproduction of that edited by my father, with my great uncle's final corrections, and published by Mr. John Murray in 1859. Several reprints of that edition have testified to the continued popularity of the work, and the necessity for the present issue shows that an acquaintance of nearly half a century has not yet wearied the public of the standard translation of the Thousand and One Nights . The secret of Mr. Lane's success is to be found partly in the instinctive sympathy for the spirit of the East, which enabled him faithfully to reproduce the characteristic tone of the original, and partly in the rich store of illustrations of oriental life and thought contained in his Notes. In the various cheap versions, based upon Galland's French paraphrase, the Eastern tone and local colour is wholly wanting; and the peculiarities of life and manners, which contrast so markedly with those of the West, are left unnoted and unexplained. Such versions may serve in an inadequate degree to make the Arabian Nights known to those who care only for the bare stories; but educated readers, who are capable of something more than the mere enjoyment of the romance, and desire to understand the character and habits of the actors and the spectators, find in Mr. Lane's translation, and in his only, a complete satisfaction of their want. It is not merely a scholar's edition, though no oriental student can afford to be without it; but beyond this narrow circle it has ever appealed to the wide audience that cares to know the famous books of the world in their most perfect and faithful reflections.

The actual moment is an opportune one for the reappearance of the work. Egypt just now holds a foremost place in the eyes of the world, and it is of Egypt that the Thousand and One Nights have most to tell. Indian or Persian as many of the tales are in their origin, their setting is almost purely Egyptian; and though the place may be nominally Baghdád or India, or even furthest China, it is in mediæval Cairo, in the days of the Memlooks, that the scene of the Arabian Nights is really laid. The people described are not Hindoos or Chinese, but Arabs and Egyptians as they lived and moved in the fifteenth century, when some of the beautiful mosques and tombs, that still make Cairo the delight of artists, were being built, and the devastating hand of the Ottoman Turk had not yet been laid on the land of the Pharaohs... Continue reading book >>




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