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The Title A Comedy in Three Acts   By: (1867-1931)

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The Title

A COMEDY IN THREE ACTS

BY ARNOLD BENNETT

LONDON CHATTO & WINDUS MCMXVIII

CHARACTERS

MR. CULVER MRS. CULVER HILDEGARDE CULVER } their children JOHN CULVER } TRANTO MISS STARKEY SAMPSON STRAIGHT PARLOURMAID

ACT I

An evening between Christmas and New Year, before dinner.

ACT II

The next evening, after dinner.

ACT III

The next day, before lunch.

The scene throughout is a sitting room in the well furnished West End abode of the Culvers. There is a door, back. There is also another door (L) leading to Mrs. Culver's boudoir and elsewhere.

ACT I

ACT I

Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper .

Enter Tranto, back .

TRANTO. Good evening.

HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment.

TRANTO. All right about my dining here to night? (Hildegarde nods .) Larder equal to the strain?

HILDEGARDE. Macaroni.

TRANTO. Splendid.

HILDEGARDE. Beefsteak.

TRANTO. Great heavens! ( imitates sketchily the motions of cutting up a piece of steak. Shaking hands with John, who has risen ). Well, John. How are things? Don't let me disturb you. Have a cigarette.

JOHN ( flattered ). Thanks. ( As they light cigarettes .) You're the first person here that's treated me like a human being.

TRANTO. Oh!

JOHN. Yes. They all treat me as if I was a schoolboy home for the hols.

TRANTO. But you are, aren't you?

JOHN. In a way, of course. But well, don't you see what I mean?

TRANTO ( sympathetically ). You mean that a schoolboy home for the hols isn't necessarily something escaped out of the Zoo.

JOHN ( warming ). That's it.

TRANTO. In fact, what you mean is you're really an individual very like the rest of us, subject, if I may say so, to the common desires, weaknesses and prejudices of humanity and not a damned freak.

JOHN ( brightly ). That's rather good, that is. If it's a question of the Zoo, what I say is what price home? Now, homes are extraordinary if you like I don't know whether you've ever noticed it. School you can understand school. But home ! Strange things happen here while I'm away.

TRANTO. Yes?

JOHN. It was while I was away they appointed Dad a controller. When I heard I laughed. Dad a controller! Why, he can't even control mother.

HILDEGARDE ( without looking round ). Oh yes he can.

JOHN ( pretending to start back ). Stay me with flagons! ( Resuming to Tranto.) And you're something new here since the summer holidays.

TRANTO. I never looked at myself in that light. But I suppose I am rather new here.

JOHN. Not quite new. But you've made a lot of progress during the last term.

TRANTO. That's comforting.

JOHN. You understand what I mean. You were rather stiff and prim in August now you aren't a bit.

TRANTO. Just so. Well, I won't ask you what you think of me , John you might tell me but what do you think of my newspaper?

JOHN. The Echo ? I don't know what to think. You see, we don't read newspapers much at school. Some of the masters do. And a few chaps in the Fifth swank, of course. But speaking generally we don't. Prefects don't. No time.

TRANTO. How strange! Aren't you interested in the war?

JOHN. Interested in the war! Would you mind if I spoke plainly?

TRANTO. I should love it.

JOHN. Each time I come home I wonder more and more whether you people in London have got the slightest notion what war really is. Fact! At school, it's just because we are interested in the war that we've no time for newspapers.

TRANTO. How's that?

JOHN. How's that? Well, munition workshops with government inspectors tumbling all over us about once a week. O.T.C. work. Field days. Cramming fellows for Sandhurst. Not to mention female masters. 'Mistresses,' I ought to say, perhaps... Continue reading book >>




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