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Type Cases and Composing-room furniture   By:

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Type Cases and Composing-room Furniture by A. A. Stewart is an exceptional resource for anyone interested in typography, graphic design, or the history of printing. While the title may not be very catchy or enticing, the content of this book more than makes up for it.

Stewart's extensive knowledge and expertise in the field are evident throughout the book. He covers various aspects of type cases, composing-room furniture, and the organization of letterpress printing shops in great detail. The level of technical information provided is truly impressive, making this book a valuable manual for professionals and enthusiasts alike.

One of the most commendable aspects of this book is its comprehensive coverage. Stewart leaves no stone unturned as he explains the different types of type cases, their configurations, and the purposes each piece of furniture serves in a composing room. His attention to detail is truly unparalleled, making this book an invaluable resource for anyone working with traditional letterpress printing methods.

Moreover, with each page turn, one can't help but appreciate the author's meticulousness in discussing the historical background of type cases and composing-room furniture. Stewart takes readers on a journey through different eras, shedding light on the evolution of printing techniques and how they shaped the design landscape over the centuries. This historical context adds depth to the book and elevates it beyond a mere guidebook.

The visuals in the book deserve special mention. The inclusion of numerous illustrations, diagrams, and photographs makes it easier for readers to grasp the concepts being discussed. The visuals are not only aesthetically pleasing but also reinforce the clarity of the text. They serve as a visual aid that enhances the reader's understanding of the subject matter.

One minor drawback of the book is its relatively technical language. While this is understandable given the specialized nature of the topic, it may be a bit challenging for beginners or casual readers to fully grasp all the information presented. However, this should not discourage anyone genuinely interested in typography or printmaking from exploring the book, as the effort put into understanding the technical terms will undoubtedly be rewarding.

In conclusion, Type Cases and Composing-room Furniture by A. A. Stewart is an indispensable resource for anyone passionate about typography, graphic design, or the history of printing. Its depth of information, historical context, and visual aids make it an invaluable addition to any bookshelf, regardless of whether you're a professional in the field or simply an enthusiast. Despite its lackluster title, the content of this book is truly captivating and well worth exploring.

First Page:

TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES PART I, No. 3.

TYPE CASES AND COMPOSING ROOM FURNITURE

A PRIMER OF INFORMATION ABOUT TYPE CASES, WORK STANDS, CABINETS, CASE RACKS, GALLEY RACKS, STANDING GALLEYS, &c.

COMPILED BY

A. A. STEWART

PUBLISHED BY THE COMMITTEE ON EDUCATION UNITED TYPOTHETAE OF AMERICA

1918

COPYRIGHT, 1918 UNITED TYPOTHETAE OF AMERICA CHICAGO, ILL.

Composition and Electrotypes contributed by The Blanchard Press New York

CONTENTS

PAGE

INTRODUCTORY 5

EARLY TYPE CASES 9

SIZES OF TYPE CASES 11

STRUCTURE OF TYPE CASES 12

CASES FOR VARIOUS PURPOSES 14

COMPOSITOR'S WORK STANDS 16

CASE STANDS AND RACKS 18

THE MODERN TYPE CABINET 20

IRON CASE BRACKETS 22

WOOD RUNS AND STEEL RUNS 24

EXTENSION FRONTS AND BACKS 25

FURNITURE RACKS 26

SPECIAL CABINETS 28

REVIEW QUESTIONS 30

GLOSSARY 32

INTRODUCTORY

The essential articles of furniture in a modern composing room may be classified broadly, omitting obvious details for the present, under the following heads:

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