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Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged)   By: (1847-1915)

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Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) by Wesley Mills is a comprehensive and invaluable resource for anyone interested in the art of voice production. With its scientific approach, this book offers an in-depth analysis of the mechanics and intricacies of vocal performance.

Mills, a renowned vocal scientist, brings years of research and expertise to this latest edition. The book is structured logically, progressing from the basics of vocal anatomy and physiology to more advanced techniques and exercises. The author provides a clear and concise explanation of the vocal apparatus, which is essential for understanding the subsequent chapters.

One of the book's strengths lies in Mills' ability to integrate scientific knowledge with practical applications. He combines theoretical explanations with exercises and examples, enabling readers to understand the concepts and apply them effectively. Moreover, the inclusion of multiple case studies and examples from renowned singers adds an extra layer of depth and relevance.

The fourth edition of Voice Production in Singing and Speaking also benefits from its revised and enlarged content. Mills incorporates the latest research findings, ensuring that readers are up-to-date with the current scientific understanding of vocal production. Furthermore, the enlarged sections provide additional explanations on complex topics, making it accessible to both beginners and professionals in the field.

Another notable aspect of this book is its clear and engaging writing style. Mills skillfully navigates between technical jargon and accessible language, making the content accessible to readers with varying levels of expertise. This ensures that readers not only grasp the material but also remain engaged throughout their reading experience.

Voice Production in Singing and Speaking goes beyond merely teaching vocal techniques. It serves as a guide for vocal health and well-being, emphasizing the importance of proper care and maintenance of the voice. Mills highlights potential vocal issues and offers practical advice on how to prevent and address them.

If there is a drawback to this book, it is perhaps the level of detail provided, which may overwhelm readers seeking a more introductory guide. However, for those looking for an in-depth exploration of voice production, this comprehensive approach will be seen as a strength rather than a weakness.

In conclusion, Wesley Mills' Voice Production in Singing and Speaking Based on Scientific Principles (Fourth Edition, Revised and Enlarged) is a commendable resource for vocalists, speakers, and anyone interested in understanding the mechanics behind an effective and healthy voice. With its scientific foundation, practical examples, and engaging style, this book successfully combines theory and application, making it an indispensable tool for both beginners and experienced professionals in the field.

First Page:

VOICE PRODUCTION

IN

SINGING AND SPEAKING

BASED ON

SCIENTIFIC PRINCIPLES

BY

WESLEY MILLS, M.A., M.D., F.R.S.C.

EMERITUS PROFESSOR OF PHYSIOLOGY IN McGILL UNIVERSITY, AND LECTURER ON VOCAL PHYSIOLOGY AND HYGIENE IN THE McGILL UNIVERSITY CONSERVATORIUM OF MUSIC, MONTREAL, CANADA

FOURTH EDITION, REVISED AND ENLARGED

[Illustration: publisher logo]

PHILADELPHIA & LONDON J.B. LIPPINCOTT COMPANY

COPYRIGHT, 1906, BY J.B. LIPPINCOTT COMPANY

The Rights of Translation and all other Rights Reserved

COPYRIGHT, 1913, BY J.B. LIPPINCOTT COMPANY

Electrotyped and Printed by J.B. Lippincott Company, Philadelphia, U.S.A.

[Transcriber's Notes: In this e text, illustrations of music notation have been rendered using standard text notation, e.g.: C = C two octaves below middle C; c = C one octave below middle C; c' = middle C; c'' = C one octave above middle C, etc.

Macrons are indicated thus: [=a], [=e], [=i], [=o], [=u].]

[Illustration: Illustrations of the appearance of the larynx during phonation in two special cases. (Grünwald.)]

EXPLANATION OF THE COLORED ILLUSTRATIONS.

They contrast with each other in that the one (upper) is too red; the other, too pale. The upper represents appearances such as one gets with the laryngoscope when the subject has a very severe cold, or even inflammation of the larynx, including the central vocal bands... Continue reading book >>




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