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A Wanderer in Florence By: Edward V. Lucas (1868-1938) |
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By E.V. Lucas Preface A sentence from a "Synthetical Guidebook" which is circulated in the
Florentine hotels will express what I want to say, at the threshold
of this volume, much better than could unaided words of mine. It runs
thus: "The natural kindness, the high spirit, of the Florentine people,
the wonderful masterpieces of art created by her great men, who in
every age have stood in the front of art and science, rivalize with
the gentle smile of her splendid sky to render Florence one of the
finest towns of beautiful Italy". These words, written, I feel sure,
by a Florentine, and therefore "inspirated" (as he says elsewhere) by
a patriotic feeling, are true; and it is my hope that the pages that
follow will at once fortify their truth and lead others to test it. Like the synthetical author, I too have not thought it necessary
to provide "too many informations concerning art and history," but
there will be found a few, practically unavoidable, in the gathering
together of which I have been indebted to many authors: notably Vasari,
Symonds, Crowe and Cavalcaselle, Ruskin, Pater, and Baedeker. Among
more recent books I would mention Herr Bode's "Florentine Sculptors of
the Renaissance," Mr. F.M. Hyett's "Florence," Mr. E.L.S. Horsburgh's
"Lorenzo the Magnificent" and "Savonarola," Mr. Gerald S. Davies'
"Michelangelo," Mr. W.G. Waters' "Italian Sculptors," and Col. Young's
"The Medici". I have to thank very heartily a good English Florentine for the
construction of the historical chart at the end of the volume. E.V.L. May, 1912 Contents Preface
Chapter I The Duomo I: Its Construction
Chapter II The Duomo II: Its Associations
Chapter III The Duomo III: A Ceremony and a Museum
Chapter IV The Campanile and the Baptistery
Chapter V The Riccardi Palace and the Medici
Chapter VI S. Lorenzo and Michelangelo
Chapter VII Or San Michele and the Palazzo Vecchio
Chapter VIII The Uffizi I: The Building and the Collectors
Chapter IX The Uffizi II: The First Six Rooms
Chapter X The Uffizi III: Botticelli
Chapter XI The Uffizi IV: Remaining Rooms
Chapter XII "Aèrial Fiesole"
Chapter XIII The Badia and Dante
Chapter XIV The Bargello
Chapter XV S. Croce
Chapter XVI The Accademia
Chapter XVII Two Monasteries and a Procession
Chapter XVIII S. Marco
Chapter XIX The SS. Annunziata and the Spedale Degli
Innocenti
Chapter XX The Cascine and the Arno
Chapter XXI S. Maria Novella
Chapter XXII The Piazza Vittorio Emmanuele to S. Trinità
Chapter XXIII The Pitti
Chapter XXIV English Poets in Florence
Chapter XXV The Carmine and San Miniato
Historical Chart of Florence and Europe, 1296 1564
List of Illustrations
In Colour The Duomo and Campanile, From the Via Pecori The Cloisters of San Lorenzo, Showing the Windows of the Biblioteca
Laurenziana The Via Calzaioli, from the Baptistery, Showing the Bigallo and the
Top of Or San Michele The Palazzo Vecchio The Loggia of the Palazzo Vecchio and the Via de' Leoni The Loggia de' Lanzi, the Duomo, and the Palazzo Vecchio, from the
Portico of the Uffizi Fiesole, from the Hill under the Monastery The Badia and the Bargello, from the Piazza S. Firenze Interior of S. Croce The Ponte S. Trinità The Ponte Vecchio and Back of the Via de' Bardi S. Maria Novella and the Corner of the Loggia di S. Paolo The Via de' Vagellai, from the Piazza S. Jacopo Trafossi The Piazza Della Signoria on a Wet Friday Afternoon View of Florence at Evening, from the Piazzale Michelangelo Evening at the Piazzale Michelangelo, Looking West In Monotone
A Cantoria.
By Donatello, in the Museum of the Cathedral Cain and Abel and Abraham and Isaac.
By Ghiberti, from his second Baptistery Doors The Procession of the Magi.
By Benozzo Gozzoli, in the Palazzo Riccardi Tomb of Lorenzo de' Medici, Duke of Urbino.
By Michelangelo, in the New Sacristy of S... Continue reading book >>
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History |
Travel |
Art |
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