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The Works of Guy de Maupassant, Volume 4   By: (1850-1893)

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Guy de Maupassant’s Volume 4 is a collection of short stories that showcase his talent for crafting compelling narratives with well-drawn characters. The themes explored within these stories are varied, ranging from the complexities of human relationships to the darker aspects of society.

Maupassant’s writing style is elegant and concise, drawing the reader in with vivid descriptions and sharp observations. His ability to create a sense of atmosphere and tension is particularly notable, keeping readers on the edge of their seats as they delve into each story.

One of the standout features of this volume is Maupassant’s ability to capture the nuances of human behavior and psychology. His characters feel incredibly real, with their flaws and desires laid bare for the reader to witness. This level of depth and complexity adds an extra layer of richness to the stories, making them a joy to read.

Overall, Volume 4 of The Works of Guy de Maupassant is a testament to the author’s skill as a storyteller. Whether you’re a fan of classic literature or simply enjoy a well-crafted tale, this collection is sure to captivate and entertain.

First Page:

THE WORKS OF GUY DE MAUPASSANT

VOLUME IV

The Old Maid and Other Stories

National Library Company New York Copyright, 1909, by Bigelow, Smith & Co.

CONTENTS

THE OLD MAID

THE AWAKENING

IN THE SPRING

THE JENNET

RUST

THE SUBSTITUTE

THE RELIC

THE MAN WITH THE BLUE EYES

ALLOUMA

A FAMILY AFFAIR

THE ODALISQUE OF SENICHOU

A GOOD MATCH

A FASHIONABLE WOMAN

THE CARNIVAL OF LOVE

A DEER PARK IN THE PROVINCES

THE WHITE LADY

CAUGHT

CHRISTMAS EVE

WORDS OF LOVE

A DIVORCE CASE

WHO KNOWS?

SIMON'S PAPA

PAUL'S MISTRESS

THE RABBIT

THE TWENTY FIVE FRANCS OF THE MOTHER SUPERIOR

THE VENUS OF BRANIZA

LA MORILLONNE

WAITER, A "BOCK"

REGRET

THE PORT

THE HERMIT

THE ORDERLY

DUCHOUX

OLD AMABLE

MAGNETISM

THE OLD MAID

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles.

It was an old and sordid building; the walls were crumbling to pieces, the grated, iron gates were eaten away by rust, the holes in the broken windows had been mended with old newspapers, and the ancestral portraits which hung against the walls, showed that it was no tiller of the soil, nor miserable laborer whose strength had gradually worn out and bent his back, who lived there... Continue reading book >>


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