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The Worshipper of the Image   By: (1866-1947)

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In Richard Le Gallienne's The Worshipper of the Image, readers are taken on a journey through the intricate workings of the human psyche. With its gripping narrative and thought-provoking themes, this novel offers a captivating exploration of love, obsession, and the blurred lines between reality and illusion.

Set in the vibrant city of Paris, the story follows the life of a young artist named Severino. As Severino falls hopelessly in love with a marble statue known as the "Worshipper of the Image," he becomes increasingly consumed by his infatuation. Le Gallienne skillfully delves into the complexities of Severino's obsession, painting a vivid picture of his desperation and inner turmoil.

One of the most remarkable aspects of this novel is Le Gallienne's lyrical writing style. His prose is evocative and poetic, imbuing each page with a mesmerizing beauty. The author's ability to create vivid imagery allows readers to visualize the characters and settings with striking clarity, immersing us in the emotionally charged world of Severino.

Furthermore, Le Gallienne's exploration of love and its various manifestations is both poignant and thought-provoking. Through Severino's unyielding devotion to an inanimate object, the author raises profound questions about the nature of love and its possible limitations. This introspective exploration prompts readers to reflect on their own beliefs and experiences, adding an additional layer of depth to the narrative.

Another noteworthy aspect of The Worshipper of the Image is its exploration of reality versus perception. Le Gallienne skillfully blurs the boundaries between what is real and what is imagined, casting doubt on the reliability of human perception. By doing so, he challenges our notions of truth, forcing us to question the validity of our own perceptions and the intangible nature of reality.

While this novel excels in its exploration of complex themes, it may not be suitable for readers who prefer a fast-paced, plot-driven narrative. The Worshipper of the Image is a deeply introspective work that relies heavily on the internal musings and emotions of its protagonist. Consequently, the pacing may seem slow at times, and readers seeking a more action-oriented story might find themselves longing for a faster tempo.

Despite this, The Worshipper of the Image remains a remarkable literary achievement. Le Gallienne's impeccable prose and profound exploration of love, obsession, and reality create an unforgettable reading experience. This introspective novel is sure to leave a lasting impression, prompting readers to contemplate the intricacies of the human heart and the perplexing nature of our own desires.

First Page:

The Worshipper of the Image

By RICHARD LE GALLIENNE

JOHN LANE: THE BODLEY HEAD LONDON AND NEW YORK 1900

THE UNIVERSITY PRESS, CAMBRIDGE, U.S.A.

TO SILENCIEUX

THIS TRAGIC FAIRY TALE

Contents

CHAPTER

I. SMILING SILENCE

II. THE COMING OF SILENCIEUX

III. THE NORTHERN SPHINX

IV. AT THE RISING OF THE MOON

V. SILENCIEUX SPEAKS

VI. THE THREE BLACK PONDS

VII. THE LOVERS OF SILENCIEUX

VIII. A STRANGE KISS FOR SILENCIEUX

IX. THE WONDERFUL WEEK

X. SILENCIEUX WHISPERS

XI. WONDER IN THE WOOD

XII. AUTUMN IN THE VALLEY

XIII. THE HUMAN SACRIFICE

XIV. A SONG OF THE LITTLE DEAD

XV. SILENCIEUX ALONE IN THE WOOD

XVI. THE FIRST TALK ON THE HILLS

XVII. ANTONY ALONE ON THE HILLS

XVIII. THE SECOND TALK ON THE HILLS

XIX. LAST TALK ON THE HILLS

XX. ANTONY'S JUDGMENT UPON SILENCIEUX

XXI. "RESURGAM!"

XXII. THE STRANGENESS OF ANTONY

XXIII. BEATRICE FULFILS HER DESTINY

The Worshipper of the Image

CHAPTER I

SMILING SILENCE

Evening was in the wood, still as the dreaming bracken, secretive, moving softly among the pines as a young witch gathering simples. She wore a hood of finely woven shadows, yet, though she drew it close, sunbeams trooping westward flashed strange lights across her haunted face.

The birds that lived in the wood had broken out into sudden singing as she stole in, hungry for silence, passionate to be alone; and at the foot of every tree she cried "Hush! Hush!" to the bedtime nests... Continue reading book >>




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