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Short Stories (All the Year Round, 1859-1863)

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By: (1810-1865)

Short Stories by Elizabeth Gaskell is a delightful collection of tales that offer a glimpse into Victorian life and society. The stories are full of richly drawn characters and vivid descriptions that transport the reader to a different era. Gaskell's keen observation of human nature shines through in each story, making them not only entertaining, but also thought-provoking.

One of the strengths of this book is the variety of stories included, each with its own unique premise and tone. From stories of love and marriage to tales of mystery and intrigue, Gaskell showcases her versatility as a writer. The pacing of the stories is just right, keeping the reader engaged from beginning to end.

Overall, Short Stories is a wonderful collection that showcases Elizabeth Gaskell's skill as a storyteller. Whether you are a fan of Victorian literature or simply enjoy well-crafted tales, this book is sure to entertain and captivate. Highly recommended for anyone looking for a good read.

Book Description:
In 1859 Charles Dickens launched a new weekly journal, All the Year Round, to replace Household Words. Elizabeth Gaskell remained a prolific contributor until 1863. Her fictional contributions feature strong female characters and have a darker tone than her previous works, reflecting the fashion for Gothic fiction of the 1860s and her travels in Europe. They include two of her best known shorter works: Lois the Witch, a heartfelt story of a young English girl who becomes of a victim of the Salem witch trials, and The Grey Woman, a powerful tale of a deceived wife's flight from her husband, a nobleman who turns out to be a leader of the French 'chauffeurs'. Two of Gaskell's most complex family sagas were thinly disguised as Christmas Ghost stories: The Ghost in the Garden Room and How the First Floor Went to Crowley Castle. The Cage at Cranford is a short reprise of Gaskell's Cranford stories. Of the two documentary pieces, Select Committee on French Songs appears here for the first time in a collection of Elizabeth Gaskell's work.


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