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Svetasvatara Upanishad

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The Svetasvatara Upanishad is a profound text that delves into the nature of reality, the purpose of life, and the relationship between the individual and the divine. Written in a poetic and philosophical style, the Upanishad explores the concept of Brahman, the ultimate reality, and encourages readers to seek spiritual awakening and enlightenment.

The Upanishad is filled with beautiful and thought-provoking verses that challenge readers to think deeply about the nature of existence and their place in the world. It offers profound insights into the human condition and encourages readers to transcend their limited understanding of reality and embrace a higher level of consciousness.

Overall, the Svetasvatara Upanishad is a powerful and inspiring text that offers a unique perspective on spirituality and the quest for self-realization. It is a must-read for anyone interested in Eastern philosophy and the pursuit of spiritual enlightenment.

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The word Upanishad (upa-ni-shad) consists of, "Upa" means "near;" "ni" means "down;" "shad" means "to sit." Thus, Upanishad is to sit down near the teacher to discuss, learn, practice, and experience. There are some 200 or more Upanishads. Some are lost and are only known about because of being referenced in other Upanishads.

Most of the Upanishads were kept secret for centuries, only passed on to others orally in the form of Shlokas (a category of verse line developed from the Vedic Anustubh meter).

Shvetashvatara Upanishad is embedded in Yajurveda. The name "Shvetashvatara" has the compound Sanskrit root Shvetashva (श्वेताश्व, Shvet + ashva), which literally means "white horse" and "drawn by white steeds". The Shvetashvatara Upanishad opens with metaphysical questions about the primal cause of all existence, its origin, its end, and what role if any did time, nature, necessity, chance, and the spirit had as primal cause? It then develops its answer. The chronology of Shvetashvatara Upanishad is uncertain and contested. It was probably composed in the 5th to 4th century BCE.

The 11 principal Upanishads to which Sankara appeals in his great commentary on the Vedanta-Surtras are: Chandogya, Talavakara or Kena, Aitareya, Kaushitaki, Vajasaneyi or Isha, Katha, Mundaka, Taittirtiyaka or Taittiriya, Brihadaranyaka, Svetasvatara, and Prasna. They are also called the 11 classical Upanishads or the fundamental Upanishads of the Vedanta Philosophy. Apart from these, Maitrayana-Brahmana-Upanishad is also considered as an important Upanishad.

The Upanishadic literature is not a religious scripture and is free from dogma and doctrines. It is not a part of any religion but is a philosophy for all times and for all. German philosopher Arthur Schopenhauer, impressed by the Upanishads, called the texts "the production of the highest human wisdom".


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