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Раковина (The Conch)

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By: (1894-1956)

"The Conch" by Georgy Arkadyevich Shengeli is a compelling and thought-provoking read that delves deep into the complexities of human nature and the power dynamics within a small village community in Soviet Georgia. The author masterfully weaves together multiple storylines and characters, creating a rich tapestry of interconnected lives.

The protagonist, Yegor, finds a mysterious conch shell on the beach, which sets off a series of events that ultimately lead to a tragic climax. Through Yegor's eyes, we see the intricacies of village life, the tensions between old traditions and modernity, and the longing for something more than the mundane existence they are trapped in.

Shengeli's writing is lyrical and atmospheric, painting a vivid picture of the Georgian landscape and its people. The themes of fate, destiny, and the search for meaning in life are explored with depth and insight, leaving the reader pondering long after the final page is turned.

Overall, "The Conch" is a haunting and poignant novel that tackles universal themes with sensitivity and grace. Shengeli's storytelling is both captivating and profound, making this book a must-read for anyone interested in exploring the complexities of human relationships and the mysteries of the human heart.

Book Description:
«Раковина» - главный сборник стихотворений Георгия Шенгели, демонстрирующий отточенную технику и литературную эрудицию. С середины 1930-х годов Шенгели оригинальных стихов практически не публиковал, но занимался переводческой и организаторской деятельностью, стиховедением. В 1933-41 гг. работал редактором в Гослитиздате, где давал работу поэтам, лишённым возможности публиковаться и вынужденным «кормиться» переводами.

"The Conch" is the main collection of Shengeli's poetry; it demonstrates fine technique and erudition. In the mid-1930s Shengeli stopped writing poetry and turned to translations and theory of poetics. In 1933-41 he worked as an editor at the State Publishing House and provided translation opportunities to the Soviet poets who were denied other means of literary livelihood.


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