A BIBLIOGRAPHY OF THE WRITINGS IN PROSE AND VERSE OF GEORGE HENRY BORROW BY THOMAS J. WISE LONDON: PRINTED FOR PRIVATE CIRCULATION ONLY BY RICHARD CLAY & SONS, LTD. 1914 OF THIS BOOK ONE HUNDRED COPIES ONLY HAVE BEEN PRINTED. PREFACE The object of the present Bibliography is to give a concise account, accompanied by accurate collations, of the original editions of the Books and Pamphlets of George Borrow, together with a list of his many contributions to Magazines and other Publications. It will doubtless be observed that no inconsiderable portion of the Bibliography deals with the attractive series of Pamphlets containing Ballads, Poems, and other works by Borrow which were printed for Private Circulation during the course of last year. Some account of the origin of these pamphlets, and some information regarding the material of which they are composed, may not be considered as inopportune or inappropriate. As a writer of English Prose Borrow long since achieved the position which was his due; as a writer of English Verse he has yet to come by his own. The neglect from which Borrow's poetical compositions (by far the larger proportion of which are translations from the Danish and other tongues) have suffered has arisen from one cause, and from one cause alone,--the fact that up to the present moment only his earliest and, in the majority of cases, his least successful efforts have been available to students of his work. In 1826, when Borrow passed his _Romantic Ballads_ through the Press, he had already acquired a working knowledge of numerous languages and dialects, but of his native tongue he had still to become a master. In 1826 his appreciation of the requirements of English Prosody was of a vague description, his sense of the rhythm of verse was crude, and the attention he paid to the exigencies of rhyme was inadequate. Hence the majority of his Ballads, beyond the fact that they were faithful reproductions of the originals from which they had been laboriously translated, were of no particular value. But to Borrow himself they were objects of a regard which amounted to affection, and there can be no question that throughout a considerable portion of his adventurous life he looked to his Ballads to win for him whatever measure of literary fame it might eventually be his fortune to gain. In _Lavengro_, and other of his prose works, he repeatedly referred to his "bundle of Ballads"; and I doubt whether he ever really relinquished all hope of placing them before the public until the last decade of his life had well advanced. That the Ballad Poetry of the old Northern Races should have held a strong attraction for Borrow is not to be wondered at. His restless nature and his roving habits were well in tune with the spirit of the old Heroic Ballads; whilst his taste for all that was mythical or vagabond (vagabond in the literal, and not in the conventional, sense of the word) would prompt him to welcome with no common eagerness the old Poems dealing with matters supernatural and legendary. Has he not himself recorded how, when fatigued upon a tiring march, he roused his flagging spirits by shouting the refrain "_Look out_, _look out_, _Svend Vonved_!"? In 1829, three years after the _Romantic Ballads_ had struggled into existence, Borrow made an effort to place them before a larger public in a more complete and imposing form. In collaboration with Dr. (afterwards Sir John) Bowring he projected a work which should contain the best of his old Ballads, together with many new ones, the whole to be supported by the addition of others from the pen of Dr. Bowring. {0a} A Prospectus was drawn up and issued in December, 1829, and at least two examples of this Prospectus have survived. The brochure consists of two octavo pages of letterpress, with the following heading:-- PROSPECTUS. _It is proposed to publish_, _in Two Volumes Octavo_, Price to Subscribers 1 pound 1_s._, to Non-Subscribers 1 pound 4_s._, THE SONGS OF SCANDINAVIA, TRANSLATED BY DR. BOWRING AND MR. BORROW. DEDICATED TO THE KING OF DENMARK, BY PERMISSION OF HIS MAJESTY. Then came a brief synopsis of the contents of the volumes, followed by a short address on "the debt of justice due from England to Scandinavia." Two additional pages were headed _List of Subscribers_, and were left blank for the reception of names which, alas! were recorded in no sufficient number. The scheme lapsed, Borrow found his mission in other fields of labour, and not until 1854 did he again attempt to revive it. But in 1854 Borrow made one more very serious effort to give his Ballads life. In that year he again took them in hand, subjected many of them to revision of the most drastic nature, and proceeded to prepare them finally for press. Advertisements which he drew up are still extant in his handwriting, and reduced facsimiles of two of these may be seen upon the opposite page. But again Fate was against him, and neither _Koempe Viser_ nor _Songs of Europe_ ever saw the light. {0b} [Picture: Manuscript of the Koempe Viser And Songs of Europe advertisement] After the death of Borrow his manuscripts passed into the possession of his step-daughter, Mrs. MacOubrey, from whom the greater part were purchased by Mr. Webber, a bookseller of Ipswich, who resold them to Dr. William Knapp. These Manuscripts are now in the hands of the Hispanic Society, of New York, and will doubtless remain for ever the property of the American people. Fortunately, when disposing of the bulk of her step-father's books and papers to Mr. Webber, Mrs. MacOubrey retained the Manuscripts of the Ballads, together with certain other documents of interest and importance. It was from these Manuscripts that I was afforded the opportunity of preparing the series of Pamphlets printed last year. The Manuscripts themselves are of four descriptions. Firstly, the Manuscripts of certain of the new Ballads prepared for the _Songs of Scandinavia_ in 1829, untouched, and as originally written; {0c} secondly, other of these new Ballads, heavily corrected by Borrow in a later handwriting; thirdly, fresh transcripts, with the revised texts, made in or about 1854, of Ballads written in 1829; and lastly some of the more important Ballads originally published in 1826, entirely re-written in 1854, and the text thoroughly revised. As will be seen from the few examples I have given in the following pages, or better still from a perusal of the pamphlets, the value as literature of Borrow's Ballads as we now know them is immeasurably higher than that hitherto placed upon them by critics who had no material upon which to form their judgment beyond the _Romantic Ballads_, _Targum_, and _The Talisman_, together with the sets of minor verses included in his other books. Borrow himself regarded his work in this field as superior to that of Lockhart, and indeed seems to have believed that one cause at least of his inability to obtain a hearing was Lockhart's jealousy for his own _Spanish Ballads_. Be that as it may--and Lockhart was certainly sufficiently small-minded to render such a suspicion by no means ridiculous or absurd--I feel assured that Borrow's metrical work will in future receive a far more cordial welcome from his readers, and will meet with a fuller appreciation from his critics, than that which until now it has been its fortune to secure. Despite the unctuous phrases which, in obedience to the promptings of the Secretaries of the British and Foreign Bible Society {0d} whose interests he forwarded with so much enterprise and vigor, he was at times constrained to introduce into his official letters, Borrow was at heart a Pagan. The memory of his father that he cherished most warmly was that of the latter's fight, actual or mythical, with 'Big Ben Brain,' the bruiser; whilst the sword his father had used in action was one of his best-regarded possessions. To that sword he addressed the following youthful stanzas, which until now have remained un-printed: THE SWORD _Full twenty fights my father saw_, _And died with twenty red wounds gored_; _I heir'd what he so loved to draw_, _His ancient silver-handled sword_. _It is a sword of weight and length_, _Of jags and blood-specks nobly full_; _Well wielded by his Cornish strength_ _It clove the Gaulman's helm and scull_. _Hurrah_! _thou silver-handled blade_, _Though thou'st but little of the air_ _Of swords by Cornets worn on p'rade_, _To battle thee I vow to bear_. _Thou'st decked old chiefs of Cornwall's land_, _To face the fiend with thee they dared_; _Thou prov'dst a Tirfing in their hand_ _Which victory gave whene'er_ '_twas bared_. _Though Cornwall's moors_ '_twas ne'er my lot_ _To view_, _in Eastern Anglia born_, _Yet I her son's rude strength have got_, _And feel of death their fearless scorn_. _And when the foe we have in ken_, _And with my troop I seek the fray_, _Thou'lt find the youth who wields thee then_ _Will ne'er the part of Horace play_. _Meanwhile above my bed's head hang_, _May no vile rust thy sides bestain_; _And soon_, _full soon_, _the war-trump's clang_ _Call me and thee to glory's plain_. These stanzas are interesting in a way which compels one to welcome them, despite the poverty of the verse. The little poem is a fragment of autobiographical _juvenilia_, and moreover it is an original composition, and not a translation, as is the greater part of Borrow's poetical work. Up to the present date no Complete Collected Edition of Borrow's Works has been published, either in this country or in America. There is, however, good reason for hoping that this omission will soon be remedied, for such an edition is now in contemplation, to be produced under the agreeable editorship of Mr. Clement Shorter. It is, I presume, hardly necessary to note that every Book, Pamphlet, and Magazine dealt with in the following pages has been described _de visu_. T. J. W. CONTENTS PART I.--EDITIONES PRINCIPES PAGE _PREFACE_ ix CELEBRATED TRIALS, 1825 3 FAUSTUS, 1825 4 ROMANTIC BALLADS, 1826: _First issue_ 11 _Second issue_ 44 _Third issue_ 47 TARGUM, 1835 47 THE TALISMAN, 1835 58 THE GOSPEL OF ST. LUKE, 1837 62 THE ZINCALI, 1841 66 THE BIBLE IN SPAIN, 1843 69 REVIEW OF FORD'S "HAND-BOOK FOR TRAVELLERS IN SPAIN," 72 1845 A SUPPLEMENTARY CHAPTER TO "THE BIBLE IN SPAIN," 1913 81 LAVENGRO, 1851 85 THE ROMANY RYE, 1857 88 THE SLEEPING BARD, 1860 92 WILD WALES, 1862 94 ROMANO LAVO-LIL, 1874 103 THE TURKISH JESTER, 1884 110 THE DEATH OF BALDER, 1889 111 LETTERS TO THE BRITISH AND FOREIGN BIBLE SOCIETY, 1911 113 LETTERS TO HIS WIFE, MARY BORROW, 1913 115 MARSK STIG, A BALLAD, 1913 116 THE SERPENT KNIGHT, AND OTHER BALLADS, 1913 127 THE KING'S WAKE, AND OTHER BALLADS, 1913 131 THE DALBY BEAR, AND OTHER BALLADS, 1913 139 THE MERMAID'S PROPHECY, AND OTHER SONGS RELATING TO QUEEN 140 DAGMAR, 1913 HAFBUR AND SIGNE, A BALLAD, 1913 144 THE STORY OF YVASHKA WITH THE BEAR'S EAR, 1913 153 THE VERNER RAVEN, THE COUNT OF VENDEL'S DAUGHTER, AND 157 OTHER BALLADS, 1913 THE RETURN OF THE DEAD, AND OTHER BALLADS, 1913 158 AXEL THORDSON AND FAIR VALBORG, 1913 165 KING HACON'S DEATH, AND BRAN AND THE BLACK DOG, 1913 166 MARSK STIG'S DAUGHTERS, AND OTHER SONGS AND BALLADS, 1913 170 THE TALE OF BRYNILD, AND KING VALDEMAR AND HIS SISTER, 177 1913 PROUD SIGNILD, AND OTHER BALLADS, 1913 181 ULF VAN YERN, AND OTHER BALLADS, 1913 182 ELLEN OF VILLENSKOV, AND OTHER BALLADS, 1913 188 THE SONGS OF RANILD, 1913 191 NIELS EBBESEN AND GERMAND GLADENSWAYNE, 1913 192 CHILD MAIDELVOLD, AND OTHER BALLADS, 1913 195 ERMELINE, A BALLAD, 1913 203 THE GIANT OF BERN AND ORM UNGERSWAYNE, 1913 207 LITTLE ENGEL, A BALLAD, 1913 208 ALF THE FREEBOOTER, LITTLE DANNEVED AND SWAYNE TROST, AND 212 OTHER BALLADS, 1913 KING DIDERIK AND THE FIGHT BETWEEN THE LION AND DRAGON, 215 AND OTHER BALLADS, 1913 THE NIGHTINGALE, THE VALKYRIE AND RAVEN, AND OTHER 219 BALLADS, 1913 GRIMMER AND KAMPER, THE END OF SIVARD SNARENSWAYNE, AND 223 OTHER BALLADS, 1913 THE FOUNTAIN OF MARIBO, AND OTHER BALLADS, 1913 227 QUEEN BERNGERD, THE BARD AND THE DREAMS, AND OTHER 231 BALLADS, 1913 FINNISH ARTS, OR, SIR THOR AND DAMSEL THURE, 1913 237 BROWN WILLIAM, THE POWER OF THE HARP, AND OTHER BALLADS, 238 1913 THE SONG OF DEIRDRA, KING BYRGE AND HIS BROTHERS, AND 244 OTHER BALLADS, 1913 SIGNELIL, A TALE FROM THE CORNISH, AND OTHER BALLADS, 247 1913 YOUNG SWAIGDER OR THE FORCE OF RUNES, AND OTHER BALLADS, 251 1913 EMELIAN THE FOOL, 1913 253 THE STORY OF TIM, 1913 254 MOLLIE CHARANE, AND OTHER BALLADS, 1913 257 GRIMHILD'S VENGEANCE, THREE BALLADS, 1913 262 LETTERS TO HIS MOTHER, ANN BORROW, 1913 266 THE BROTHER AVENGED, AND OTHER BALLADS, 1913 267 THE GOLD HORNS, 1913 271 TORD OF HAFSBOROUGH, AND OTHER BALLADS, 1914 273 THE EXPEDITION TO BIRTING'S LAND, AND OTHER BALLADS, 1914 275 PART II. CONTRIBUTIONS TO PERIODICAL LITERATURE, ETC. 283 PART III. BORROVIANA: COMPLETE VOLUMES OF BIOGRAPHY AND CRITICISM 311 PART I. EDITIONES PRINCIPES, ETC. (1) [CELEBRATED TRIALS: 1825] Celebrated Trials, / and / Remarkable Cases / of / Criminal Jurisprudence, / from / The Earliest Records / to / The Year 1825. / [_Thirteen-line quotation from Burke_] / In Six Volumes. / Vol. I. [_Vol. II_, _&c._] / London: / Printed for Knight and Lacey, / Paternoster-Row. / 1825. / Price 3 pounds 12_s._ in Boards. Collation:--Demy octavo. Vol. I. Pp. xiii + v + 550, with nine engraved Plates. Vol. II. ,, vi + 574, with seven engraved Plates. [P. 574 is misnumbered 140.] Vol. III. ,, vi + 572, with three engraved Plates. Vol. IV. ,, vi + 600, with five engraved Plates. Vol. V. ,, vi + 684, with five engraved Plates. Vol. VI. ,, viii + 576 + an _Index_ of 8 pages, together with six engraved Plates. Issued in drab paper boards, with white paper back-labels. The leaves measure 8.625 x 5 inches. It is evident that no fewer than five different printing houses were employed simultaneously in the production of this work. The preliminary matter of all six volumes was printed together, and the reverse of each title-page carries at foot the following imprint: "_London_: / _Shackell and Arrowsmith_, _Johnson's-Court_, _Fleet-Street_." The same firm also worked the whole of the Second Volume, and their imprint is repeated at the foot of p. 574 [misnumbered 140]. Vol. I bears, at the foot of p. 550, the following imprint: "_Printed by W. Lewis_, 21, _Finch-Lane_, _Cornhill_." Vol. III bears, at the foot of p. 572, the following imprint: "_J. and C. Adlard_, _Printers_, / _Bartholomew Close_." Vols. IV and VI bear, at the foot of pages 600 and 576 respectively, the following imprint: "_D. Sidney & Co._, _Printers_ / _Northumberland-street_, _Strand_." Vol. V bears, at the foot of p. 684, the following imprint: "_Whiting and Branston_, / _Beaufort House_, _Strand_." Both Dr. Knapp and Mr. Clement Shorter have recorded full particulars of the genesis of the _Celebrated Trials_. Mr. Shorter devotes a considerable portion of Chapter xi of _George Borrow and his Circle_ to the subject, and furnishes an analysis of the contents of each of the six volumes. _Celebrated Trials_ is, of course, the _Newgate Lives and Trials_ of _Lavengro_, in which book Borrow contrived to make a considerable amount of entertaining narrative out of his early struggles and failures. There is a Copy of the First Edition of _Celebrated Trials_ in the Library of the British Museum. The Press-mark is 518.g.6. (2) [FAUSTUS: 1825] Faustus: / His / Life, Death, / and / Descent into Hell. / Translated from the German. / _Speed thee_, _speed thee_, / _Liberty lead thee_, / _Many this night shall harken and heed thee_. / _Far abroad_, / _Demi-god_, / _Who shall appal thee_! / _Javal_, _or devil_, _or what else we call thee_. / Hymn to the Devil. / London: / W. Simpkin and R. Marshall. / 1825. [Picture: Title page of Fautus, 1825] Collation:--Foolscap octavo, pp. xii + 251; consisting of: Half-title (with imprint "_Printed by_ / _J. and C. Adlard_, _Bartholomew Close_" at the foot of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; Preface (headed _The Translator to the Public_) pp. v-viii; Table of _Contents_ pp. ix-xii; and Text pp. 1-251. The reverse of p. 251 is occupied by Advertisements of Horace Welby's _Signs before Death_, and John Timbs's _Picturesque Promenade round Dorking_. The headline is _Faustus_ throughout, upon both sides of the page. At the foot of the reverse of p. 251 the imprint is repeated thus, "_J. and C. Adlard_, _Bartholomew Close_." The signatures are A (6 leaves), B to Q (15 sheets, each 8 leaves), plus R (6 leaves). Issued (in _April_, 1825) in bright claret-coloured linen boards, with white paper back-label. The leaves measure 6.75 x 4.25 inches. The published price was 7_s._ 6_d._ The volume has as _Frontispiece_ a coloured plate, engraved upon copper, representing the supper of the sheep-headed Magistrates, described on pp. 64-66. The incident selected for illustration is the moment when the wine 'issued in blue flames from the flasks,' and 'the whole assembly sat like so many ridiculous characters in a mad masquerade.' This illustration was not new to Borrow's book. It had appeared both in the German original, and in the French translation of 1798. In the original work the persons so bitterly satirized were the individuals composing the Corporation of Frankfort. In 1840 'remainder' copies of the First Edition of _Faustus_ were issued with a new title-page, pasted upon a stub, carrying at foot the following publishers' imprint, "_London_: / _Simpkin_, _Marshall & Co._ / 1840." They were made up in bright claret-coloured linen boards, uniform with the original issue, with a white paper back-label. The published price was again 7_s._ 6_d._ _Faustus_ was translated by Borrow from the German of Friedrich Maximilian von Klinger. Mr. Shorter suggests, with much reason, that Borrow did not make his translation from the original German edition of 1791, but from a French translation published in Amsterdam in 1798. The reception accorded to _Faustus_ was the reverse of favourable. _The Literary Gazette_ said (_July_ 16_th_, 1825):-- "This is another work to which no respectable publisher ought to have allowed his name to be put. The political allusion and metaphysics, which may have made it popular among a low class in Germany, do not sufficiently season its lewd scenes and coarse descriptions for British palates. We have occasionally publications for the fireside,--these are only fit for the fire." Borrow's translation of Klinger's novel was reprinted in 1864, without any acknowledgment of the name of the translator. Only a few stray words in the text were altered. But five passages were deleted from the Preface, which, not being otherwise modified or supplemented, gave--as was no doubt the intention of the publishers--the work the appearance of a new translation specially prepared. This unhallowed edition bears the following title-page: _Faustus_: / _His_ / _Life_, _Death_, _and Doom_. / _A Romance in Prose_. / _Translated from the German_. / [Quotation as in the original edition, followed by a Printer's ornament.] / _London_: / _W. Kent and Co._, _Paternoster Row_. / 1864.--Crown 8vo, pp. viii + 302. "There is no reason to suppose," remarks Mr. Shorter (_George Borrow and his Circle_, p. 104) "that the individual, whoever he may have been, who prepared the 1864 edition of _Faustus_ for the Press, had ever seen either the German original or the French translation of Klinger's book." There is a copy of the First Edition of _Faustus_ in the Library of the British Museum. The Press-mark is N.351. [Picture: Title page of Romantic Ballads] (3) [ROMANTIC BALLADS: 1826] Romantic Ballads, / Translated from the Danish; / and / Miscellaneous Pieces; / By / George Borrow. / _Through gloomy paths unknown_-- / _Paths which untrodden be_, / _From rock to rock I roam_ / _Along the dashing sea_. / Bowring. / Norwich: / Printed and Published by S. Wilkin, Upper Haymarket. / 1826. Collation:--Demy octavo, pp. xii + 187; consisting of: Half-title (with imprint "_Norwich_: / _Printed by S. Wilkin_, _Upper Haymarket_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; Table of _Contents_ (with blank reverse) pp. v-vi; _Preface_ pp. vii-viii; Prefatory Poem _From Allan Cunningham to George Borrow_ pp. ix-xi, p. xii is blank; Text of the _Ballads_ pp. 1-184; and List of Subscribers pp. 185-187. The reverse of p. 187 is blank. There are head-lines throughout, each page being headed with the title of the Ballad occupying it. The imprint is repeated at the foot of p. 184. The signatures are a (a half-sheet of 4 leaves), b (a quarter-sheet of 2 leaves), B to M (eleven sheets, each 8 leaves), and N (a half-sheet of 4 leaves), followed by an unsigned quarter-sheet of 2 leaves carrying the List of Subscribers. {12} Sigs. G 5 and H 2 (pp. 89-90 and 99-100) are cancel-leaves, mounted on stubs, in every copy I have met with. Issued (in _May_ 1826) in dark greenish-grey paper boards, with white paper back-label, lettered "_Romantic_ / _Ballads_ / _From the_ / _Danish By_ / _G. Borrow_ / _Price_ 10/6 _net_." The leaves measure 9 x 5.5 inches. The volume of _Romantic Ballads_ was printed at Norwich during the early months of 1826. The edition consisted of Five Hundred Copies, but only Two Hundred of these were furnished with the Title-page transcribed above. These were duly distributed to the subscribers. The remaining Three Hundred copies were forwarded to London, where they were supplied with the two successive title-pages described below, and published in the ordinary manner. "_I had an idea that_, _provided I could persuade any spirited publisher to give these translations to the world_, _I should acquire both considerable fame and profit_;_ not perhaps a world-embracing fame such as Byron's_, _but a fame not to be sneered at_, _which would last me a considerable time_, _and would keep my heart from breaking_;--_profit_, _not equal to that which Scott had made by his wondrous novels_, _but which would prevent me from starving_, _and enable me to achieve some other literary enterprise_. _I read and re-read my ballads_, _and the more I read them the more I was convinced that the public_, _in the event of their being published_, _would freely purchase_, _and hail them with merited applause_"--["George Borrow and his Circle," 1913, p. 102.] Allan Cunningham's appreciation of the manner in which Borrow had succeeded in his effort to introduce the Danish Ballads to English readers is well expressed in the following letter: 27, _Lower Belgrave Place_, _London_. 16_th_ _May_, 1826. _My dear Sir_, _I like your Danish Ballads much_, _and though Oehlenslaeger seems a capital poet_, _I love the old rhymes best_. _There is more truth and simplicity in them_;_ and certainly we have nothing in our language to compare with them_. . . . '_Sir John_' _is a capital fellow_, _and reminds one of Burns'_ '_Findlay_.' '_Sir Middel_' _is very natural and affecting_, _and exceedingly well rendered_,--_so is_ '_The Spectre of Hydebee_.' _In this you have kept up the true tone of the Northern Ballad_. '_Svend Vonved_' _is wild and poetical_, _and it is my favourite_. _You must not think me insensible to the merits of the incomparable_ '_Skimming_.' _I think I hear his neigh_, _and see him crush the ribs of the Jute_. _Get out of bed_, _therefore_, _George Borrow_, _and be sick or sleepy no longer_. _A fellow who can give us such exquisite Danish Ballads has no right to repose_. . . . _I remain_, _Your very faithful friend_, _Allan Cunningham_. _Contents_. PAGE. Introductory Verses. By Allan Cunningham. [_Sing_, ix _sing_, _my friend_; _breathe life again_] The Death-Raven. [_The silken sail_, _which caught the 1 summer breeze_] I give herewith a reduced facsimile of the first page of the original Manuscript of this Ballad. No other MS. of it is known to be extant. Fridleif and Helga. [_The woods were in leaf_, _and 21 they cast a sweet shade_] Sir Middel. [_So tightly was Swanelil lacing her vest_] 28 Previously printed (under the title _Skion Middel_, the first line reading, "_The maiden was lacing so tightly her vest_,") in _The Monthly Magazine_, _November_ 1823, p. 308. Apart from the opening line, the text of the two versions (with the exception of a few trifling verbal changes) is identical. Another, but widely different, version of this Ballad is printed in _Child Maidelvold and Other Ballads_, 1913, pp. 5-10. In this latter version the name of the heroine is Sidselil in place of Swanelil, and that of the hero is Child Maidelvold in place of Sir Middel. Elvir-Shades. [_A sultry eve pursu'd a sultry day_] 32 Considerable differences are to be observed between the text of the Manuscript of _Elvir-Shades_ and that of the printed version. For example, as printed the second stanza reads: _I spurr'd my courser_, _and more swiftly rode_, _In moody silence_, _through the forests green_, _Where doves and linnets had their lone abode_. In the Manuscript it reads: _Immers'd in pleasing pensiveness I rode_ _Down vistas dim_, _and glades of forest green_, _Where doves and nightingales had their abode_. The Heddybee-Spectre. [_I clomb in haste my dappled 37 steed_] In 1829 Borrow discarded his original (1826) version of _The Heddybee-Spectre_, and made an entirely new translation. This was written in couplets, with a refrain repeated after each. In 1854 the latter version was revised, and represents the final text. It commences thus: _At evening fall I chanced to ride_, _My courser to a tree I tied_. _So wide thereof the story goes_. _Against a stump my head I laid_, _And then to slumber I essay'd_ _So wide thereof the story goes_. From the Manuscript of 1854 the ballad was printed (under the amended title _The Heddeby Spectre_) in _Signelil_, _A Tale from the Cornish_, _and Other Ballads_, 1913, pp. 22-24. Borrow afterwards described the present early version as 'a paraphrase.' Sir John. [_Sir Lave to the island stray'd_] 40 There is extant a Manuscript of _Sir John_ which apparently belongs to an earlier date than 1826. The text differs considerably from that of the _Romantic Ballads_. I give a few stanzas of each. 1826. _The servants led her then to bed_, _But could not loose her girdle red_! "_I can_, _perhaps_," _said John_. _He shut the door with all his might_; _He lock'd it fast_, _and quench'd the light_: "_I shall sleep here_," _said John_. _A servant to Sir Lave hied_:-- "_Sir John is sleeping with the bride_:" "_Aye_, _that I am_," _said John_. _Sir Lave to the chamber flew_: "_Arise_, _and straight the door undo_!" "_A likely thing_!" _said John_. _He struck with shield_, _he struck with spear_-- "_Come out_, _thou Dog_, _and fight me here_!" "_Another time_," _said John_. _Early MS._ _They carried the bride to the bridal bed_, _But to loose her girdle ne'er entered their head_-- "_Be that my care_," _said John_. _Sir John locked the door as fast as he might_: "_I wish Sir Lave a very good night_, _I shall sleep here_," _said John_. _A messenger to Sir Lave hied_: "_Sir John is sleeping with thy young bride_!" "_Aye_, _that I am_!" _said John_. _On the door Sir Lave struck with his glove_: "_Arise_, _Sir John_, _let me in to my love_!" "_Stand out_, _you dog_!" _said John_. _He struck on the door with shield and spear_: "_Come out_, _Sir John_, _and fight me here_!" "_See if I do_!" _said John_. May Asda. [_May Asda is gone to the merry green wood_] 44 Aager and Eliza. [_Have ye heard of bold Sir Aager_] 47 Saint Oluf. [_St. Oluf was a mighty king_] 53 _Of Saint Oluf_ there are three MSS. extant, the first written in 1826, the second in 1829, and the third in 1854. In the two later MSS. the title given to the Ballad is _Saint Oluf and the Trolds_. As the latest MS. affords the final text of the Poem, I give a few of the variants between it and the printed version of 1826 1826. _St. Oluf built a lofty ship_, _With sails of silk so fair_; "_To Hornelummer I must go_, _And see what's passing there_." "_O do not go_," _the seamen said_, "_To yonder fatal ground_, _Where savage Jutts_, _and wicked elves_, _And demon sprites_, _abound_." _St. Oluf climb'd the vessel's side_; _His courage nought could tame_! "_Heave up_, _heave up the anchor straight_; _Let's go in Jesu's name_. "_The cross shall be my faulchion now_-- _The book of God my shield_; _And_, _arm'd with them_, _I hope and trust_ _To make the demons yield_!" _And swift_, _as eagle cleaves the sky_, _The gallant vessel flew_, _Direct for Hornelummer's rock_, _Through ocean's wavy blue_. '_Twas early in the morning tide_ _When she cast anchor there_; _And_, _lo_! _the Jutt stood on the cliff_, _To breathe the morning air_: _His eyes were like the burning beal_-- _His mouth was all awry_; _The truth I tell_, _and say he stood_ _Full twenty cubits high_. * * * * * "_Be still_, _be still_, _thou noisy guest_-- _Be still for evermore_; _Become a rock and beetle there_, _Above the billows hoar_." _Up started then_, _from out the hill_, _The demon's hoary wife_; _She curs'd the king a thousand times_, _And brandish'd high her knife_. _Sore wonder'd then the little elves_, _Who sat within the hill_, _To see their mother_, _all at once_, _Stand likewise stiff and still_. 1854. _Saint Oluf caused a ship be built_, _At Marsirand so fair_; _To Hornelummer he'll away_, _And see what's passing there_. _Then answer made the steersman old_, _Beside the helm who stood_: "_At Hornelummer swarm the Trolas_, _It is no haven good_." _The king replied in gallant guise_, _And sprang upon the prow_: "_Upon the Ox {23} the cable cast_, _In Jesu's name let go_!" _The Ox he pants_, _the Ox he snorts_, _And bravely cuts the swell_-- _To Hornelummer in they sail_ _The ugly Trolds to quell_. _The Jutt was standing on the cliff_, _Which raises high its brow_; _And thence he saw Saint Oluf_, _and_ _The Ox beneath him go_. _His eyes were like a burning beal_, _His mouth was all awry_, _The nails which feve'd his fingers' ends_ _Stuck out so wondrously_. "_Now hold thy peace_, _thou foulest fiend_, _And changed be to stone_; _Do thou stand there_ '_till day of doom_, _And injury do to none_." _Then out came running from the hill_ _The carline old and grey_; _She cursed the King a thousand times_, _And bade him sail away_. _Then wondered much the little Trolds_, _Who sat within the hill_, _To see their mother all at once_ _Stand likewise stiff and still_. The entire ballad should be compared with _King Oluf the Saint_, printed in _Queen Berngerd_, _The Bard and the Dreams_, _and Other Ballads_, 1913, pp 23-29. The Heroes of Dovrefeld. [_On Dovrefeld_, _in Norway_] 58 Another version of _The Heroes of Dovrefeld_, written in 1854, is extant in manuscript. Unlike that of 1826, which was in four line stanzas, this later version is arranged in couplets, with a refrain repeated after each. It commences as follows: _On Dovrefeld in Norroway_ _Free from care the warriors lay_. _Who knows like us to rhyme and rune_? _Twelve bold warriors there were seen_, _Brothers of Ingeborg the Queen_. _Who knows like us to rhyme and rune_? _The first the rushing storm could turn_, _The second could still the running burn_. _Who knows like us to rhyme and rune_? Svend Vonved. [_Svend Vonved sits in his lonely bower_] 61 In a Manuscript of 1830 the name employed is _Swayne Vonved_. There is no 1854 Manuscript of this Ballad. The Tournament. [_Six score there were_, _six score and 82 ten_] _The Tournament_ was one of the Ballads entirely rewritten by Borrow in 1854 for inclusion in the then projected _Koempe Viser_. The text of the later version differed greatly from that of 1826, as the following extracts will show: 1826. _Six score there were_, _six score and ten_, _From Hald that rode that day_; _And when they came to Brattingsborg_ _They pitch'd their pavilion gay_. _King Nilaus stood on the turrets top_, _Had all around in sight_: "_Why hold those heroes their lives so cheap_, _That it lists them here to fight_? "_Now_, _hear me_, _Sivard Snaresvend_; _Far hast thou rov'd_, _and wide_, _Those warriors' weapons thou shalt prove_, _To their tent thou must straightway ride_." * * * * * _There shine upon the eighteenth shield_ _A man_, _and a fierce wild boar_, _Are borne by the Count of Lidebierg_; _His blows fall heavy and sore_. _There shines upon the twentieth shield_, _Among branches_, _a rose_, _so gay_; _Wherever Sir Nordman comes in war_, _He bears bright honour away_. _There shines on the one-and-twentieth shield_ _A vase_, _and of copper_ '_tis made_; _That's borne by Mogan Sir Olgerson_: _He wins broad lands with his blade_. _And now comes forth the next good shield_, _With a sun dispelling the mirk_; _And that by Asbiorn Milde is borne_; _He sets the knights' backs at work_. _Now comes the four-and-twentieth shield_, _And a bright sword there you see_; _And that by Humble Sir Jerfing is borne_; _Full worthy of that is he_. * * * * * _Sir Humble struck his hand on the board_; _No longer he lists to play_: _I tell you_, _forsooth_, _that the rosy hue_ _From his cheek fast faded away_. "_Now_, _hear me_, _Vidrik Verlandson_; _Thou art so free a man_; _Do lend me Skimming_, _thy horse_, _this day_; _I'll pledge for him what I can_." * * * * * _In came Humble_, _with boot and spur_, _He cast on the table his sword_: "_Sivard stands in the green wood bound_, _He speaks not a single word_. "_O_, _I have been to the wild forest_, _And have seiz'd the warrior stark_; _Sivard there was taken by me_, _And tied to the oak's rough bark_." * * * * * _The queen she sat in the high_, _high loft_, _And thence look'd far and wide_: "_O there comes Sward Snaresvend_, _With a stately oak at his side_." _Then loud laugh'd fair Queen Gloriant_, _As she looked on Sivard full_: "_Thou wert_, _no doubt_, _in great_, _great need_, _When thou such flowers didst pull_." 1854. _There were seven and seven times twenty_ _Away from Hald that went_; _And when they came to Brattingsborg_ _There pitch'd they up their tent_. _King Nilaus stood on the turret's top_, _Had all around in sight_: "_If yonder host comes here to joust_ _They hold their lives but light_. "_Now_, _hear me_, _Sivard Snarenswayne_, _One thing I crave of thee_; _To meet them go_, _for I would know_ _Their arms_, _and who they be_." * * * * * _There shine upon the eighteenth shield_ _A Giant and a Sow_; _Who deals worse blows amidst his foes_, _Count Lideberg_, _than thou_? _Wherever Sir Nordman comes in war_ _He winneth fame in field_; _Yon blooming rose and verdant boughs_ _Adorn the twentieth shield_. _A copper kettle_, _fairly wrought_, _Upon the next you see_; '_Tis borne by one who realms has won_, _Sir Mogan good_, _by thee_! _Forth comes the two-and-twentieth shield_, _A sun mid mist and smoke_; _Of wrestler line full many a spine_ _Has Asborn Milday broke_. _A glittering faulchion shines upon_ _The four-and-twentieth shield_; _And that doth bear Sir Jerfing's heir_, _He's worthy it to wield_. * * * * * _Young Humble struck his hand on the board_, _No longer he lists to play_; _I tell to you that the rosy hue_ _From his cheek fast fled away_. "_Now hear me_, _Vidrik Verlandson_, _Thou art a man so free_; _Lend me thy horse to ride this course_, _Grey Skimming lend to me_." * * * * * _In came Humble_, _with boot and spur_, _On the table cast his sword_: "_'Neath the green-wood bough stands Sivard now_, _He speaketh not a word_. "_O_, _I have been to the forest wild_, _And have seiz'd the warrior good_: _These hands did chain the Snarenswayne_ _To the oak's bark in the wood_." * * * * * _The Queen she sat in the chamber high_, _And thence look'd far and wide_: "_Across the plain comes the Snarenswayne_, _With an oak-tree at his side_." _Then loud laughed fair Queen Ellinore_, _As she looked on Sivard full_: "_Thou wast_, _I guess_, _in sore distress_ _When thou such flowers didst pull_!" A reduced facsimile of the first page of the Manuscript of the 1854 version of _The Tournament_ will be found herewith, facing page 28. Vidrik Verlandson. [_King Diderik sits in the halls of 98 Bern_] _Vidrik Verlandson_ was another of the Ballads entirely re-written by Borrow in 1854 for the proposed _Koempe Viser_. The text of the later version differed extremely from that of 1826, as the following examples will shew: 1826. "_A handsome smith my father was_, _And Verland hight was he_: _Bodild they call'd my mother fair_; _Queen over countries three_: "_Skimming I call my noble steed_, _Begot from the wild sea-mare_: _Blank do I call my haughty helm_, _Because it glitters so fair_: "_Skrepping I call my good thick shield_; _Steel shafts have furrow'd it o'er_: _Mimmering have I nam'd my sword_; '_Tis hardened in heroes' gore_: "_And I am Vidrik Verlandson_: _For clothes bright iron I wear_: _Stand'st thou not up on thy long_, _long legs_, _I'll pin thee down to thy lair_: "_Do thou stand up on thy long_, _long legs_, _Nor look so dogged and grim_; _The King holds out before the wood_; _Thou shall yield thy treasure to him_." "_All_, _all the gold that I possess_, _I will keep with great renown_; _I'll yield it at no little horse-boy's word_, _To the best king wearing a crown_." "_So young and little as here I seem_, _Thou shalt find me prompt in a fray_; _I'll hew the head from thy shoulders off_, _And thy much gold bear away_." * * * * * _It was Langben the lofty Jutt_, _He wav'd his steel mace round_; _He sent a blow after Vidrik_; _But the mace struck deep in the ground_. _It was Langben the lofty Jutt_, _Who had thought his foeman to slay_, _But the blow fell short of Vidrik_; _For the good horse bore him away_. _It was Langben the lofty Jutt_, _That shouted in wild despair_: "_Now lies my mace in the hillock fast_, _As though_ '_twere hammered in there_!" * * * * * "_Accursed be thou_, _young Vidrik_! _And accursed thy piercing steel_! _Thou hast given me_, _see_, _a wound in my breast_, _Whence rise the pains I feel_." * * * * * "_Now hear_, _now hear_, _thou warrior youth_, _Thou canst wheel thy courser about_; _But in every feat of manly strength_ _I could beat thee out and out_." 1854. "_My father was a smith by trade_, _And Verland Smith he hight_; _Bodild they call'd my mother dear_, _A monarch's daughter bright_. "_Blank do I call my helm_, _thereon_ _Full many a sword has snapped_; _Skrepping I call my shield_, _thereon_ _Full many a shaft has rapped_. "_Skimming I call my steed_, _begot_ _From the wild mare of the wood_; _Mimmering have I named my sword_, '_Tis hardened in heroes' blood_. "_And I am Viderik Verlandson_, _Bright steel for clothes I wear_; _Stand up on thy long legs_, _or I_ _Will pin thee to thy lair_! "_Stand up on thy long legs_, _nor look_ _So dogged and so grim_; _The King doth hold before the wood_, _Thy treasure yield to him_!" "_Whatever gold I here possess_ _I'll keep_, _like a Kemp of worth_; _I'll yield it at no horseboy's word_ _To any King on earth_!" "_So young and little as I seem_ _I'm active in a fray_; _I'll hew thy head_, _thou lubbard_, _off_, _And bear thy gold away_!" * * * * * _It was Langben the Giant waved_ _His steely mace around_; _He sent a blow at Vidrik_, _but_ _The mace struck deep in the ground_. _It was Langben_, _the lofty Jutt_, _Had thought his foe to slay_; _But the blow fell short_, _for the speedy horse_ _His master bore away_. _It was Langben_, _the lofty Jutt_, _He bellow'd to the heaven_: "_My mace is tight within the height_, _As though by a hammer driven_!" * * * * * _Accurs'd be thou_, _young Vidrik_! _Accursed be thy steel_! _Thou'st given me a mighty wound_, _And mighty pain I feel_. * * * * * "_Now hear_, _now hear_, _thou warrior youth_, _Thou well canst wheel thy steed_; _But I could beat thee out and out_ _In every manly deed_." In _Romantic Ballads_, and also in the Manuscript of 1854, this Ballad is entitled _Vidrik Verlandson_. In the Manuscript of 1829 it is entitled _Vidrik Verlandson's Conflict with the Giant Langben_. The text of this Manuscript is intermediate between that of the other two versions. A reduced facsimile of the first page of the Manuscript of the 1854 version of _Vidrik Verlandson_ is given herewith, facing p. 35. Elvir Hill. [_I rested my head upon Elvir Hill's side_, 111 _and my eyes were beginning to slumber_] In the Manuscript of 1829 this Ballad is entitled _Elfin Hill_, and the text differs considerably from that printed in 1826. I give the opening stanzas of each version. 1826. _I rested my head upon Elvir Hill's side_, _and my eyes were beginning to slumber_; _That moment there rose up before me two maids_, _whose charms would take ages to number_. _One patted my face_, _and the other exclaim'd_, _while loading my cheek with her kisses_, "_Rise_, _rise_, _for to dance with you here we have sped from the undermost caves and abysses_. "_Rise_, _fair-haired swain_, _and refuse not to dance_;_ and I and my sister will sing thee_ _The loveliest ditties that ever were heard_, _and the prettiest presents will bring thee_." _Then both of them sang so delightful a song_, _that the boisterous river before us_ _Stood suddenly quiet and placid_, _as though_ '_twere afraid to disturb the sweet chorus_. 1829. _I rested my head upon Elfin Hill_, _on mine eyes was slumber descending_; _That moment there rose up before me two maids_, _with me to discourse intending_. _The one kissed me on my cheek so white_, _the other she whispered mine ear in_: "_Arise_, _arise_, _thou beautiful swain_! _for thou our dance must share in_. "_Wake up_, _wake up_, _thou beautiful swain_! _rise and dance_ '_mongst the verdant grasses_; _And to sing thee the sweetest of their songs I'll bid my elfin lasses_." _To sing a song then one began_, _in voice so sweet and mellow_, _The boisterous stream was still'd thereby_, _that before was wont to bellow_. Waldemar's Chase. [_Late at eve they were toiling on 115 Harribee bank_] Previously printed in _The Monthly Magazine_, _August_ 1824, p. 21. The Merman. [_Do thou_, _dear mother_, _contrive 117 amain_] A later, and greatly improved, version of this Ballad was included, under the title _The Treacherous Merman_, in _The Serpent Knight and Other Ballads_, 1913, pp. 15-17. An early draft of this later version bears the title _Marsk Stig's Daughter_. The Deceived Merman. [_Fair Agnes alone on the 120 sea-shore stood_] Previously printed in _The Monthly Magazine_, _March_ 1825, pp. 143-144. Cantata. [_This is Denmark's holyday_] 127 The Hail-Storm. [_When from our ships we bounded_] 136 _The Hail Storm_ was reprinted in _Targum_, 1835, pp. 42-43, and again in _Young Swaigder or The Force of Runes and Other Ballads_, 1913, pp. 14-15. In each instance very considerable variations were introduced into the text. The Elder-Witch. [_Though tall the oak_, _and firm its 139 stem_] Ode. From the Gaelic. [_Oh restless_, _to night_, _are 142 my slumbers_] Bear Song. [_The squirrel that's sporting_] 144 Previously printed, with some trifling differences in the text, in _The Monthly Magazine_, _December_, 1824, p. 432. National Song. [_King Christian stood beside the mast_] 146 Previously printed (under the title "_Sea Song_; _from the Danish of Evald_") in _The Monthly Magazine_, _December_, 1823, p. 437. The Old Oak. [_Here have I stood_, _the pride of the 149 park_] Lines to Six-Foot Three. [_A lad_, _who twenty tongues 151 can talk_] Nature's Temperaments: 1. Sadness. [_Lo_, _a pallid fleecy vapour_] 155 2. Glee. [_Roseate colours on heaven's high arch_] 156 3. Madness. [_What darkens_, _what darkens_?--'_tis 158 heaven's high roof_] In a revised Manuscript of uncertain date, but _c_ 1860-70, this poem is entitled _Hecla and Etna_, the first line reading: "_What darkens_? _It is the wide arch of the sky_." The Violet-Gatherer. [_Pale the moon her light was 159 shedding_] Ode to a Mountain-Torrent. [_How lovely art thou in thy 164 tresses of foam_] Previously printed in _The Monthly Magazine_, _October_, 1823, p. 244. In _The Monthly Magazine_ the eighth stanza reads: _O pause for a time_,--_for a short moment stay_; _Still art thou streaming_,--_my words are in vain_; _Oft-changing winds_, _with tyrannical sway_, _Lord there below on the time-serving main_! In Romantic Ballads it reads: _Abandon_, _abandon_, _thy headlong career_-- _But downward thou rushest_--_my words are in vain_, _Bethink thee that oft-changing winds domineer_ _On the billowy breast of the time-serving main_. Runic Verses. [_O the force of Runic verses_] 167 Thoughts on Death. [_Perhaps_ '_tis folly_, _but still 169 I feel_] Previously printed (under the tentative title _Death_, and with some small textual variations) in _The Monthly Magazine_, _October_, 1823, p. 245. Birds of Passage. [_So hot shines the sun upon Nile's 171 yellow stream_] The Broken Harp. [_O thou_, _who_, '_mid the forest 173 trees_] Scenes. [_Observe ye not yon high cliff's brow_] 175 The Suicide's Grave. [_The evening shadows fall upon 182 the grave_] NOTE.--Each poem to which no reference is attached, appeared for the first time in this volume. There is at present no copy of the First Issue of the First Edition of _Romantic Ballads_, with the original Title-page, in the Library of the British Museum. [Picture: Manuscript of the Death Raven] [Picture: Manuscript of Sir John] [Picture: Manuscript of Saint Oluf and the Trolds] [Picture: Manuscript of Svend Vonved--1830] [Picture: Manuscript of The Tournament, 1854] [Picture: Manuscript of Vidrik Verlandson--1854] [Picture: Manuscript of Elvir Hill] [Picture: Manuscript of Marsk Stig's Daughter] Second Issue: 1826 Romantic Ballads, / Translated from the Danish; / and / Miscellaneous Pieces; / By / George Borrow. / _Through gloomy paths unknown_--/ _Paths which untrodden be_, / _From rock to rock I roam_ / _Along the dashing sea_. / Bowring. / London: / John Taylor, Waterloo Place, Pall Mall, / 1826. Collation:--Demy octavo, pp. xii + 187. The details of the collation follow those of the First Issue described above in every particular, save that, naturally, the volume lacks the two concluding leaves carrying the List of Subscribers. Issued in drab paper boards, with white paper back-label. The published price was Seven Shillings. "_Taylor will undertake to publish the remaining copies_. _His advice is to make the price seven shillings_, _and to print a new title-page_, _and then he will be able to sell some for you I advise the same_," _etc._--[Allan Cunningham to George Borrow.] There is a copy of the Second Issue of the First Edition of _Romantic Ballads_ in the Library of the British Museum. The Press-mark is 11565. cc. 8. _Third Issue_: 1826 Romantic Ballads, / Translated from the Danish; / and / Miscellaneous Pieces; / By / George Borrow. / _Through gloomy paths unknown_--/ _Paths which untrodden be_, / _From rock to rock I roam_ / _Along the dashing sea_. / Bowring. / London: / Published by Wightman and Cramp, / 24 Paternoster Row. / 1826. Collation:--Demy octavo, pp. xii + 187. The details of the collation follow those of the Second Issue described above in every particular. Issued in drab paper boards, with white paper back-label. The price was again Seven Shillings. In 1913 a type-facsimile reprint of the Original Edition of _Romantic Ballads_ was published by Messrs. Jarrold and Sons of Norwich. Three hundred Copies were printed. (4) [TARGUM: 1835] Targum. / Or / Metrical Translations / From Thirty Languages / and / Dialects. / By / George Borrow. / "_The raven has ascended to the nest of the nightingale_." / Persian Poem. / St. Petersburg. / Printed by Schulz and Beneze. / 1835. Collation:--Demy octavo, printed in half-sheets, pp. viii + 106; consisting of: Title-page, as above (with a Russian quotation upon the centre of the reverse) pp. i-ii; _Preface_ pp. iii-v; Table of _Contents_ pp. vi-viii, with a single _Erratum_ at the foot of p. viii; and Text of the _Translations_ pp. 1-106. There are no head-lines, the pages being numbered centrally in Arabic numerals. Beyond that upon the foot of the title-page, there is no imprint. The signatures are given in large Arabic numerals, each pair of half-sheets dividing one number between them; thus the first half-sheet is signed 1, the second 1*, the third 2, the fourth 2*, &c. The Register is therefore 1 to 7 (thirteen half-sheets, each 4 leaves), followed by a single unsigned leaf (pp. 105-106), the whole preceded by an unsigned half-sheet carrying the Title-page, Preface, and Table of Contents. The book was issued without any half-title. Issued in plain paper wrappers of a bright green colour, lined with white, and without either lettering or label. The leaves measure 8 11/16 x 5.5 inches. Borrow was happy in the title he selected for his book. _Targum_, as Mr. Gosse has pointed out, is a Chaldee word meaning an interpretation. The word is said to be the root of 'dragoman.' _Targum_ was written by Borrow during his two years' residence at St. Petersburg (August, 1833, to August, 1835), and was published in June of the latter year. One hundred copies only were printed. As might naturally be expected the book has now become of very considerable rarity, but a small proportion of the original hundred copies being traceable to-day. A reduced facsimile of the Title-page is given herewith. "Just before completing this great work, the _Manchu New Testament_, Mr. Borrow published a small volume in the English language, entitled _Targum_, _or Metrical Translations from Thirty Languages and Dialects_. The exquisite delicacy with which he has caught and rendered the beauties of his well-chosen originals, is a proof of his learning and genius. The work is a pearl in literature, and, like pearls, it derives value from its scarcity, for the whole edition was limited to about a hundred copies."--[_John P. Hasfeld_, _in The Athenaeum_, _March_ 5_th_, 1836.] "Some days ago I was at Kirtof's bookshop on the Gaternaya Ulitza. I wanted to buy a _Bible in Spain_ to send to Simbirsk (on the Volga), where they torment me for it every post-day. The stock was all sold out in a few days after its arrival last autumn. The bookseller asked me if I knew a book by Borrow called _Targum_, which was understood to have been written by him and printed at St. Petersburg, but he had never been able to light upon it; and the surprising thing was that the trade abroad and even in England did him the honour to order it. I consoled him by saying that he could hardly hope to see a copy in his shop or to get a peep at it. 'I have a copy,' continued I, 'but if you will offer me a thousand roubles for the bare reading of it I cannot do you the favour.' The man opened his eyes in astonishment. 'It must be a wonderful book,' said he. 'Yes, in that you are right, my good friend,' I replied."--[_John P. Hasfeld_.] "After he became famous the Russian Government was desirous of procuring a copy of this rare book, _Targum_, for the Imperial Library, and sent an Envoy to England for the purpose. But the Envoy was refused what he sought, and told that as the book was not worth notice when the author's name was obscure and they had the opportunity of obtaining it themselves, they should not have it now."--[_A. Egmont Hake_, _in The Athenaeum_, _August_ 13_th_, 1881.] _Contents_. PAGE Ode to God. [_Reign'd the Universe's Master ere were 1 earthly things begun_] Borrow reprinted this _Ode_ in _The Bible in Spain_, 1843, Vol. iii, p. 333. Prayer. [_O Thou who dost know what the heart fain would 2 hide_] Death. [_Grim Death in his shroud swatheth mortals each 3 hour_] Stanzas. On a Fountain. [_In the fount fell my tears_, 4 _like rain_] Stanzas. The Pursued. [_How wretched roams the weary 4 wight_] Odes. From the Persian: 1. [_Boy_, _hand my friends the cup_, '_tis time of 5 roses now_] 2. [_If shedding lovers' blood thou deem'st a matter 5 slight_] 3. [_O thou_, _whose equal mind knows no vexation_] 6 Stanzas. From the Turkish of Fezouli. [_O Fezouli_, 7 _the hour is near_] Description of Paradise. [_Eight Gennets there be_, _as 8 some relate_] O Lord! I nothing crave but Thee. [_O Thou_, _from whom 11 all love doth flow_] Mystical Poem. Relating to the worship of the Great 13 Foutsa or Buddh. [_Should I Foutsa's force and glory_] Moral Metaphors: 1. [_From out the South the genial breezes sigh_] 19 2. [_Survey_, _survey Gi Shoi's murmuring flood_!] 20 The Mountain-Chase. [_Autumn has fled and winter left 21 our bounds_] The Glory of the Cossacks. [_Quiet Don_!] 24 The Black Shawl. [_On the shawl_, _the black shawl with 27 distraction I gaze_] Song. From the Russian of Pushkin. [_Hoary man_, 29 _hateful man_!] The Cossack. An ancient Ballad. [_O'er the field the 30 snow is flying_] The Three Sons of Budrys. [_With his three mighty sons_, 32 _tall as Ledwin's were once_] The Banning of the Pest. [_Hie away_, _thou horrid 35 monster_!] Woinomoinen. [_Then the ancient Woinomoinen_] 37 The Words of Beowulf, Son of Egtheof. [_Every one 39 beneath the heaven_] The Lay of Biarke. [_The day in East is glowing_] 40 The title of this Ballad as it appears in the original MS. is _The Biarkemal_. The Hail-storm. [_For victory as we bounded_] 42 Previously printed (but with very considerable variations in the text, the first line reading "_When from our ships we bounded_") in _Romantic Ballads_, 1826, pp. 136-138. A final version of the Ballad, written about 1854, was printed in _Young Swaigder or The Force of Runes and Other Ballads_, 1913, pp. 14-15. The King and Crown. [_The King who well crown'd does 44 govern the land_] Ode To a Mountain Torrent. [_O stripling immortal thou 45 forth dost career_] Previously printed (but with an entirely different text, the first line reading "_How lovely art thou in thy tresses of foam_") in _The Monthly Magazine_, Vol. lvi., 1823, p. 244. Also printed in _Romantic Ballads_, 1826, pp. 164-166. The first stanza of the _Ode_ as printed in _Targum_ does not figure in the version given in _Romantic Ballads_, whilst the third stanza of the _Romantic Ballads_ version is not to be found in _Targum_. Chloe. [_O we have a sister on earthly dominions_!] 47 Previously printed in _The Monthly Magazine_, Vol. lvi, 1823, p. 437. National Song. From the Danish of Evald. [_King 49 Christian stood beside the mast_] Previously printed (under the title _Sea Song_; _from the Danish of Evald_) in _The Monthly Magazine_, _December_, 1823, p. 437. Also printed in _Romantic Ballads_, 1826, pp. 146-148; and again in _The Foreign Quarterly Review_, Vol. vi, _June_, 1830, p. 70. The four versions of this _Song_, as printed in _The Monthly Magazine_, in _Romantic Ballads_, in _The Foreign Quarterly Review_, and in _Targum_, are utterly different, the opening line being the only one which has approximately the same reading in all. Sir Sinclair. [_Sir Sinclair sail'd from the Scottish 51 ground_] Previously printed in _The Foreign Quarterly Review_, Vol. vi, _June_, 1830, p. 73. Hvidfeld. [_Our native land has ever teem'd_] 56 Birting. A Fragment. [_It was late at evening tide_] 59 This "Fragment" consists of fifteen stanzas from the Ballad _The Giant of Berne and Orm Ungerswayne_, which was printed complete, for Private Circulation, in 1913. [_See post_, No. 40.] Ingeborg's Lamentation. [_Autumn winds howl_] 62 The Delights of Finn Mac Coul. [_Finn Mac Coul_ '_mongst 65 his joys did number_] Carolan's Lament. [_The arts of Greece_, _Rome and of 67 Eirin's fair earth_] To Icolmcill. [_On Icolmcill may blessings pour_] 68 The Dying Bard. [_O for to hear the hunter's tread_] 70 In the original Manuscript of this Poem the title reads _The Wish of the Bard_; the text also differs considerably from that which appears in _Targum_. The Prophecy of Taliesin. [_Within my mind_] 73 The History of Taliesin. [_The head Bard's place I 74 hold_] The original Manuscript of _The History of Taliesin_ possesses many points of interest. In the first place, in addition to sundry variations of text, it enables us to fill up the words in the last line of stanza 3, and the fourth line of stanza 7, which in the pages of _Targum_ are replaced by asterisks. The full lines read: _Where died the Almighty's Son_, and _Have seen the Trinity_. In the second place the Manuscript contains a stanza, following upon the first, which does not occur in the printed text. This stanza reads as follows: _I with my Lord and God_ _On the highest places trod_, _When Lucifer down fell_ _With his army into hell_. _I know each little star_ _Which twinkles near and far_; _And I know the Milky Way_ _Where I tarried many a day_. A reduced facsimile of the third page of this Manuscript will be found herewith, facing page 54. Epigram. On a Miser who had built a Stately Mansion. 77 [_Of every pleasure is thy mansion void_] The Invitation. [_Parry_, _of all my friends the best_] 78 The Rising of Achilles. [_Straightway Achilles arose_, 82 _the belov'd of Jove_, _round his shoulders_] The Meeting of Odysses and Achilles. [_Tow'rds me came 85 the Shade of Peleidean Achilles_] Hymn To Thetis and Neoptolemus. [_Of Thetis I sing with 90 her locks of gold-shine_] The Grave of Demos. [_Thus old Demos spoke_, _as sinking 91 sought the sun the western wave_] The Sorceries of Canidia. [_Father of Gods_, _who rul'st 92 the sky_] The French Cavalier. [_The French cavalier shall have my 97 praise_] Address To Sleep. [_Sweet death of sense_, _oblivion of 98 ill_] The Moormen's March From Granada. [_Reduan_, _I but 101 lately heard_] The Forsaken. [_Up I rose_, _O mother_, _early_] 103 Stanzas. From the Portuguese. [_A fool is he who in the 104 lap_] My Eighteenth Year. [_Where is my eighteenth year_? _far 105 back_] Song. From the Rommany. [_The strength of the ox_] 106 Another version of this _Song_, bearing the title "_Our Heart is heavy_, _Brother_," is printed in _Marsk Stig's Daughters and other Songs and Ballads_, 1913, pp. 17-18. NOTE.--Each poem to which no reference is attached, appeared for the first time in this volume. In 1892 _Targum_ was reprinted, together with _The Talisman_, by Messrs. Jarrold & Sons, of Norwich, in an edition of 250 copies. There is a copy of the First Edition of _Targum_ in the Library of the British Museum. The Press-mark is C.57.i.6. [Picture: Title page of Targum, 1835] [Picture: Manuscript of The Miarkemal] [Picture: Manuscript of The History of Taliesin] (5) [THE TALISMAN: 1835] The / Talisman. / From the Russian / of / Alexander Pushkin. / With other Pieces. / St. Petersburg. / Printed by Schulz and Beneze, / 1835. Collation:--Royal octavo, pp. 14; consisting of: Title-page, as above (with a Russian quotation upon the centre of the reverse) pp. 1-2; and Text of _The Talisman_ and other Poems pp. 3-14. There are no head-lines, the pages being numbered centrally in Arabic numerals. Beyond that upon the title-page there is no imprint. There are also no signatures, the pamphlet being composed of a single sheet, folded to form sixteen pages. The last leaf is a blank. The book was issued without any half-title. Issued stitched, and without wrappers. The leaves measure 9.75 x 6.25 inches. One Hundred Copies only were printed. A reduced facsimile of the Title-page of _The Talisman_ is given herewith. It will be observed that the heavy letterpress upon the reverse of the title shows through the paper, and is reproduced in the photograph. _Contents_. PAGE The Talisman. [_Where fierce the surge with awful 3 bellow_] The Mermaid. [_Close by a lake_, _begirt with forest_] 5 Ancient Russian Songs: 1. [_The windel-straw nor grass so shook and trembled_] 8 2. [_O rustle not_, _ye verdant oaken branches_!] 9 3. [_O thou field of my delight so fair and verdant_!] 9 Ancient Ballad. [_From the wood a sound is gliding_] 11 The Renegade. [_Now pay ye the heed that is fitting_] 13 NOTE.--The whole of the poems printed in _The Talisman_ appeared there for the first time. In 1892 Messrs. Jarrold & Sons published page for page reprints of _Targum_ and _The Talisman_. They were issued together in one volume, bound in light drab-coloured paper boards, with white paper back-label, and were accompanied by the following collective title-page: _Targum_: / _or_, / _Metrical Translations from Thirty Languages_ / _and Dialects_. / _And_ / _The Talisman_, / _from the Russian of Alexander Pushkin_. / _With Other Pieces_. / _By_ / _George Borrow_. / _Author of_ "_The Bible in Spain_" _&c._ / _London_: / _Jarrold & Sons_, 3, _Paternoster Buildings_. In 1912 a small 'remainder' of _The Talisman_ came to light. The 'find' consisted of about Five Copies, which were sold in the first instance for an equal number of Pence. The buyer appears to have resold them at progressive prices, commencing at Four Pounds and concluding at Ten Guineas. There is a copy of the First Edition of _The Talisman_ in the Library of the British Museum. The Press-mark is C.57.e.33. [Picture: Title page of The Talisman, 1835] (6) [THE GOSPEL OF ST. LUKE: 1837] Embeo / e Majaro Lucas. / Brotoboro / randado andre la chipe griega, acana / chibado andre o Romano, o chipe es / Zincales de Sese. / El Evangelio segun S. Lucas, / traducido al Romani, / o dialecto de los Gitanos de Espana. / 1837. Collation:--Foolscap octavo, pp. 177, consisting of: Title-page, as above (with Borrow's Colophon upon the reverse, followed by a quotation from the _Epistle to the Romans_, Chap. XV. v. XXIV.) pp. 1-2; and Text of the Gospel pp. 3-177. The reverse of p. 177 is blank. There are no head-lines, the pages being numbered centrally in Arabic numerals. There is no printer's imprint. The signatures are A to L (11 sheets, each 8 leaves), plus L repeated (two leaves, the second a blank). The book was issued without any half-title. I have never seen a copy of the First Edition of Borrow's translation into the dialect of the Spanish Gypsies of the Gospel of St. Luke in the original binding. No doubt the book (which was printed in Madrid) was put up in paper wrappers, with untrimmed edges, in accordance with the usual Continental custom. Most of the copies now extant are either in a modern binding, or in contemporary brown calf, with marbled edges and endpapers. The latter are doubtless the copies sent home by Borrow, and bound in leather for that purpose. The leaves of these measure 6 x 4 inches. As will be seen from the following extracts, it is probable that the First Edition consisted of 250 copies, and that 50 of these were forwarded to London: "In response to Borrow's letter of February 27th, the Committee resolved 'to authorise Mr. Borrow to print 250 copies of the Gospel of St. Luke, without the Vocabulary, in the Rummanee dialect, and to engage the services of a competent person to translate the Gospel of St. Luke by way of trial in the dialect of the Spanish Basque.'"--[_Letters of George Borrow to the British and Foreign Bible Society_, 1911, pp. 205-206.] "A small impression of the Gospel of St. Luke, in the Rommany, or Gitano, or Gipsy language, has been printed at Madrid, under the superintendence of this same gentleman, who himself made the translation for the benefit of the interesting, singular, degraded race of people whose name it bears, and who are very numerous in some parts of Spain. He has likewise taken charge of the printing of the Gospel of St. Luke, in the Cantabrian, or Spanish Basque language, a translation of which had fallen into his hands."--[_Thirty-Fourth Annual Report of the British and Foreign Bible Society_, 1838, p. xliii.] "All the Testaments were stopped at the custom house, they were contained in two large chests. . . . The chests, therefore, with the hundred Gospels in Gitano and Basque [probably 50 copies of each] for the Library of the Bible Society are at present at San Lucar in the custom house, from which I expect to receive to-morrow the receipt which the authorities here demand."--[_Borrow's letter to the Rev. A. Brandram_, _Seville_, _May_ 2_nd_, 1839.] A Second Edition of the Gospel was printed in London in 1871. The collation is Duodecimo, pp. 117. This was followed by a Third Edition, London, 1872, the collation of which is also Duodecimo, pp. 117. Both bear the same imprint: "_London_: / _Printed by William Clowes and Sons_, _Stamford Street_, / _and Charing Cross_." For these London Editions the text was considerably revised. The Gospel of St. Luke in the Basque dialect, referred to in the above paragraphs, is a small octavo volume bearing the following title-page: _Evangelioa_ / _San Lucasen Guissan_ / _El Evangelio segun S. Lucas_. / _Traducido al vascuence_. / _Madrid_: / _Imprenta de la Campania Tipografica_ / 1838. The translation was the work of a Basque physician named Oteiza, and Borrow did little more than see it through the press. The book has, therefore, no claim to rank as a Borrow _princeps_. The measure of success which attended his efforts to reproduce the Gospel of St. Luke in these two dialects is best told in Borrow's own words: "I subsequently published the Gospel of St. Luke in the Rommany and Biscayan languages. With respect to the first, I beg leave to observe that no work printed in Spain ever caused so great and so general a sensation, not so much amongst the Gypsies, for whom it was intended, as amongst the Spaniards themselves, who, though they look upon the Roma with some degree of contempt, nevertheless take a strange interest in all that concerns them. . . . Respecting the Gospel in Basque I have less to say. It was originally translated into the dialect of Guipuscoa by Dr. Oteiza, and subsequently received corrections and alterations from myself. It can scarcely be said to have been published, it having been prohibited and copies of it seized on the second day of its appearance. But it is in my power to state that it is anxiously expected in the Basque provinces, where books in the aboriginal tongue are both scarce and dear."--[_Borrow's Survey of his last two years in Spain_, _printed in his Letters to the Bible Society_, 1911, pp. 360-361.] There is a copy of the First Edition of _The Gospel of St. Luke in the dialect of the Spanish Gypsies_ in the Library of the British Museum. The Press-mark is C.51.aa.12. The Museum also possesses a copy of the Gospel in the Basque dialect; the Pressmark is C.51.aa.13. [Picture: Title page of Embeo e Majaro Lucas] (7) [THE ZINCALI: 1841] The Zincali; / Or, / An Account / of the / Gypsies of Spain. / With / An Original Collection of their / Songs and Poetry, / and / A Copious Dictionary of their Language. / By / George Borrow, / Late Agent of the British and Foreign Bible Society / in Spain. / "_For that_, _which is unclean by nature_, _thou canst entertain no hope_: _no_ / _washing will turn the Gypsy white_."--Ferdousi. / In Two Volumes. / Vol. I. [_Vol. II_] / London: / John Murray, Albemarle Street. / 1841. _Vol. I_. Collation:--Large duodecimo, pp. xvi + 362; consisting of: Half-title (with imprint "_G. Woodfall and Son_, _Angel Court_, _Skinner Street_, _London_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; Dedication _To the Right Honourable the Earl of Clarendon_, _G.C.B._ (with blank reverse) pp. v-vi; _Preface_ pp. vii-xii; Table of _Contents_ pp. xiii-xvi; and Text pp. 1-362, including a separate Fly-title (with blank reverse) to _The Zincali_, _Part II_. There are headlines throughout, each verso being headed _The Zincali_, whilst each recto carries at its head a note of the particular subject occupying it. The imprint is repeated at the foot of p. 362. The signatures are a (six leaves), b (two leaves), B to Q (15 sheets, each 12 leaves), plus R (two leaves). Sig. R 2 is a blank. _Vol. II_. Collation:--Large duodecimo, pp. vi + 156 + vi + *135; consisting of: Half-title (with imprint "_G. Woodfall and Son_, _Angel Court_, _Skinner Street_, _London_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; Table of _Contents_ pp. v-vi; Fly-title to _The Zincali_, _Part III_ (with blank reverse) pp. 1-2; Text of _Part III_ (including separate Fly-titles, each with blank reverse, to _The Praise of Buddh_, _On the Language of the Gitanos_, and _Robber Language_) pp. 3-156; Fly-title (with blank reverse) to _The Zincali_. _Vocabulary of their Language_ pp. i-ii; _Advertisement to the Vocabulary_ pp. iii-v; p. vi is blank; Text of the _Vocabulary_ pp. *1-*113; p. *114 is blank; Fly-title (with blank reverse) to _Miscellanies in the Gitano Language_ pp. *115-*116; _Advertisement_ to the _Miscellanies_ p. *117; and Text of the _Miscellanies_ pp. *118-*135. The reverse of p. *135 is blank. There are head-lines throughout, each verso being headed _The Zincali_, whilst each recto carries at its head a note of the particular subject occupying it. The imprint is repeated at the foot of p. *135. The signatures are a (2 leaves), b (one leaf), B to G (6 sheets, each 12 leaves), H (6 leaves), A (3 leaves), B to E (4 sheets, each 12 leaves), F (9 leaves), and G (12 leaves). B 6, B 8, and B 12 are cancel-leaves. The last leaf of Sig. G is occupied by a series of Advertisements of _Works just Published_ by John Murray. Issued (in _April_, 1841) in dark blue cloth boards, with white paper back-label, lettered "_Borrow's_ / _Gypsies_ / _of_ / _Spain_. / _Two Volumes_. / _Vol. I_. [Vol. II.]." The leaves measure 7.875 x 4.75 inches. The published price was 18_s._ Of the First Edition of _The Zincali_ Seven Hundred and Fifty Copies only were printed. A Second Edition, to which a new Preface was added, was published in _March_, 1843, and a Third in _September_, 1843, each of which was restricted to the same number of copies. The Fourth Edition appeared in 1846, the Fifth in 1870, the Sixth in 1882, the Seventh in 1888, and the Eighth in 1893. The book has since been included in various popular editions, and translated into several foreign languages. Examples of _The Zincali_ may sometimes be met with bearing dates other than those noted above. These are merely copies of the editions specified, furnished with new title-pages. Included in the second volume of _The Zincali_ is a considerable amount of verse, as follows: PAGE RHYMES OF THE GITANOS. [_Unto a refuge me they led_] 13 THE DELUGE. PART I. [_I with fear and terror quake_] 65 THE DELUGE. PART II. [_When I last did bid farewell_] 75 THE PESTILENCE. [_I'm resolved now to tell_] 85 The whole of the above pieces are accompanied on the opposite pages by the original texts from which Borrow translated them. POEM, RELATING TO THE WORSHIP OF THE GREAT FOUTSA OR 94 BUDDH. [_Should I Foutsa's force and glory_] Previously printed in _Targum_, 1835, p. 13. There is a copy of the First Edition of _The Zincali_ in the Library of the British Museum. The Press-mark is 1429.g.14. (8) [THE BIBLE IN SPAIN: 1843.] The / Bible in Spain; / Or, the / Journeys, Adventures, and Imprisonments / Of an Englishman, / in / An Attempt to Circulate the Scriptures / in / The Peninsula. / By George Borrow, / Author of "The Gypsies of Spain." / In three volumes. / Vol. I. [Vol. II, etc.] / London: / John Murray, Albemarle Street. / 1843. _Vol. I_. Collation:--Large duodecimo pp. xxiv + 370; consisting of: Half-title (with imprint "_G. Woodfall and Son_, _Angel Court_, _Skinner Street_, _London_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; _Contents of Vol. i_ pp. v-viii; _Preface_ pp. ix-xxiv; and Text pp. 1-370. There are head-lines throughout, each verso being headed _The Bible in Spain_ together with the number of the Chapter, whilst each recto carries at its head a note of the particular subject occupying it, with the Chapter number repeated. The imprint is repeated at the foot of p. 370. The signatures are A to Q (sixteen sheets, each 12 leaves), plus R (a half-sheet of 6 leaves). The last leaf of sig. R carries a series of Advertisements of books published by John Murray. _Vol. II_. Collation:--Large duodecimo, pp. viii + 398; consisting of Half-title (with imprint "_G. Woodfall and Son_, _Angel Court_, _Skinner Street_, _London_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; _Contents of Vol. ii._ pp. v-viii; and _Text_ pp. 1-398. There are headlines throughout, as in the first volume. The imprint is repeated at the foot of p. 398. The signatures are A (four leaves), B to R (sixteen sheets, each 12 leaves), plus S (8 leaves). The last leaf of Sig. R carries a series of Advertisements of books published by John Murray. _Vol. III_. Collation:--Large duodecimo, pp. viii + 391; consisting of: Half-title (with imprint "_G. Woodfall and Son_, _Angel Court_, _Skinner Street_, _London_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; _Contents of Vol iii_ pp. v-viii; and Text pp. 1-391. There are headlines throughout, as in the two preceding volumes. The reverse of p. 391 is occupied by Advertisements of _Romantic Ballads_, _Targum_, and _The Zincali_. The imprint is repeated at the foot of p. 391. The signatures are a (2 leaves), b (2 leaves), B to R (sixteen sheets, each 12 leaves), plus S (4 leaves). Issued (in _December_, 1842) in deep claret-coloured cloth boards, with white paper back-label, lettered "_The_ | _Bible_ | _in_ | _Spain_ | _Vol. I_. [_Vol. II_, &c.]." The leaves measure 7.75 x 4.75 inches. The published price was 27_s._ Although the title page of the First Edition of _The Bible in Spain_ is dated 1843, there can be no doubt that the book was ready early in the preceding December. I have in my own library a copy, still in the original cloth boards, with the following inscription in Borrow's handwriting upon the flyleaf: [Picture: Borrow's inscription] Autographed presentation copies of Borrow's books are remarkably few in number, I only know of four, in addition to the above. One of these is preserved in the Borrow Museum, at Norwich. Of the First Edition of _The Bible in Spain_ One Thousand Copies were printed. The Second, Third, Fourth, Fifth, and Sixth Editions were all published in 1843. By 1896 eighteen authorised editions had made their appearance. Since that date the book has been re-issued in numberless popular editions, and has been translated into various foreign languages. The following verses made their first appearance in _The Bible in Spain_: VOL. I., PAGE FRAGMENT OF A SPANISH HYMN. [_Once of old upon 67 a mountain_, _shepherds overcome with sleep_] LINES FROM AN EASTERN POET. [_I'll weary 149 myself each night and each day_] A GACHAPLA. [_I stole a plump and bonny fowl_] 175 VOL. II., PAGE FRAGMENT OF A PATRIOTIC SONG. [_Don Carlos is 141 a hoary churl_] SAINT JAMES. [_Thou shield of that faith which 176 in Spain we revere_] A reduced facsimile of the first page of the Manuscript of _Saint James_ will be found facing the present page. LINES. [_May the Lord God preserve us from 310 evil birds three_] LINES. [_A handless man a letter did write_] 312 There is a copy of the First Edition of _The Bible in Spain_ in the Library of the British Museum. The press-mark is 1369.f 23. [Picture: Manuscript of The Hymn to St. James] (9) [REVIEW OF FORD'S "HAND-BOOK FOR TRAVELLERS IN SPAIN": 1845] Art.--Hand-book for Travellers in Spain. London: 2 Vols. / post 8vo. 1845. Collation:--Folio, pp. 12. There is no Title-page proper, the title, as above, being imposed upon the upper portion of the first page, after the manner of a 'dropped head.' The head-line is _Spanish Hand-book_ throughout, upon both sides of the page. There is no printer's imprint. There are also no signatures; but the pamphlet is composed of three sheets, each two leaves, making twelve pages in all. Issued stitched, and without wrappers. The leaves measure 13.5 x 8.5 inches. The pamphlet is undated. It was printed in 1845. This _Review_ is unquestionably the rarest of the First Editions of Borrow's Works. No more than two copies would appear to have been struck off, and both are fortunately extant to-day. One of these was formerly in the possession of Dr. William I. Knapp, and is now the property of the Hispanic Society, of New York. The second example is in my own library. This was Borrow's own copy, and is freely corrected in his characteristic handwriting. A greatly reduced facsimile of the last page of the pamphlet is given herewith. In 1845 Richard Ford published his _Hand-Book for Travellers in Spain and Readers at Home_ [2 Vols. 8vo.], a work, the compilation of which is said to have occupied its author for more than sixteen years. In conformity with the wish of Ford (who had himself favourably reviewed _The Bible in Spain_) Borrow undertook to produce a study of the _Hand-Book_ for _The Quarterly Review_. The above Essay was the result. But the Essay, brilliant though it is, was not a 'Review.' Not until page 6 is the _Hand-Book_ even mentioned, and but little concerning it appears thereafter. Lockhart, then editing the _Quarterly_, proposed to render it more suitable for the purpose for which it had been intended by himself interpolating a series of extracts from Ford's volumes. But Borrow would tolerate no interference with his work, and promptly withdrew the Essay, which had meanwhile been set up in type. The following letter, addressed by Lockhart to Ford, sufficiently explains the position: _London_, _June_ 13_th_, 1845. _Dear Ford_, '_El Gitano_' _sent me a paper on the_ "_Hand-Book_" _which I read with delight_. _It seemed just another capital chapter of his_ "_Bible in Spain_" _and I thought_, _as there was hardly a word of_ '_review_,' _and no extract giving the least notion of the peculiar merits and style of the_ "_Hand-Book_," _that I could easily_ (_as is my constant custom_) _supply the humbler part myself_, _and so present at once a fair review of the work_, _and a lively specimen of our friend's vein of eloquence in exordio_. _But_, _behold_! _he will not allow any tampering_ . . . . _I now write to condole with you_; _for I am very sensible_, _after all_, _that you run a great risk in having your book committed to hands far less competent for treating it or any other book of Spanish interest than Borrow's would have been_ . . ._ and I consider that_, _after all_, _in the case of a new author_, _it is the first duty of the_ "_Quarterly Review_" _to introduce that author fully and fairly to the public_. _Ever Yours Truly_, _J. G. Lockhart_. "Our author pictures Gibraltar as a human entity thus addressing Spain: _Accursed land_! _I hate thee_, _and far from being a defence_, _will invariably prove a thorn in thy side_. And so on through many sentences of excited rhetoric. Borrow forgot while he wrote that he had a book to review--a book, moreover, issued by the publishing house which issued the periodical in which his review was to appear."--[_George Borrow and his Circle_, 1913, p. 257]. In 1913 Borrow's _Review_ was reprinted in the following Pamphlet: _A_ / _Supplementary Chapter_ / _to_ / _The Bible in Spain_ / _Inspired by_ / _Ford's_ "_Handbook for Travellers in Spain_." / _By_ / _George Borrow_ / _London_: / _Printed for Private Circulation_ / 1913.--Square demy 8vo, pp. 46. [See _post_, No. 10.] [Picture: Printed extract from the Review with hand-written notes] [Picture: Title page of Supplementary Chapter to The Bible in Spain, 1913] (10) [A SUPPLEMENTARY CHAPTER TO "THE BIBLE IN SPAIN": 1913] A / Supplementary Chapter / to / The Bible in Spain / Inspired by / Ford's "Handbook for Travellers in Spain." / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 46; consisting of: Half-title (with blank reverse) pp. 1-2; Frontispiece (with blank recto) pp. 3-4; Title-page, as above (with blank reverse) pp. 5-6; _Prefatory Note_ (signed '_T. J. W._') pp. 7-10; and text of the _Chapter pp._ 11-46. There are head-lines throughout, each verso being headed _A Supplementary Chapter_, and each recto _To the Bible in Spain_. Following p. 46 is a leaf, with blank recto, and with the following imprint upon the reverse, "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N. W._ / _Edition limited to Thirty Copies_." The signatures are A to C (3 sheets, each 8 leaves), inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.75 x 6.875 inches. Thirty Copies only were printed. The Frontispiece consists of a greatly reduced facsimile of the last page, bearing Borrow's corrections, of the original edition of his _Review of Ford's_ '_Hand-Book_.' This _Supplementary Chapter to_ "_The Bible in Spain_" is a reprint of the Review of Ford's _Hand-book for Travellers in Spain_ written by Borrow in 1845 for insertion in _The Quarterly Review_, but withdrawn by him in consequence of the proposal made by the Editor, John Gibson Lockhart, that he should himself introduce into Borrow's Essay a series of extracts from the _Handbook_. [See _ante_, No. 9.] Included in the _Prefatory Note_ is the following amusing squib, written by Borrow in 1845, but never printed by him. I chanced to light upon the Manuscript in a packet of his still unpublished verse: _Would it not be more dignified_ _To run up debts on every side_, _And then to pay your debts refuse_, _Than write for rascally Reviews_? _And lectures give to great and small_, _In pot-house_, _theatre_, _and town-hall_, _Wearing your brains by night and day_ _To win the means to pay your way_? _I vow by him who reigns in_ [_hell_], _It would be more respectable_! There is a copy of _A Supplementary Chapter to_ "_The Bible in Spain_" in the Library of the British Museum. The press-mark is C. 57. d. 19 (2). [Picture: Manuscript of verse on reviewing] (11) [LAVENGRO: 1851] Lavengro; / The Scholar--The Gypsy--The Priest. / By George Borrow, / Author of "The Bible in Spain," and "The Gypsies of Spain" / In Three Volumes.--Vol. I. [_Vol. II._, _&c._] / London: / John Murray, Albemarle Street. / 1851. _Vol. I_. Collation:--Large duodecimo, pp. xviii {85} + 360; consisting of: Half-title (with imprint "_London_: / _George Woodfall and Son_, / _Angel Court_, _Skinner Street_" upon the centre of the reverse). Pp. i-ii; Title-page, as above (with Advertisements of _The Bible in Spain_ and _The Zincali_ upon the reverse) pp. iii-iv; _Preface_ pp. v-xii; and Text pp. 1-360. At the foot of p. 360 the imprint is repeated thus, "_G. Woodfall and Son_, _Printers_, _Angel Court_, _Skinner Street_, _London_." There are head-lines throughout, each page being headed with the number of the chapter, together with the title of the individual subject occupying it. The signatures are A (nine leaves, a single leaf being inserted between A 6 and A 7), and B to Q (fifteen sheets, each 12 leaves). A Portrait of Borrow, engraved by W. Holl from a painting by H. W. Phillips, serves as Frontispiece. _Vol. II_. Collation:--Large duodecimo, pp. xii + 366; consisting of: Half-title (with imprint "_London_: / _George Woodfall and Son_, / _Angel Court_, _Skinner Street_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with Advertisements of _The Bible in Spain_ and _The Zincali_ upon the reverse) pp. iii-iv; _Contents_ of Vol. II pp. v-xi; p. xii is blank; and Text pp. 1-366. At the foot of p. 366 the imprint is repeated thus, "_G. Woodfall and Son_, _Printers_, _Angel Court_, _Skinner Street_, _London_." There are head-lines throughout, as in the first volume. The signatures are _a_ (2 leaves), _b_ (4 leaves), B to Q (fifteen sheets, each 12 leaves), plus R (3 leaves). _Vol. III_. Collation:--Large duodecimo, pp. xii + 426; consisting of: Half-title (with imprint "_London_: / _George Woodfall and Son_, / _Angel Court_, _Skinner Street_" upon the centre of the reverse) pp. i-ii; Title-page, as above (with Advertisements of _The Bible in Spain_ and _The Zincali_ upon the reverse) pp. iii-iv; _Contents_ of Vol. III pp. v-xi; p. xii is blank; and Text pp. 1-426. At the foot of p. 426 the imprint is repeated thus, "_G. Woodfall and Son_, _Printers_, _Angel Court_, _Skinner Street_, _London_." There are head-lines throughout, as in the first volume. The signatures are _a_ (2 leaves), _b_ (4 leaves), B to S (seventeen sheets, each 12 leaves), T (6 leaves), and U (3 leaves). Issued in dark blue cloth boards, with white paper back-labels, lettered "_Lavengro_; / _the_ / _Scholar_, / _the Gypsy_, / _and_ / _the Priest_. / _By George Borrow_ / _Vol. i_. [_Vol. ii_., _&c._]" The leaves measure 7.75 x 4.875 inches. The edition consisted of 3,000 Copies. The published price was 30_s._ A Second Edition (miscalled _Third Edition_) was issued in 1872; a Third (miscalled _Fourth_) in 1888; and a Fourth (miscalled _Fifth_) in 1896. To the edition of 1872 was prefixed a new _Preface_, in which Borrow replied to his critics in a somewhat angry and irritable manner. Copies of the First Edition of _Lavengro_ are to be met with, the three volumes bound in one, in original publishers' cloth, bearing the name of the firm of Chapman and Hall upon the back. These copies are 'remainders.' They were made up in 1870. It is by no means unlikely that in 1872 some confusion prevailed as to the nature of this subsidiary issue, and that it was mistaken for a Second Edition of the book. If so the incorrect numbering of the edition of that date, the actual Second Edition, may be readily accounted for. An important edition of _Lavengro_ is: _Lavengro_ / _By George Borrow_ / _A New Edition_ / _Containing the unaltered Text of the Original Issue_; / _some Suppressed Passages now printed for the_ / _first time_; _MS. Variorum_, _Vocabulary and Notes_ / _By the Author of_ / _The Life of George Borrow_ / _London_ / _John Murray_, _Albemarle Street_ / 1900.--Crown 8vo, pp. xxviii + 569. The book was reprinted in 1911. The Editor was Dr. William Knapp. An edition of _Lavengro_, with a valuable Introduction by Mr. Theodore Watts-Dunton, was published by Messrs. Ward, Lock & Co., in 1893. The work is also included in _Everyman's Library_, and in other series of popular reprints. When put to press in February, 1849, the first volume of _Lavengro_ was set up with the title-page reading as follows:-- _Life_, _A Drama_. / _By_ / _George Borrow_, _Esq._, / _Author of_ "_The Bible in Spain_," _etc._ / _In Three Volumes_. / _Vol. i_. / _London_: / _John Murray_, _Albemarle Street_. / 1849. Only two examples of the volume with this interesting early title-page are known to have survived. One of these is now in the possession of the Hispanic Society, of New York. The other is the property of Mr. Otto Kyllmann. Later in the same year Murray advertised the work under the following title:-- _Lavengro_, _An Autobiography_. _By George Borrow_, _Esq._, _&c._ The same title was employed in the advertisements of 1850. Mr. Clement Shorter possesses the original draft of the first portion of _Lavengro_. In this draft the title-page appears in its earliest form, and describes the book as _Some Account of the Life_, _Pursuits_, _and Adventures of a Norfolk Man_. A facsimile of this tentative title was given by Mr. Shorter in _George Borrow and his Circle_, 1913, p. 280. "Borrow took many years to write _Lavengro_. 'I am writing the work,' he told Dawson Turner, 'in precisely the same manner as _The Bible in Spain_, viz. on blank sheets of old account-books, backs of letters,' &c., and he recalls Mahomet writing the Koran on mutton bones as an analogy to his own 'slovenliness of manuscript.' I have had plenty of opportunity of testing this slovenliness in the collection of manuscripts of portions of _Lavengro_ that have come into my possession. These are written upon pieces of paper of all shapes and sizes, although at least a third of the book in Borrow's very neat handwriting is contained in a leather notebook. The title-page demonstrates the earliest form of Borrow's conception. Not only did he then contemplate an undisguised autobiography, but even described himself as 'a Norfolk man.' Before the book was finished, however, he repudiated the autobiographical note, and we find him fiercely denouncing his critics for coming to such a conclusion. 'The writer,' he declares, 'never said it was an autobiography; never authorised any person to say it was one.' Which was doubtless true, in a measure."--[_George Borrow and his Circle_, 1913, pp. 279-281]. There is a copy of the First Edition of _Lavengro_ in the Library of the British Museum. The Press-mark is 12622. f. 7. (12.) [THE ROMANY RYE: 1857] The / Romany Rye; / A Sequel to "Lavengro." / By George Borrow, / Author of / "The Bible in Spain," "The Gypsies of Spain," etc. / "_Fear God_, _and take your own part_." / In Two Volumes.--Vol. I. [_Vol. II._] / London: John Murray, Albemarle Street. / 1857. / [The Right of Translation is reserved.] _Vol. I_. Collation:--Large duodecimo, pp. xii + 372; consisting of: Half-title (with blank reverse) pp. i-ii; Title-page, as above (with imprint "_London_: _Woodfall and Kinder_, _Printers_, / _Angel Court_, _Skinner Street_" at the foot of the reverse) pp. iii-iv; Preface (styled _Advertisement_) pp. v-vi; Table of _Contents_ pp. vii-xi; Extract from _Pleasantries of the Cogia Nasr Eddin Efendi_ p. xii; and Text pp. 1-372. The head-line is _The Romany Rye_ throughout, upon both sides of the page; each page also bears at its head the number of the particular Chapter occupying it. At the foot of p. 372 the imprint is repeated thus, "_Woodfall and Kinder_, _Printers_, _Angel Court_, _Skinner Street_, _London_." The signatures are A (a half-sheet of 6 leaves), B to Q (15 sheets, each 12 leaves), plus R (a half-sheet of 6 leaves). _Vol. II_. Collation:--Large duodecimo, pp. viii + 375 + ix; consisting of: Half-title (with blank reverse) pp. i-ii; Title-page, as above (with imprint "_London_: _Woodfall and Kinder_, _Printers_, / _Angel Court_, _Skinner Street_" at the foot of the reverse) pp. iii-iv; Table of _Contents_ pp. v-vii; p. viii is blank; and Text pp. 1-375. The reverse of p. 375 is blank. The volume is completed by eight unnumbered pages of Advertisements of _Works by the Author of_ "_The Bible in Spain_" _ready for the Press_. There are head-lines throughout; up to, and including, p. 244 the head-line is _The Romany Rye_, together with the numbers of the Chapters, pp. 245-375 are headed _Appendix_, accompanied by the numbers of the Chapters. At the foot of the last of the eight unnumbered pages carrying the Advertisements (Sig. R 12 verso) the imprint is repeated thus, "_Woodfall and Kinder_, _Printers_, _Angel Court_, _Skinner Street_, _London_." The signatures are A (four leaves), plus B to R (16 sheets, each 12 leaves). Issued (on _April_ 30_th_, 1857) in dark blue cloth boards, with white paper back-labels, lettered "_The_ / _Romany Rye_. / _By_ / _George Borrow_. / _Vol. I_. [_Vol. II_.]" The leaves measure 7.875 x 5 inches. Of the First Edition of _The Romany Rye_ One Thousand Copies were printed. The published price was 21_s._ A Second Edition was published in 1858, a Third in 1872, a Fourth in 1888, and a Fifth in 1896. The book is included in _Everyman's Library_, and in other series of popular reprints. The series of Advertisements of _Works_ by Borrow, announced as "Ready for the Press," which occupy the last eight pages of the second volume of _The Romany Rye_ are of especial interest. No less than twelve distinct works are included in these advertisements. Of these twelve _The Bible in Spain_ was already in the hands of the public, _Wild Wales_ duly appeared in 1862, and _The Sleeping Bard_ in 1860. These three were all that Borrow lived to see in print. Two others, _The Turkish Jester_ and _The Death of Balder_, were published posthumously in 1884 and 1889 respectively; but the remaining seven, _Celtic Bards_, _Chiefs_, _and Kings_, _Songs of Europe_, _Koempe Viser_, _Penquite and Pentyre_, _Russian Popular Tales_, _Northern Skalds_, _Kings_, _and Earls_, and _Bayr Jairgey and Glion Doo_: _The Red Path and the Black Valley_, were never destined to see the light. However, practically the whole of the verse prepared for them was included in the series of Pamphlets which have been printed for private circulation during the past twelve months. As was the case with _Lavengro_, Borrow delayed the completion of _The Romany Rye_ to an extent that much disconcerted his publisher, John Murray. The correspondence which passed between author and publisher is given at some length by Dr. Knapp, in whose pages the whole question is fully discussed. Mr. Shorter presents the matter clearly and fairly in the paragraphs he devotes to the subject: "The most distinctly English book--at least in a certain absence of cosmopolitanism--that Victorian literature produced was to a great extent written on scraps of paper during a prolonged Continental tour which included Constantinople and Budapest. In _Lavengro_ we have only half a book, the whole work, which included what came to be published as _The Romany Rye_, having been intended to appear in four volumes. The first volume was written in 1843, the second in 1845, and the third volume in the years between 1845 and 1848. Then in 1852 Borrow wrote out an advertisement of a fourth volume, which runs as follows: _Shortly will be published in one volume_. _Price_ 10_s._ _The Rommany Rye_, _Being the fourth volume of Lavengro_. _By George Borrow_, _author of The Bible in Spain_. But this volume did not make an appearance 'shortly.' Its author was far too much offended with the critics, too disheartened it may be, to care to offer himself again for their gibes. The years rolled on, and not until 1857 did _The Romany Rye_ appear. The book was now in two volumes, and we see that the word _Romany_ had dropped an _m_. . . . The incidents of _Lavengro_ are supposed to have taken place between the 24_th_ of _May_ 1825, and the 18_th of July_ of that year. In _The Romany Rye_ the incidents apparently occur between the 19_th_ of _July_ and the 3_rd_ of _August_ 1825. In the opinion of Mr. John Sampson, the whole of the episodes in the five volumes occurred in seventy-two days."--[_George Borrow and his Circle_, 1913, pp. 341-343.] A useful edition of _The Romany Rye_ is: _The Romany Rye_ / _A Sequel to_ "_Lavengro_" / _By George Borrow_ / _A New Edition_ / _Containing the unaltered text of the Original_ / _Issue_, _with Notes_, _etc._, _by the Author of_ / "_The Life of George Borrow_" / _London_ / _John Murray_, _Albemarle Street_ / 1900.--Crown 8vo. pp. xvi + 403. The book was edited by Dr. William Knapp. There is a copy of the First Edition of _The Romany Rye_ in the Library of the British Museum. The Press-mark is 12622. f. 8. (13) [THE SLEEPING BARD: 1860] The Sleeping Bard; / Or / Visions of the World, Death, and Hell, / By / Elis Wyn. / Translated from the Cambrian British / By / George Borrow, / Author of/ "The Bible in Spain," "The Gypsies of Spain," etc. / London: / John Murray, Albemarle Street. / 1860. Collation:--Crown octavo, pp. x + 128; consisting of: Title-page, as above (with blank reverse) pp. i-ii; _Preface_ pp. iii-vii; p. viii is blank; Fly-title to _A Vision of the Course of the World_ (with blank reverse) pp. ix-x; and Text of the three _Visions_ pp. 1-128. There are head-lines throughout, each double-page being headed with the title of the particular _Vision_ occupying it. _A Vision of Hell_ is preceded by a separate Fly-title (pp. 67-68) with blank reverse. At the foot of p. 128 is the following imprint, "_James M. Denew_, _Printer_, 72, _Hall Plain_, _Great Yarmouth_." The sheets carry no register. The book was issued without any Half-title. In some copies the Christian name of the printer is misprinted _Jamms_. Issued (in _June_, 1860) in magenta coloured cloth boards, lettered in gold along the back, "_The Sleeping Bard_," and "_London_ / _John Murray_" across the foot. The published price was 5_s._; 250 copies were printed. Murray's connection with the work was nominal. The book was actually issued at Yarmouth by J. M. Denew, the printer by whom it was produced. The cost was borne by the author himself, to whom the majority of the copies were ultimately delivered. Some few copies of _The Sleeping Bard_ would appear to have been put up in yellowish-brown plain paper wrappers, with untrimmed edges. One such example is in the possession of Mr. Paul Lemperley, of Cleveland, Ohio; a second is in the library of Mr. Clement Shorter. The leaves of both these copies measure 8.75 x 5.75 inches. The leaves of ordinary copies in cloth measure 7.5 x 4.75 inches. The translation was made in 1830. The text of _The Sleeping Bard_ is divided into three sections. Each of these sections closes with a poem of some length, as follows:-- PAGE 1. The Perishing World. [_O man_, _upon this building 38 gaze_] 2. Death the Great. [_Leave land and house we must some 63 day_] In the printed text the seventh stanza of _Death the Great_ reads thus: _The song and dance afford_, _I ween_, _Relief from spleen_, _and sorrows grave_; _How very strange there is no dance_, _Nor tune of France_, _from Death can save_! About the year 1871 Borrow re-wrote this stanza, as follows: _The song and dance can drive_, _they say_, _The spleen away_, _and humour's grave_; _Why hast thou not devised_, _O France_! _Some tune and dance_, _from Death to save_? As was invariably the case with Borrow, his revision was a vast improvement upon the original version. 3. The Heavy Heart. [_Heavy's the heart with wandering 124 below_] The Manuscript of _The Sleeping Bard_ was formerly in the possession of Dr. Knapp. It is now the property of the Hispanic Society, of New York. It extends to 74 pages 4to. There is a copy of the First Edition of _The Sleeping Bard_ in the Library of the British Museum. The Press-mark is 12355. c. 17. (14) [WILD WALES: 1862] Wild Wales: / Its People, Language, and Scenery. / By George Borrow, / Author of "The Bible in Spain," etc. / "_Their Lord they shall praise_, / _Their language they shall keep_, / _Their land they shall lose_, / _Except Wild Wales_." / Taliesin: Destiny of the Britons. / In Three Volumes.--Vol. I. [_Vol. II_, _&c._] / London: / John Murray, Albemarle Street. / 1862. / The right of Translation is reserved. Vol. I. Collation:--Large duodecimo, pp. xii + 410; consisting of: Half-title (with advertisements of five of Borrow's _Works_ upon the reverse) pp. i-ii; Title-page, as above (with imprint "_London_: / _Printed by Woodfall and Kinder_, / _Angel Court_, _Skinner Street_" upon the centre of the reverse) pp. iii-iv; Notice regarding the previous appearance of a portion of the work in _The Quarterly Review_ (with blank reverse) pp. v-vi; _Contents of Vol. I_ pp. vii-xi; p. xii is blank; and Text pp. 1-410. There are head-lines throughout, each verso being headed _Wild Wales_, whilst each recto is headed with the title of the particular subject occupying it. At the foot of p. 410 the imprint is repeated thus: "_Woodfall and Kinder_, _Printers_, _Angel Court_, _Skinner Street_, _London_." The signatures are A (a half-sheet of 6 leaves), B to S (17 sheets, each 12 leaves), plus T (2 leaves). The second leaf of Sig. T is a blank. Vol. II. Collation:--Large duodecimo, pp. viii + 413; consisting of: Title-page, as above (with imprint "_London_: / _Printed by Woodfall and Kinder_, / _Angel Court_, _Skinner Street_" upon the centre of the reverse) pp. i-ii; _Contents of Vol. II_ pp. v-vii; p. viii is blank; and Text pp. 1-413. The reverse of p. 413 is blank. There are head-lines throughout, as in the first volume. At the foot of p. 413 the imprint is repeated thus, "_Woodfall and Kinder_, _Printers_, _Angel Court_, _Skinner Street_, _London_." The signatures are A (4 leaves), B to S (17 sheets, each 12 leaves), plus T (4 leaves). The last leaf of Sig. T is a blank. The volume was issued without any Half-title. Vol. III. Collation:--Large duodecimo, pp. viii + 474; consisting of: Title-page, as above (with imprint "_London_: / _Printed by Woodfall and Kinder_, / _Angel Court_, _Skinner Street_" upon the centre of the reverse) pp. i-ii; _Contents of Vol. III_ pp. iii-viii; and Text pp. 1-474. There are head-lines throughout, as in the first volume. At the foot of p. 474 the imprint is repeated thus, "_Woodfall and Kinder_, _Printers_, _Angel Court_, _Skinner Street_, _London_." The signatures are A (8 leaves), B to U (18 sheets, each 12 leaves), plus X (10 leaves). The last leaf of Sig. H is a blank. The volume was issued without any Half-title. Issued (in _December_, 1862) in dark green cloth boards, with white paper back-label, lettered "_Wild Wales_. / _By_ / _George Borrow_. / _Vol. I_ [Vol. ii, &c.]." The leaves measure 7.625 x 4.875 inches. The published price was 30_s._; 1,000 copies were printed. A Second Edition of _Wild Wales_ was issued in 1865, a Third Edition in 1888, and a Fourth Edition in 1896. The book has since been included in divers series of non-copyright works. The following Poems made their first appearance in the pages of _Wild Wales_: VOL. I PAGE CHESTER ALE. [_Chester ale_, _Chester ale_! _I could 18 ne'er get it down_] Another, widely different, version of these lines exist in manuscript. It reads as follows: _On the Ale of Chester_. _Of Chester the ale has but sorry renown_, '_Tis made of ground-ivy_, _of dust_, _and of bran_; '_Tis as thick as a river belough a hugh town_, '_Tis not lap for a dog_, _far less drink for a man_. SAXONS AND BRITONS. [_A serpent which coils_] 48 Previously printed in _The Quarterly Review_, _January_ 1861, p. 42. TRANSLATION OF A WELSH ENGLYN UPON DINAS BRAN. [_Gone_, 61 _gone are thy gates_, _Dinas Bran on the height_!] LINES FOUND ON THE TOMB OF MADOC. [_Here after sailing 105 far I Madoc lie_] THE LASSIES OF COUNTY MERION. [_Full fair the gleisiad 153 in the flood_] This was one stanza only, the fifth, of the complete poem _The Cookoo's Song in Merion_, which Borrow translated some years later, and which was first printed in _Ermeline_, 1913, pp. 21-23. The text of the two versions of this stanza differ considerably. STANZA ON THE STONE OF JANE WILLIAMS. [_Though thou art 161 gone to dwelling cold_] THE MIST. [_O ho_! _thou villain mist_, _O ho_!] 173 Although Borrow translated the whole poem, he omitted 24 lines (the 14 opening and 10 closing lines) when printing it in _Wild Wales_. Here are the missing lines, which I give from the original Manuscript: _A tryste with Morfydd true I made_, '_Twas not the first_,_ in greenwood glade_, _In hope to make her flee with me_; _But useless all_, _as you will see_. _I went betimes_, _lest she should grieve_, _Then came a mist at close of eve_; _Wide o'er the path by which I passed_, _Its mantle dim and murk it cast_. _That mist ascending met the sky_, _Forcing the daylight from my eye_. _I scarce had strayed a furlong's space_ _When of all things I lost the trace_. _Where was the grove and waving grain_? _Where was the mountain hill and main_? * * * * * _Before me all affright and fear_, _Above me darkness dense and drear_, _My way at length I weary found_, _Into a swaggy willow ground_, _Where staring in each nook there stood_ _Of wry mouthed elves a wrathful brood_. _Full oft I sank in that false soil_, _My legs were lamed with length of toil_. _However hard the case may be_ _No meetings more in mist for me_. Two of the above lines, somewhat differently worded, were given in _Wild Wales_, Vol. i, p. 184. LINES DESCRIPTIVE OF THE EAGERNESS OF A SOUL TO REACH 251 PARADISE. [_Now to my rest I hurry away_] FILICAIA'S SONNET ON ITALY. [_O Italy_! _on whom dark 290 Destiny_] TRANSLATION OF AN ENGLYN FORETELLING TRAVELLING BY STEAM. 341 [_I got up in Mona_, _as soon as_ '_twas light_] TRANSLATION OF A WELSH STANZA ABOUT SNOWDON. [_Easy to 360 say_ '_Behold Eryri_'] STANZAS ON THE SNOW OF SNOWDON. [_Cold is the snow on 365 Snowdon's brow_] VOL. II LINES FROM BLACK ROBIN'S ODE IN PRAISE OF ANGLESEY. 33 [_Twelve sober men the muses woo_] LINES ON A SPRING. [_The wild wine of Nature_] 112 THINGS WRITTEN IN A GARDEN. [_In a garden the first of 158 our race was deceived_] EL PUNTO DE LA VANA. [_Never trust the sample when you 215 go your cloth to buy_] LLANGOLLEN'S ALE. [_Llangollen's brown ale is with malt 275 and hop rife_] POVERTY AND RICHES. AN INTERLUDE. [_O Riches_, _thy 328 figure is charming and bright_] A reduced facsimile of the first page of the Manuscript of this _Interlude_ is given herewith, facing page 99. AN ODE TO SYCHARK. BY IOLO GOCH. [_Twice have I pledged 392 my word to thee_] VOL. III TRANSLATION OF A WELSH ENGLYN ON THE RHYADR. [_Foaming 12 and frothing from mountainous height_] ODE TO OWEN GLENDOWER. [_Here's the life I've sigh'd for 98 long_] ODE TO A YEW TREE. [_Thou noble tree_; _who shelt'rest 203 kind_] LINES. [_From high Plynlimmon's shaggy side_] 219 ODE TO A YEW TREE. [_O tree of yew_, _which here I spy_] 247 This is another, and extended, version of the _Ode_ printed on p. 203 of _Wild Wales_. Yet another version, differing from both, is printed in _Alf the Freebooter and Other Ballads_, 1913, p. 27. LINES FROM ODE TO THE PLOUGHMAN, BY IOLO GOCH. [_The 292 mighty Hu who lives for ever_] Previously printed, with some verbal differences, in _The Quarterly Review_, _January_ 1861, p. 40. LINES ON A TOMB-STONE. [_Thou earth from earth reflect 301 with anxious mind_] ODE TO GRIFFITH AP NICHOLAS. [_Griffith ap Nicholas_, 327 _who like thee_] The first six lines of this Ode had previously appeared in _The Quarterly Review_, _January_ 1861, p. 50. GOD'S BETTER THAN ALL. [_God's better than heaven or 335 aught therein_] A reduced facsimile of the first page of the Manuscript of _God's Better than All_ will be found facing the present page. AB GWILYM'S ODE TO THE SUN AND GLAMORGAN. [_Each morn_, 377 _benign of countenance_] There is a copy of the First Edition of _Wild Wales_ in the Library of the British Museum. The Press-mark is 10369. e. 12. [Picture: Manuscript of Poverty and Riches] [Picture: Manuscript of God's Better than all] (15) [ROMANO LAVO-LIL: 1874] Romano Lavo-Lil: / Word-Book of the Romany; / or, / English Gypsy Language. / With many pieces in Gypsy, illustrative of the way of / Speaking and Thinking of the English Gypsies; / with Specimens of their Poetry, and an account of certain Gypsyries / or Places Inhabited by them, and of various things / relating to Gypsy Life in England. / By George Borrow, / Author of "Lavengro," "The Romany Rye," "The Gypsies of Spain," / "The Bible in Spain," etc. / "_Can you rokra Romany_? / _Can you play the bosh_? / _Can you jal adrey the staripen_? / _Can you chin the cost_?" / "_Can you speak the Roman tongue_? / _Can you play the fiddle_? / _Can you eat the prison-loaf_? / _Can you cut and whittle_? / London: / John Murray, Albemarle Street. / 1874. Collation:--Crown octavo, pp. viii + 331; consisting of: Half-title (with blank reverse) pp. i-ii; Title-page, as above (with imprint "_London_: / _Printed by William Clowes and Sons_, / _Stamford Street and Charing Cross_" upon the centre of the reverse) pp. iii-iv; Prefatory Note regarding the _Vocabulary_ p. v; Advertisements of five _Works of George Borrow_ p. vi; Table of _Contents_ pp. vii-viii; and Text pp. 1-331, including Fly-titles (each with blank reverse) to each section of the book. The reverse of p. 331 is blank. At the foot of p. 331 the imprint is repeated thus, "_London_: _Printed by Wm. Clowes and Sons_, _Stamford Street_ / _and Charing Cross_." There are head-lines throughout, each page being headed with the title of the particular subject occupying it. The signatures, are A (a half-sheet of 4 leaves), B to X (20 sheets, each 8 leaves), Y (a half-sheet of 4 leaves), and Z (a quarter-sheet of 2 leaves). Issued in dark blue cloth boards, with white paper back-label, lettered "_Romano Lavo-Lil_; / _Word-Book_ / _of_ / _The Romany_. / _By_ / _George Borrow_." The leaves measure 7.75 x 4.875 inches. The published price was 10_s._ 6_d._ One Thousand Copies were printed. The book was set up in type towards the end of 1873, and published early in 1874. Proof-sheets still exist bearing the earlier date upon the title-page. A considerable amount of Verse by Borrow made its first appearance in the pages of _Romano Lavo-Lil_, as detailed in the following list: _Contents_ PAGE LITTLE SAYINGS: 1. [ _Whatever ignorance men may show_] 109 2. [_What must I do_, _mother_, _to make you well_?] 111 3. [_I would rather hear him speak than hear Lally 115 sing_] ENGLISH GYPSY SONGS: 1. The Gypsy Meeting. [_Who's your mother_, _who's your 175 father_?] 2. Making a Fortune (1). [_Come along_, _my little 177 gypsy girl_] 3. Making a Fortune (2). [_Come along_, _my little 179 gypsy girl_] THE TWO GYPSIES. [_Two gypsy lads were transported_] 181 MY ROMAN LASS. [_As I to the town was going one day_] 183 This is the first stanza only of _The English Gypsy_. The complete Song will be found in _Marsk Stig's Daughters and Other_ _Songs and Ballads_, 1913, pp. 14-15. Here is the concluding stanza, omitted in _Romano Lavo-Lil_: _As I to the town was going one day_, _I met a young Roman upon the way_. _Said he_, "_Young maid will you share my lot_?" _Said I_, "_Another wife you've got_." "_No_, _no_!" _the handsome young Roman cried_, "_No wife have I in the world so wide_; _And you my wedded wife shall be_, _If you will share my lot with me_." YES, MY GIRL. [_If to me you prove untrue_] 185 THE YOUTHFUL EARL. [_Said the youthful earl to the Gypsy 185 girl_] LOVE SONG. [_I'd choose as pillows for my head_] 187 WOE IS ME. [_I'm sailing across the water_] 189 THE SQUIRE AND LADY. [_The squire he roams the good 191 greenwood_] GYPSY LULLABY. [_Sleep thee_, _little tawny boy_!] 193 OUR BLESSED QUEEN. [_Coaches fine in London_] 195 RUN FOR IT. [_Up_, _up_, _brothers_!] 195 This is the first stanza only of the _Gypsy Song_, printed complete in _Marsk Stig's Daughters and other Songs and Ballads_, 1913, p. 16. THE ROMANY SONGSTRESS. [_Her temples they are aching_] 199 THE FRIAR. [_A Friar Was preaching once with zeal and 201 with fire_] The Manuscript of these amusing verses, which were translated by Borrow from the dialect of the Spanish Gypsies, affords some curious variants from the published text. Here are the lines as they stand in the MS.: _A Friar_ _Was preaching once with zeal and with fire_; _And a butcher of the plain_ _Had lost a bonny swine_; _And the friar did opine_ _That the Gypsies it had ta'en_. _So_, _breaking off_, _he shouted_, "_Gypsy ho_! _Hie home_, _and from the pot_ _Take the butcher's porker out_, _The porker good and fat_, _And in its place throw_ _A clout_, _a dingy clout_ _Of thy brat_, _of thy brat_; _A clout_, _a dingy clout_, _of thy brat_." MALBROUK. FROM THE SPANISH GYPSY VERSION. [_Malbrouk is 205 gone to the wars_] SORROWFUL YEARS. [_The wit and the skill_] 211 FORTUNE-TELLING. [_Late rather one morning_] 240 THE FORTUNE-TELLER'S SONG. [_Britannia is my name_] 243 GYPSY STANZA. [_Can you speak the Roman tongue_?] 254 CHARLOTTE COOPER. [_Old Charlotte I am called_] 259 EPIGRAM. [_A beautiful face and a black wicked mind_] 262 LINES. [_Mickie_, _Huwie and Larry bold_] 272 LINES. [_What care we_, _though we be so small_?] 280 RYLEY BOSVIL. [_The Gorgios seek to hang me_] 296 RYLEY AND THE GYPSY. [_Methinks I see a brother_] 298 TO YOCKY SHURI. [_Beneath the bright sun_, _there is 301 none_, _there is none_] LINES. [_Roman lads Before the door_] 325 Upon page 122 of _Romano Lavo-Lil_, is printed a version of _The Lord's Prayer_ cast into Romany by Borrow. The original Manuscript of this translation has survived, and its text presents some curious variations from the published version. A reduced facsimile of this Manuscript serves as Frontispiece to the present Bibliography. Accompanying the Manuscript of _The Lord's Prayer_ in Romany, is the Manuscript of a translation made by Borrow into the dialect of the English Gypsies. This translation has never, so far as I am aware, appeared in print. It is an interesting document, and well worthy of preservation. A reduced facsimile of it will be found facing the present page. [Picture: Manuscript of The Lord's Prayer] A Second Edition of _Romano Lavo-Lil_ was issued by the same publisher, John Murray, in 1888, and a Third in 1905. There is a copy of the First Edition of _Romano Lavo-Lil_ in the Library of the British Museum. The Press-mark is 2278. c. 15. (16) [THE TURKISH JESTER: 1884] The Turkish Jester; / Or, / The Pleasantries / of / Cogia Nasr Eddin Effendi. / Translated from the Turkish / By / George Borrow. / Ipswich: / W. Webber, Dial Lane. / 1884. Collation:--Crown octavo, printed in half-sheets, pp. ii + 52; consisting of: Title-page, as above (with Certificate of Issue upon the centre of the reverse) pp. i-ii; and Text pp. 1-52. There are no head-lines, the pages being numbered centrally. The book is made up in a somewhat unusual manner, each half-sheet having a separately printed quarter-sheet of two leaves imposed within it. The register is therefore B to E (four sections, each 6 leaves), plus F (2 leaves), the whole preceded by two leaves, one of which is blank, whilst the other carries the Title-page. There is no printer's imprint. The book was issued without any Half-title. The title is enclosed within a single rectangular ruled frame. Issued in cream-coloured paper wrappers, with the title-page reproduced upon the front, but reset in types of different character, and without the ruled frame, and with the imprint reading _High Street_ in place of _Dial Lane_. Inside the front cover the Certificate of Issue is repeated. The leaves measure 7.75 x 5 inches. The edition consisted of One Hundred and Fifty Copies. The published price was 7_s._ 6_d._ The Manuscript of _The Turkish Jester_ was formerly owned by Dr. Knapp, and is now the property of the Hispanic Society, of New York. It extends to 71 pages 4to. The translation was probably made about 1854, at the time when Borrow was at work upon his _Songs of Europe_. In 1857, the book was included among the Advertisements appended to the second volume of _The Romany Rye_. There is a copy of the First Edition of _The Turkish Jester_ in the Library of the British Museum. The Press-mark is 758. b. 16. (17) [THE DEATH OF BALDER: 1889] The / Death of Balder / From the Danish / of / Johannes Ewald / (1773) / Translated by / George Borrow / Author of "Bible in Spain," "Lavengro," "Wild Wales," etc. / London / Jarrold & Sons, 3 Paternoster Buildings, E.C. / 1889 / All Rights Reserved. Collation:--Crown octavo, pp. viii + 77; consisting of: Half-title (with Certificate of Issue upon the centre of the reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; _Preface_ and List of _The Persons_ (each with blank reverse) pp. v-viii; and Text pp. 1-77. The reverse of p. 77 is blank. The head-line is _Death of Balder_ throughout, upon both sides of the page. At the foot of p. 77 is the following imprint, "_Printed by Ballantyne_, _Hanson & Co._ / _London and Edinburgh_." The signatures are A (4 leaves), and B to F (5 sheets, each 8 leaves). Sig. F 8 is a blank. Issued in dark brown 'diced' cloth boards, with white paper back-label. The leaves measure 7.75 x 5 inches. Two Hundred and Fifty Copies were printed. The published price was 7_s._ 6_d._ _The Death of Balder_ was written in 1829, the year during which Borrow produced so many of his ballad translations, the year in which he made his fruitless effort to obtain subscribers for his _Songs of Scandinavia_. On _December_ 6_th_ of that year he wrote to Dr. [afterwards Sir] John Bowring: "I wish to shew you my translation of _The Death of Balder_, Ewald's most celebrated production, which, if you approve of, you will perhaps render me some assistance in bringing forth, for I don't know many publishers. I think this will be a proper time to introduce it to the British public, as your account of Danish literature will doubtless cause a sensation." Evidently no publisher was forthcoming, for the work remained in manuscript until 1889, when, eight years after Borrow's death, Messrs. Jarrold & Sons gave it to the world. In 1857 Borrow included the Tragedy among the series of Works advertised as "ready for the Press" at the end of the second volume of _The Romany Rye_. It was there described as "_A Heroic Play_." Although published only in 1889, _The Death of Balder_ was actually set up in type three years earlier. It had been intended that the book should have been issued in London by Messrs. Reeves & Turner, and proof-sheets exist carrying upon the title-page the name of that firm as publishers, and bearing the date 1886. It would appear that Mr. W. Webber, a bookseller of Ipswich, who then owned the Manuscript, had at first contemplated issuing the book through Messrs. Reeves & Turner. But at this juncture he entered into the employment of Messrs. Jarrold & Sons, and consequently the books was finally brought out by that firm. The types were not reset, but were kept standing during the interval. Another version of the song of The Three Valkyrier, which appears in _The Death of Balder_, pp. 53-54, was printed in _Marsk Stig's Daughters and Other Songs and Ballads_, 1913, pp. 19-20. The text of the two versions differs entirely, in addition to which the 1913 version forms one complete single song, whilst in that of 1889 the lines are divided up between the several characters. The Manuscript of _The Death of Balder_, referred to above, passed into the hands of Dr. Knapp, and is now in the possession of the Hispanic Society, of New York. It consists of 97 pages 4to. A transcript in the handwriting of Mrs. Borrow is also the property of the Society. There is a copy of the First Edition of _The Death of Balder_ in the Library of the British Museum. The Press-mark is 11755. f 9. (18) [LETTERS TO THE BIBLE SOCIETY: 1911] Letters of / George Borrow / To the British and Foreign / Bible Society / Published by Direction of the Committee / Edited by / T. H. Darlow / Hodder and Stoughton / London New York Toronto / 1911. Collation:--Octavo, pp. xviii + 471; consisting of: Half-title (with blank reverse) pp. i-ii; Title-page, as above (with blank reverse) pp. iii-iv; Dedication _To Williamson Lamplough_ (with blank reverse) pp. v-vi; Preface vii-xi; Note regarding "the officials of the Bible Society with whom Borrow came into close relationship" pp. xi-xii; _List of Borrow's Letters_, _etc._, _printed in this Volume_ pp. xiii-xvii; chronological _Outline of Borrow's career_ p. xviii; and Text of the _Letters_, &c., pp. 1-471. There are head-lines throughout, each verso being headed _George Borrow's Letters_, and each recto _To the Bible Society_. Upon the reverse of p. 471 is the following imprint "_Printed by T. and A. Constable_, _Printers to His Majesty_ / _at the Edinburgh University Press_." The signatures are _a_ (one sheet of 8 leaves), _b_ (a quarter-sheet of 2 leaves), A to 2 F (29 sheets, each 8 leaves) plus 2 G (a half-sheet of 4 leaves). Sig. _a_ 1 is a blank. A facsimile of one of the Letters included in the volume is inserted as Frontispiece. Issued in dark crimson buckram, with paper sides, lettered in gold across the back, "_Letters of_ / _George_ / _Borrow_ / _To the_ / _Bible Society_ / _Edited by_ / _T. H. Darlow_ / _Hodder &_ / _Stoughton_." The leaves measure 8.375 x 5.875 inches. The published price was 7_s._ 6_d._ "When Borrow set about preparing _The Bible in Spain_, he obtained from the Committee of the Bible Society the loan of the letters which are here published, and introduced considerable portions of them into that most picturesque and popular of his works. Perhaps one-third of the contents of the present volume was utilised in this way, being more or less altered and edited by Borrow for the purpose."--[_Preface_, pp. ix-x]. The holographs of the complete series of Letters included in this volume are preserved in the archives of the British and Foreign Bible Society. There is a copy of _Letters of George Borrow to the British and Foreign Bible Society_ in the Library of the British Museum. The Press-mark is 010902.e.10. (19) [LETTERS TO MARY BORROW: 1913] Letters / To his Wife / Mary Borrow / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 38; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse), pp. 3-4; and Text of the _Letters_ pp. 5-38. The head-line is _Letters to His Wife_ throughout, upon both sides of the page. Following p. 38 is a leaf, with blank reverse, and with the following imprint upon its recto, "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half sheet of 4 leaves), plus B and C (2 sheets, each 8 leaves), inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. Holograph Letters by Borrow are extremely uncommon, the number known to be extant being far less than one might have supposed would be the case, considering the good age to which Borrow attained. His correspondents were few, and, save to the officials of the Bible Society, he was not a diligent letter-writer. The holographs of this series of letters addressed to his wife are in my own collection of Borroviana. The majority of the letters included in this volume were reprinted in _George Borrow and his Circle_. _By Clement King Shorter_, 8vo, 1913. There is a copy of _Letters to his Wife_, _Mary Borrow_, in the Library of the British Museum. The Press-mark is C. 44. d. 32. (20) [MARSK STIG: 1913] Marsk Stig / A Ballad / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 40; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballad_ pp. 5-40. The head-line is _Marsk Stig_ throughout, upon both sides of the page. At the foot of p. 40 is the following imprint, "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of 4 leaves), plus B and C (2 sheets, each 8 leaves), inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. _Marsk Stig_ consists of four separate Ballads, or _Songs_ as Borrow styled them, the whole forming one complete and connected story. The plot is an old Danish legend of the same character as the history of David and Bathsheba, Marsk Stig himself being the counterpart of Uriah the Hittite. The four _Songs_ commence as follows:-- PAGE 1. _Marsk Stig he out of the country rode_ 5 _To win him fame with his good bright sword_ 2. _Marsk Stig he woke at black midnight_, 15 _And loudly cried to his Lady dear_ 3. _There's many I ween in Denmark green_ 23 _Who all to be masters now desire_ 4. _There were seven and seven times twenty_ 34 _That met upon the verdant wold_ _Marsk Stig_ was one of the ballads prepared by Borrow for _The Songs of Scandinavia_ in 1829, and revised for the _Koempe Viser_ in 1854. Both Manuscripts are extant, and I give reproductions of a page of each. It will be observed that upon the margins of the earlier Manuscript Borrow wrote his revisions, so that this Manuscript practically carries in itself both versions of the ballad. The Manuscript of 1829 is in the possession of Mr. J. H. Spoor, of Chicago. The Manuscript of 1854 is in my own library. As a specimen of _Marsk Stig_ I quote the following stanzas: _It was the young and bold Marsk Stig_ _Came riding into the Castle yard_, _Abroad did stand the King of the land_ _So fair array'd in sable and mard_. "_Now lend an ear_, _young Marshal Stig_, _I have for thee a fair emprise_, _Ride thou this year to the war and bear_ _My flag amongst my enemies_." "_And if I shall fare to the war this year_, _And risk my life among thy foes_, _Do thou take care of my Lady dear_, _Of Ingeborg_, _that beauteous rose_." _Then answer'd Erik_, _the youthful King_, _With a laugh in his sleeve thus answered he_: "_No more I swear has thy lady to fear_ _Than if my sister dear were she_." _It was then the bold Sir Marshal Stig_, _From out of the country he did depart_, _In her castle sate his lonely mate_, _Fair Ingeborg_, _with grief at heart_. "_Now saddle my steed_," _cried Eric the King_, "_Now saddle my steed_," _King Eric cried_, "_To visit the Dame of beauteous fame_ _Your King will into the country ride_." * * * * * "_Now list_, _now list_, _Dame Ingeborg_, _Thou art_, _I swear_, _a beauteous star_, _Live thou with me in love and glee_, _Whilst Marshal Stig is engag'd in war_." _Then up and spake Dame Ingeborg_, _For nought was she but a virtuous wife_: "_Rather_, _I say_, _than Stig betray_, _Sir King_, _I'd gladly lose my life_." "_Give ear_, _thou proud Dame Ingeborg_, _If thou my leman and love will be_, _Each finger fair of thy hand shall bear_ _A ring of gold so red of blee_." "_Marsk Stig has given gold rings to me_, _And pearls around my neck to string_; _By the Saints above I never will prove_ _Untrue to the Marshal's couch_, _Sir King_." * * * * * _It was Erik the Danish King_, _A damnable deed the King he wrought_; _He forc'd with might that Lady bright_, _Whilst her good Lord his battles fought_. * * * * * _It was the young Sir Marshal Stig_ _Stepp'd proudly in at the lofty door_; _And bold knights then_, _and bold knight's men_, _Stood up the Marshal Stig before_. _So up to the King of the land he goes_, _And straight to make his plaint began_; _Then murmured loud the assembled crowd_, _And clench'd his fist each honest man_. "_Ye good men hear a tale of fear_, _A tale of horror_, _a tale of hell_-- &c., &c. There is a copy of _Marsk Stig A Ballad_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of Marsk Stig, 1913] [Picture: Manuscript of Marsk Stig--1829] [Picture: Manuscript of Marsk Stig--1854] (21) [THE SERPENT KNIGHT: 1913] The Serpent Knight / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 35; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; Table of _Contents_ (with blank reverse) pp. 5-6; and Text of the _Ballads_ pp. 7-35. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 35 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to thirty copies_." The signatures are A (a quarter-sheet of two leaves), plus B & C (two sheets, each eight leaves), inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE The Serpent Knight. [_Signelil sits in her bower alone_] 7 The only extant MS. of this ballad originally bore the title _The Transformed Knight_, but the word _Transformed_ is struck out and replaced by _Serpent_, in Borrow's handwriting. Sir Olaf. [_Sir Olaf rides on his courser tall_] 10 _Sir Olaf_ is one of Borrow's most successful ballads. The only extant Manuscript is written upon paper water-marked with the date 1845, and was prepared for the projected _Koempe Viser_. The Treacherous Merman. ["_Now rede me mother_," _the 15 merman cried_] This Ballad is a later, and greatly improved, version of one which appeared under the title _The Merman_ only, in the _Romantic Ballads_ of 1826. The introduction of the incident of the changing by magic of the horse into a boat, furnishes a reason for the catastrophe which was lacking in the earlier version. In its final shape _The Treacherous Merman_ is another of Borrow's most successful ballads, and it is evident that he bestowed upon it an infinite amount of care and labour. An early draft of the final version [a reduced facsimile of its first page will be found _ante_, facing p. 40] bears the tentative title _Marsk Stig's Daughter_. Besides the two printed versions Borrow certainly composed a third, for a fragment exists of a third MS., the text of which differs considerably from that of both the others. The Knight in the Deer's Shape. [_It was the Knight Sir 18 Peter_] Facing the present page is a reduced facsimile of the first page of the Manuscript of _The Knight in the Deer's Shape_. The Stalwart Monk. [_Above the wood a cloister towers_] 24 _The Stalwart Monk_ was composed by Borrow about the year 1860. Whether he had worked upon the ballad in earlier years cannot be ascertained, as no other Manuscript besides that from which it was printed in the present volume is known to exist. The Cruel Step-Dame. [_My father up of the country 30 rode_] The Cuckoo. [_Yonder the cuckoo flutters_] 34 The complete Manuscript of _The Serpent Knight and Other Ballads_ is in my own collection of Borroviana. There is a copy of _The Serpent Knight and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of The Serpent King] [Picture: Manuscript of The Knight in the Deer's Shape] (22) [THE KING'S WAKE: 1913] The King's Wake / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 23; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-23. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 23 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), with B (a full sheet of eight leaves) inset within it. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE The King's Wake. [_To-night is the night that the wake 5 they hold_] An early draft of this ballad has the title _The Watchnight_. Swayne Felding. [_Swayne Felding sits at Helsingborg_] 10 Of _Swayne Felding_ two Manuscripts are extant. One, originally destined for _The Songs of Scandinavia_, is written upon white paper water-marked with the date 1828. The other, written upon blue paper, was prepared for the _Koempe Viser_ of 1854. In the earlier MS. the ballad bears the title _Swayne Felding's Combat with the Giant_; the later MS. is entitled _Swayne Felding_ only. The texts of the two MSS. differ widely. Innocence Defamed. [_Misfortune comes to every door_] 20 The heroic ballads included in these collections are all far too long to admit of any one of them being given in full. As an example of the shorter ballads I quote the title-poem of the present pamphlet, _The King's Wake_: _THE KING'S WAKE_ {132} _To-night is the night that the wake they hold_, _To the wake repair both young and old_. _Proud Signelil she her mother address'd_: "_May I go watch along with the rest_?" "_O what at the wake wouldst do my dear_? _Thou'st neither sister nor brother there_. "_Nor brother-in-law to protect thy youth_, _To the wake thou must not go forsooth_. "_There be the King and his warriors gay_, _If me thou list thou at home wilt stay_." "_But the Queen will be there and her maiden crew_, _Pray let me go_, _mother_, _the dance to view_." _So long_, _so long begged the maiden young_, _That at length from her mother consent she wrung_. "_Then go_, _my child_, _if thou needs must go_, _But thy mother ne'er went to the wake I trow_." _Then through the thick forest the maiden went_, _To reach the wake her mind was bent_. _When o'er the green meadows she had won_, _The Queen and her maidens to bed were gone_. _And when she came to the castle gate_ _They were plying the dance at a furious rate_. _There danced full many a mail-clad man_, _And the youthful King he led the van_. _He stretched forth his hand with an air so free_: "_Wilt dance_, _thou pretty maid_, _with me_?" "_O_, _sir_, _I've come across the wold_ _That I with the Queen discourse might hold_." "_Come dance_," _said the King with a courteous smile_, "_The Queen will be here in a little while_." _Then forward she stepped like a blushing rose_, _She takes his hand and to dance she goes_. "_Hear Signelil what I say to thee_, _A ditty of love sing thou to me_." "_A ditty of love I will not_, _Sir King_, _But as well as I can another I'll sing_." _Proud Signil began_, _a ditty she sang_, _To the ears of the Queen in her bed it rang_. _Says the Queen in her chamber as she lay_: "_O which of my maidens doth sing so gay_? "_O which of my maidens doth sing so late_, _To bed why followed they me not straight_?" _Then answered the Queen the little foot page_: "'_Tis none of thy maidens I'll engage_. "'_Tis none I'll engage of the maiden band_, '_Tis Signil proud from the islet's strand_." "_O bring my red mantle hither to me_, _For I'll go down this maid to see_." _And when they came down to the castle gate_ _The dance it moved at so brave a rate_. _About and around they danced with glee_, _There stood the Queen and the whole did see_. _The Queen she felt so sore aggrieved_ _When the King with Signil she perceived_. _Sophia the Queen to her maid did sign_: "_Go fetch me hither a horn of wine_." _His hand the King stretched forth so free_: "_Wilt thou Sophia my partner be_?" "_O I'll not dance with thee_, _I vow_, _Unless proud Signil pledge me now_." _The horn she raised to her lips_, _athirst_, _The innocent heart in her bosom burst_. _There stood King Valdemar pale as clay_, _Stone dead at his feet the maiden lay_. "_A fairer maid since I first drew breath_ _Ne'er came more guiltless to her death_." _For her wept woman and maid so sore_, _To the Church her beauteous corse they bore_. _But better with her it would have sped_, _Had she but heard what her mother said_. There is a copy of _The King's Wake and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of The King's Wake] [Picture: Manuscript of The King's Wake] (23) [THE DALBY BEAR: 1913] The Dalby Bear / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 20; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-20. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 20 is the following imprint: "_London_ / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), with B (a full sheet of 8 leaves) inset within it. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE The Dalby Bear. [_There goes a bear on Dalby moors_] 5 Tygge Hermandsen. [_Down o'er the isle in torrents 9 fell_] The ballad was printed from a Manuscript written in 1854. I give a reduced facsimile of a page of an earlier Manuscript written in 1830. The Wicked Stepmother. [_Sir Ove he has no daughter but 14 one_] This ballad should be read in conjunction with _The Wicked Stepmother_, _No. ii_, printed in _Young Swaigder or The Force of Runes and Other Ballads_, 1913, pp. 23-37. The complete Manuscript of _The Dalby Bear and Other Ballads_ is in the library of Mr. Clement Shorter. There is a copy of _The Dalby Bear and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Tygge Hermandsen] (24.) [THE MERMAID'S PROPHECY: 1913] The / Mermaid's Prophecy / and other / Songs relating to Queen Dagmar / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 30; consisting of Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Songs_ pp. 5-30. There are head-lines throughout, each page being headed with the title of the particular _Song_ occupying it. Following p. 30 is a leaf, with a notice regarding the American copyright upon the reverse, and with the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets, each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.75 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Songs relating to Queen Dagmar: I. King Valdemar's Wooing. [_Valdemar King and Sir 5 Strange bold_] II. Queen Dagmar's Arrival in Denmark. [_It was 14 Bohemia's Queen began_] III. The Mermaid's Prophecy. [_The King he has caught 19 the fair mermaid_, _and deep_] Rosmer. [_Buckshank bold and Elfinstone_] 25 This ballad should be read in conjunction with _Rosmer Mereman_, printed in _Young Swaigder or The Force of Runes and Other Ballads_, 1913, pp. 16-22. Of _The Mermaid's Prophecy_ there are two Manuscripts extant. In the earlier of these, written in 1829, the Poem is entitled _The Mermaid's Prophecy_. In the later Manuscript, written apparently about the year 1854, it is entitled _The Mermaid_ only. From this later Manuscript the Poem was printed in the present volume. Unlike the majority of Borrow's Manuscripts, which usually exhibit extreme differences of text when two holographs exist of the same Poem, the texts of the two versions of _The Mermaid's Prophecy_ are practically identical, the opening stanza alone presenting any important variation. Here are the two versions of this stanza: 1829 The Dane King had the Mermaiden caught by his swains, _The mermaid dances the floor upon_-- And her in the tower had loaded with chains, Because his will she had not done. 1854 The King he has caught the fair mermaid, and deep (_The mermaid dances the floor upon_) In the dungeon has placed her, to pine and to weep, Because his will she had not done. There is a copy of _The Mermaid's Prophecy and other Songs relating to Queen Dagmar_ in the Library of the British Museum. The Press mark is C. 44. d. 38. (25.) [HAFBUR AND SIGNE: 1913] Hafbur and Signe / A Ballad / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 23; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballad_ pp. 5-23. The head-line is _Hafbur and Signe_ throughout, upon both sides of the page. Upon the reverse of p. 23 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), with B (a full sheet of eight leaves) inset within it. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Hafbur and Signe. [_Young Hafbur King and Sivard King 5 They lived in bitter enmity_] Of _Hafbur and Signe_ two Manuscripts are extant. The first of these was doubtless written in the early summer of 1830, for on _June_ 1_st_ of that year Borrow wrote to Dr. Bowring: _I send you_ "_Hafbur and Signe_" _to deposit in the Scandinavian Treasury_ [i.e. among the _Songs of Scandinavia_]. The later Manuscript was written in or about the year 1854. The earlier of these two Manuscripts is in the collection of Mr. Herbert T. Butler. The later Manuscript is in my own library. As is usually the case when two Manuscripts of one of Borrow's ballads are available, the difference in poetical value of the two versions of _Hafbur and Signe_ is considerably. Few examples could exhibit more distinctly the advance made by Borrow in the art of poetical composition during the interval. Here are some stanzas from the version of 1854. _So late it was at nightly tide_, _Down fell the dew o'er hill and mead_; _Then lists it her proud Signild fair_ _With all the rest to bed to speed_. "_O where shall I a bed procure_?" _Said Hafbur then_, _the King's good son_. "_O thou shalt rest in chamber best_ _With me the bolsters blue upon_." _Proud Signild foremost went_, _and stepped_ _The threshold of her chamber o'er_; _With secret glee came Hafbur_, _he_ _Had never been so glad before_. _Then lighted they the waxen lights_, _So fairly twisted were the same_. _Behind_, _behind_, _with ill at mind_, _The wicked servant maiden came_ The following are the parallel stanzas from the version of 1830 _So late it was in the nightly tide_, _Dew fell o'er hill and mead_; _Then listed her proud Signild fair_ _With the rest to bed to speed_. "_O where shall I a bed procure_?" _Said Hafbour the King's good son_. "_In the chamber best with me thou shalt rest_, _The bolsters blue upon_." _Proud Signild foremost went and stepp'd_ _The high chamber's threshold o'er_, _Prince Hafbour came after with secret laughter_, _He'd ne'er been delighted more_ _Then lighted they the waxen lights_, _Fair twisted were the same_. _Behind_, _behind with ill in her mind_ _The wicked servant came_. I give herewith a reduced facsimile of the last page of each Manuscript. [Picture: Hafbur and Signe--1830] [Picture: Hafbur and Signe--1854] There is a copy of _Hafbur and Signe A Ballad_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of Hafbur and Signe] (26) [THE STORY OF YVASHKA: 1913] The Story / of / Yvashka with the Bear's Ear / Translated from the Russian / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 23; consisting of: Half title (with blank reverse) pp. 1-2; Frontispiece (with blank recto) pp. 3-4; Title-page, as above (with blank reverse) pp. 5-6; _Introduction_ (by Borrow) pp. 7-10; and Text of the _Story_ pp. 11-23. The head-line is _Yvashka with the Bears Ear_ throughout, upon both sides of the page. Upon the reverse of p. 23 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N. W._ / _Edition limited to Thirty Copies_." The signatures are A (a half sheet of 4 leaves), and B (a full sheet of 8 leaves), the one inset within the other. The Frontispiece consists of a reduced facsimile of the first page of the original Manuscript in Borrow's handwriting. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _The Story of Yvashka_ was the second of three _Russian Popular Tales_, which were contributed by Borrow to the pages of _Once a Week_ during 1862. _The Story of Yvashka_ appeared in the number for _May_ 17_th_, 1862, Vol. vi, pp. 572-574. The _Story_ was reprinted in _The Sphere_, _Feb._ 1_st_, 1913, p. 136. The Text of _Yvashka_ as printed in _Once a Week_ differs appreciably from that printed in _The Sphere_, and in the private pamphlet of 1913, both of which are identical. The Manuscript from which the two latter versions were taken was the original translation. The version which appeared in _Once a Week_ was printed from a fresh Manuscript (which fills 11 quarto pages) prepared in 1862. A reduced facsimile of the first page of the earlier Manuscript (which extends to 5.125 quarto pages) will be found reproduced upon the opposite page. In this Manuscript the story is entitled _The History of Jack with the Bear's Ear_. Judging from the appearance of this MS., both paper and handwriting, together with that of fragments which remain of the original MSS. of the other two published _Tales_, it seems probable that the whole were produced by Borrow during his residence in St. Petersburg. Should such surmise be correct, the _Tales_ are contemporary with _Targum_. The _Once a Week_ version of _The Story of Yvashka_ was reprinted in _The Avon Booklet_, Vol. ii, 1904, pp. 199-210. There is a copy of _The Story of Yvashka_ in the Library of the British Museum. The Press-mark is C. 44. d. 37. [Picture: Manuscript of History of Jack with the Bear's Ear] (27) [THE VERNER RAVEN: 1913] The Verner Raven / The Count of Vendel's / Daughter / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4, and Text of the _Ballads_ pp. 5-27. There are headlines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_ / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of 2 leaves), B (a half sheet of 4 leaves), and C (a full sheet of 8 leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE THE VERNER RAVEN. [_The Raven he flies in the evening 5 tide_] THE COUNT OF VENDEL'S DAUGHTER. [_Within a bower the 12 womb I left_] Previously printed in _Once a Week_, Vol. viii, _January_ 3_rd_, 1863, pp. 35-36. THE CRUEL MOTHER-IN-LAW. [_From his home and his country 18 Sir Volmor should fare_] THE FAITHFUL KING OF THULE. [_A King so true and 25 steady_] THE FAIRIES' SONG. [_Balmy the evening air_] 27 NOTE.--Each poem to which no reference is attached, appeared for the first time in this volume. The Manuscript of _The Count of Vendel's Daughter_ is included in the extensive collection of Borroviana belonging to Mr. F. J. Farrell, of Great Yarmouth. There is a copy of _The Verner Raven_, _The Count of Vendel's Daughter_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. (28) [THE RETURN OF THE DEAD: 1913] The / Return of the Dead / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 22; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-22. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Following p. 22 is a leaf, with blank reverse, and with the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty copies_." The signatures are A (a half-sheet of four leaves), with B (a full sheet of eight leaves), inset within it. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE The Return of the Dead. [_Swayne Dyring o'er to the 5 island strayed_] The Transformed Damsel. [_I take my axe upon my back_] 13 The Forced Consent. [_Within her own fair castelaye_] 15 Ingeborg's Disguise. [_Such handsome court clothes the 19 proud Ingeborg buys_] Song. [_I've pleasure not a little_] 22 As a further example of Borrow's shorter Ballads, I give _Ingeborg's Disguise_ in full. The entire series included in _The Return of the Dead and Other Ballads_ ranks among the most uniformly successful of Borrow's achievements in this particular branch of literature:-- _INGEBORG'S DISGUISE_ {161} _Such handsome court clothes the proud Ingeborg buys_, _Says she_, "_I'll myself as a courtier disguise_." _Proud Ingeborg hastens her steed to bestride_, _Says she_, "_I'll away with the King to reside_." "_Thou gallant young King to my speech lend an ear_, _Hast thou any need of my services here_?" "_O yes_, _my sweet lad_, _of a horseboy I've need_, _If there were but stable room here for his steed_. "_But thy steed in the stall with my own can be tied_, _And thou_ '_neath the linen shalt sleep by my side_." _Three years in the palate good service she wrought_ _That she was a woman no one ever thought_. _She filled for three years of a horse-boy the place_, _And the steeds of the monarch she drove out to graze_. _She led for three years the King's steeds to the brook_, _For else than a youth no one Ingeborg took_. _Proud Ingeborg knows how to make the dames gay_, _She also can sing in such ravishing way_. _The hair on her head is like yellow spun gold_, _To her beauty the heart of the prince was not cold_. _But at length up and down in the palace she strayed_, _Her colour and hair began swiftly to fade_. _What eye has seen ever so wondrous a case_? _The boy his own spurs to his heel cannot brace_. _The horse-boy is brought to so wondrous a plight_, _To draw his own weapon he has not the might_. _The son of the King to five damsels now sends_, _And Ingeborg fair to their care he commends_. _Proud Ingeborg took they and wrapped in their weed_, _And to the stone chamber with her they proceed_. _Upon the blue cushions they Ingeborg laid_, _Where light of two beautiful sons she is made_. _Then in came the prince_, _smiled the babies to view_: "'_Tis not every horse-boy can bear such a two_." _He patted her soft on her cheek sleek and fair_: "_Forget my heart's dearest all sorrow and care_." _He placed the gold crown on her temples I ween_: "_With me shalt thou live as my wife and my Queen_." The complete Manuscript of _The Return of the Dead and Other Ballads_ is in my own library. There is a copy of _The Return of the Dead and Other Ballads_ in the Library of the British Museum. The Press-mark is C.44.d.38. [Picture: Title page of The Return of the Dead] [Picture: Manuscript of Ingeborg's Disguise] (29) [AXEL THORDSON: 1913] Axel Thordson / and Fair Valborg / A Ballad / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 45; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a notice regarding the American copyright upon the reverse) pp. 3-4; and text of _the Ballad_ pp. 5-45. The head-line is _Axel Thordson and Fair Valborg_ throughout, upon both sides of the page. Upon the reverse of p. 45 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A to C (Three sheets, each eight leaves) inset within each other. The last leaf of Sig. C is a blank. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Axel Thordson and Fair Valborg. [_At the wide board at 5 tables play_] In some respects _Axel Thordson and Fair Valborg_ is the most ambitious of Borrow's Ballads. It is considerably the longest, unless we regard the four "_Songs_" of which _Marsk Stig_ is comprised as forming one complete poem. But it is by no means the most successful; indeed it is invariably in his shorter Ballads that we find Borrow obtaining the happiest result. Two Manuscripts of _Axel Thordson and Fair Valborg_ are available. The first was prepared in 1829 for the _Songs of Scandinavia_. The second was revised in 1854 for the _Koempe Viser_. This later Manuscript is in my own possession. I give herewith a reduced facsimile of one of its pages. There is a copy of _Axel Thordson and Fair Valborg_ in the Library of the British Museum. The Press-mark is C.44.d.38. [Picture: Axel Thordson and Fair Valborg--1854] (30) [KING HACON'S DEATH: 1913] King Hacon's Death / and / Bran and the Black Dog / Two Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 14; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Two Ballads_ pp. 5-14. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Following p. 14 is a leaf, with blank reverse, and with the following imprint upon its recto, "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." There are no signatures, the pamphlet being composed of a single sheet, folded to form sixteen pages. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. _Contents_. PAGE King Hacon's Death. ["_And now has happened in our 5 day_"] Bran and the Black Dog. ["_The day we went to the hills 11 to chase_"] I venture to regard this ballad of the fight between Bran and the Black Dog as one of Borrow's happiest efforts. Here are some of its vigorous stanzas: _The valiant Finn arose next day_, _Just as the sun rose above the foam_; _And he beheld up the Lairgo way_, _A man clad in red with a black dog come_. _He came up with a lofty gait_, _Said not for shelter he sought our doors_; _And wanted neither drink nor meat_, _But would match his dog_ '_gainst the best of ours_. * * * * * "_A strange fight this_," _the great Finn said_, _As he turn'd his face towards his clan_; _Then his face with rage grew fiery red_, _And he struck with his fist his good dog Bran_. "_Take off from his neck the collar of gold_, _Not right for him now such a thing to bear_; _And a free good fight we shall behold_ _Betwixt my dog and his black compeer_." _The dogs their noses together placed_, _Then their blood was scatter'd on every side_; _Desperate the fight_, _and the fight did last_ '_Till the brave black dog in Bran's grip died_. * * * * * _We went to the dwelling of high Mac Cuol_, _With the King to drink_, _and dice_, _and throw_; _The King was joyous_, _his hall was full_, _Though empty and dark this night I trow_. There is a copy of _King Hacon's Death and Bran and the Black Dog_ in the Library of the British Museum. The Pressmark is C. 44. d. 38. (31) [MARSK STIG'S DAUGHTERS: 1913] Marsk Stig's / Daughters / and other / Songs and Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 21; consisting of: Half-title (with blank reverse), pp. 1-2; Title-page, as above (with blank reverse), pp. 3-4; Table of _Contents_, pp. 5-6; and Text of the _Songs and Ballads_, pp. 7-21. The reverse of p. 21 is blank. The head-line is _Songs and Ballads_ throughout, upon both sides of the page. The pamphlet concludes with a leaf, with blank reverse, and with the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." There are no signatures, but the pamphlet consists of a half-sheet (of four leaves), with a full sheet (of eight leaves) inset within it. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. _Contents_. PAGE Marsk Stig's Daughters. [_Two daughters fair the Marshal 7 had_] The Three Expectants. [_There are three for my death 11 that now pine_] Translation. [_One summer morn_, _as I was seeking_] 13 The English Gipsy: He. [_As I to the town was going one day_ 14 _My Roman lass I met by the way_] She. [_As I to the town was going one day_ 14 _I met a young Roman upon the way_] The first of these two stanzas had been printed previously in _Romano Lavo-Lil_, 1874, p. 183. Gipsy Song. [_Up_, _up_, _brothers_] 16 The first stanza of this _Song_ was printed previously (under the title _Run for it_!) in _Romano Lavo-Lil_, 1874, p. 195. Our Heart is Heavy, Brother. [_The strength of the ox_] 17 Another version of this poem was printed previously (under the title _Sorrowful Tears_, and with an entirely different text) in _Romano Lavo-Lil_, 1874, p. 211. In order to give some clear idea of the difference between the two versions, I quote the opening stanza of each: 1874. _The wit and the skill_ _Of the Father of ill_, _Who's clever indeed_, _If they would hope_ _With their foes to cope_ _The Romany need_. 1913. _The strength of the ox_, _The wit of the fox_, _And the leveret's speed_; _All_, _all to oppose_ _Their numerous foes_ _The Romany need_. Song. [_Nastrond's blazes_] 19 Another version of this _Song_ was printed previously (divided up, and with many textual variations) in _The Death of Balder_, 1899, pp. 53-54. Lines. [_To read the great mysterious Past_] 21 As a specimen of Borrow's lighter lyrical verse, as distinguished from his Ballads, I give the text of the _Translation_ noted above, accompanied by a facsimile of the first page of the MS.: TRANSLATION. One summer morn, as I was seeking My ponies in their green retreat, I heard a lady sing a ditty To me which sounded strangely sweet: _I am the ladye_, _I am the ladye_, _I am the ladye loving the knight_; _I in the green wood_, '_neath the green branches_, _In the night season sleep with the knight_. Since yonder summer morn of beauty I've seen full many a gloomy year; But in my mind still lives the ditty That in the green wood met my ear: _I am the ladye_, _I am the ladye_, _I am the ladye loving the knight_; _I in the green wood_, '_neath the green branches_, _In the night season sleep with the knight_. A second Manuscript of this _Translation_ has the 'ditty' arranged in eight lines, instead of in four. In this MS. the word _ladye_ is spelled in the conventional manner: _I am the lady_, _I am the lady_, _I am the lady_ _Loving the knight_; _I in the greenwood_, '_Neath the green branches_, _Through the night season_ _Sleep with the knight_. _Note_.--Each poem to which no reference is attached appeared for the first time in this volume. There is a copy of _Marsk Stig's Daughters and other Songs and Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of Marsk Stig's Daughters] [Picture: Manuscript 'One summer morn'] (32) [THE TALE OF BRYNILD: 1913] The Tale of Brynild / and / King Valdemar and his Sister / Two Ballads / By / George Borrow / London: Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 35; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page as above (with a notice regarding the American copyright upon the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-35. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 35 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), and B and C (two sheets, each eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE The Tale of Brynild. [_Sivard he a colt has got_] 5 Of _The Tale of Brynild_, two manuscripts are extant, written in 1829 and 1854 respectively. The text of the latter, from which the ballad was printed in the present pamphlet, is immeasurably the superior. King Valdemar and his sister. [_See_, _see_, _with Queen 13 Sophy sits Valdemar bold_] Mirror of Cintra. [_Tiny fields in charming order_] 34 The Harp. [_The harp to everyone is dear_] 35 There can be little doubt that the series of poems included in this volume present Borrow at his best as a writer of Ballads. There is a copy of _The Tale of Brynild and King Valdemar and his Sister_ in the Library of the British Museum. The Pressmark is C. 44. d. 38. [Picture: Title page of The Tale of Brynild] (33) [PROUD SIGNILD: 1913] Proud Signild / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation: Square demy octavo, pp. 28; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a notice regarding the American copyright upon the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-28. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 28 is the following imprint: "_London_: _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ _Edition limited to Thirty Copies_." The signatures are A (six leaves), and B (a full sheet of eight leaves), the one inset within the other. Issued in bright green paper wrappers, with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Proud Signild. [_Proud Signild's bold brothers have 5 taken her hand_] The Damsel of the Wood. [_The Knight takes hawk_, _and 16 the man takes hound_] Damsel Mettie. [_Knights Peter and Olaf they sat o'er 22 the board_] As is the case with quite a number of Borrow's ballads, two Manuscripts of _Damsel Mettie_ have been preserved. The earlier, composed not later than 1829, is written upon paper water marked with the date 1828; the later is written upon paper water-marked 1843. The earlier version has a refrain, "'_Neath the linden tree watches the lord of my heart_," which is wanting in the later. Otherwise the text of both MSS. is identical, the differences to be observed between them being merely verbal. For example, the seventh couplet in the earlier reads: _I'll gage my war courser_, _the steady and tried_, _That thou canst not obtain the fair Mettie_, _my bride_. In the later MS. this couplet reads: _I'll gage my war courser_, _the steady and tried_, _Thou never canst lure the fair Mettie_, _my bride_. There is a copy of _Proud Signild and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. (34) [ULF VAN YERN: 1913] Ulf Van Yern / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page (with notice regarding the American copyright upon the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Ulf Van Yern. [_It was youthful Ulf Van Yern_] 5 This ballad was here printed from the Manuscript prepared for the projected _Koempe Viser_ of 1854. In the MS of 1829 the ballad is entitled _Ulf Van Yern and Vidrik Verlandson_. The texts of the two versions differ widely in almost every stanza. The Chosen Knight. [_Sir Oluf rode forth over hill and 16 lea_] Sir Swerkel. [_There's a dance in the hall of Sir 19 Swerkel the Childe_] Finn and the Damsel, or The Trial of Wits. ["_What's 23 rifer than leaves_?" _Finn cried_] Epigrams by Carolan: 1. On Friars. [_Would'st thou on good terms with friars 26 live_] 2. On a surly Butler, who had refused him admission to 26 the cellar. [_O Dermod Flynn it grieveth me_] Lines. [_How deadly the blow I received_] 27 The last four lines of this Poem had already served (but with a widely different text) as the last four lines of the _Ode from the Gaelic_, printed in _Romantic Ballads_, 1826, pp 142-143. There is a copy of _Ulf Van Yern and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Damsel Mattie] [Picture: Manuscript of Sir Swerkel] (35) [ELLEN OF VILLENSKOV: 1913] Ellen of Villenskov / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 22; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-22. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Following p. 22 is a leaf, with blank reverse, and with the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), with B (a full sheet of eight leaves) inset within it. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Ellen of Villenskov. [_There lies a wold in Vester Haf_] 5 Uranienborg. [_Thou who the strand dost wander_] 13 Previously printed, with an earlier and far inferior text, under the title _The Ruins of Uranienborg_, in _The Foreign Quarterly Review_. _June_, 1830, pp. 85-86. The Ready Answer. [_The brother to his dear sister 19 spake_] Epigrams: 1. _There's no living_, _my boy_, _without plenty of 22 gold_ 2. _O think not you'll change what on high is designed_ 22 3. _Load not thyself with gold_, _O mortal man_, _for 22 know_ NOTE.--Each poem to which no reference is attached, appeared for the first time in this volume. The Manuscripts of the poems included in _Ellen of Villenskov and Other Ballads_ are in the Library of Mr. Clement K. Shorter. There is a copy of _Ellen of Villenskov and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. (36) [THE SONGS OF RANILD: 1913] The Songs of Ranild / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 26; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the Poems pp. 5-26. There are head-lines throughout, each page being headed with the title of the particular poem occupying it. Following p. 26 is a leaf, with a notice regarding the American copyright upon the reverse, and with the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (six leaves), and B (a full sheet of eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE The Songs of Ranild: Song the First. [_Up Riber's street the dance they ply_] 5 Song the Second. [_To saddle his courser Ranild cried_] 10 Song the Third. [_So wide around the tidings bound_] 13 Child Stig and Child Findal. [_Child Stig and Child 17 Findal two brothers were they_] _The Songs of Ranild_ were first written in 1826, and were finally prepared for press in 1854. I give herewith, facing p. 191, a facsimile, the exact size of the original, of the first page of the first draft of _Song the Third_. The complete MS. from which these four Ballads were printed is in the Library of Mr. J. A. Spoor, of Chicago. There is a copy of _The Songs of Ranild_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Songs Relating to Marsk Stig] (37) [NIELS EBBESEN: 1913] Niels Ebbesen / and / Germand Gladenswayne / Two Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 32; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page as above (with notice regarding the American copyright upon the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-32. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 32 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets, each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Niels Ebbesen. [_All his men the Count collects_] 5 Germand Gladenswayne. [_Our King and Queen sat o'er the 22 board_] There is a copy of _Niels Ebbesen and Germand Gladenswayne_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of Niels Ebbesen] (38) [CHILD MAIDELVOLD: 1913] Child Maidelvold / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a notice regarding the American copyright upon the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Child Maidelvold. [_The fair Sidselil_, _of all maidens 5 the flower_] Another, but widely different and altogether inferior, version of this beautiful and pathetic ballad--one of Borrow's best--was printed (under the title _Skion Middel_) in _The Monthly Magazine_, _November_, 1823, p. 308; and again (under the amended title _Sir Middel_, and with a slightly revised text) in _Romantic Ballads_, 1826, pp. 28-31. In these earlier versions the name of the heroine is Swanelil in place of Sidselil, and that of the hero is Sir Middel in place of Child Maidelvold. Sir Peter. [_Sir Peter and Kirstin they sat by the 11 board_] Ingefred and Gudrune. [_Ingefred and Gudrune they sate 15 in their bower_] Sir Ribolt. [_Ribolt the son of a Count was he_] 20 As a further example of these Ballads I give _Ingefred and Gudrune_ in full. _INGEFRED AND GUDRUNE_ {199} _Ingefred and Gudrune they sate in their bower_, _Each bloomed a beauteous fragrant flower_-- _So sweet it is in summer tide_! _A working the gold fair Ingefred kept_, _Still sate Gudrune_, _and bitterly wept_. "_Dear sister Gudrune so fain I'd know_ _Why down thy cheek the salt tears flow_?" "_Cause enough have I to be thus forlorn_, _With a load of sorrow my heart is worn_. "_Hear_, _Ingefred_, _hear what I say to thee_, _Wilt thou to-night stand bride for me_? "_If bride for me thou wilt stand to-night_, _I'll give thee my bridal clothes thee to requite_. "_And more_, _much more to thee I'll give_, _All my bride jewels thou shalt receive_." "_O_, _I will not stand for bride in thy room_, _Save I also obtain thy merry bridegroom_." "_Betide me whatever the Lord ordain_, _From me my bridegroom thou never shalt gain_." _In silks so costly the bride they arrayed_, _And unto the kirk the bride they conveyed_. _In golden cloth weed the holy priest stands_, _He joins of Gudrune and Samsing the hands_. _O'er the downs and green grass meadows they sped_, _Where the herdsman watched his herd as it fed_. "_Of thy beauteous self_, _dear Damsel_, _take heed_, _Ne'er enter the house of Sir Samsing_, _I rede_. "_Sir Samsing possesses two nightingales_ _Who tell of the Ladies such wondrous tales_. "_With their voices of harmony they can declare_ _Whether maiden or none has fallen to his share_." _The chariot they stopped in the green wood shade_, _An exchange_ '_twixt them of their clothes they made_. _They change of their dress whatever they please_, _Their faces they cannot exchange with ease_. _To Sir Samsung's house the bride they conveyed_, _Of the ruddy gold no spare was made_. _On the bridal throne the bride they plac'd_, _They skinked the mead for the bride to taste_. _Then said from his place the court buffoon_: "_Methinks thou art Ingefred_, _not Gudrune_." _From off her hand a gold ring she took_, _Which she gave the buffoon with entreating look_. _Said he_: "_I'm an oaf_, _and have drunk too hard_, _To words of mine pay no regard_." '_Twas deep at night_, _and down fell the mist_, _To her bed the young bride they assist_. _Sir Samsing spoke to his nightingales twain_: "_Before my young bride sing now a strain_. "_A song now sing which shall avouch_ _Whether I've a maiden or none in my couch_." "_A maid's in the bed_, _that's certain and sure_, _Gudrune is standing yet on the floor_." "_Proud Ingefred_, _straight from my couch retire_! _Gudrune come hither_, _or dread my ire_! "_Now tell me_, _Gudrune_, _with open heart_, _What made thee from thy bed depart_?" "_My father_, _alas_! _dwelt near the strand_, _When war and bloodshed filled the land_. "_Full eight there were broke into my bower_, _One only ravished my virgin flower_." _Upon her fair cheek he gave a kiss_: "_My dearest_, _my dearest_, _all sorrow dismiss_; "_My swains they were that broke into thy bower_, '_Twas I that gathered thy virgin flower_." _Fair Ingefred gained_, _because bride she had been_, _One of the King's knights of handsome mien_. There is a copy of _Child Maidelvold and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Child Maidelvold] [Picture: Manuscript of Ingefred and Gudrune] (39) [ERMELINE: 1913] Ermeline / A Ballad / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 23; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the Poems pp. 5-23. There are head-lines throughout, each page being headed with the title of the particular poem occupying it. Upon the reverse of p. 23 is the following imprint: "_London_ / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), and B (a full sheet of eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Ermeline. [_With lance upraised so haughtily_] 5 The paper upon which the Manuscript of _Ermeline_ is written is water-marked with the date 1843. No other MS. is forthcoming. The Cuckoo's Song in Merion. [_Though it has been my 21 fate to see_] The fifth stanza of this _Song_ was printed by Borrow in _Wild Wales_, 1862, vol. i, p. 153. The two versions of this stanza offer some interesting variations of text; I give them both: 1862 _Full fair the gleisiad in the flood_, _Which sparkles_ '_neath the summer's sun_, _And fair the thrush in green abode_ _Spreading his wings in sportive fun_, _But fairer look if truth be spoke_, _The maids of County Merion_. 1913 _O fair the salmon in the flood_, _That over golden sands doth run_; _And fair the thrush in his abode_, _That spreads his wings in gladsome fun_; _More beauteous look_, _if truth be spoke_, _The maids of county Merion_. There is a copy of _Ermeline A Ballad_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page for Giant of Bern] (40) [THE GIANT OF BERN: 1913] The Giant of Bern / and Orm Ungerswayne / A Ballad / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 15; consisting of Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballad_ pp. 5-15. The head-line is _The Giant of Bern_ throughout, upon both sides of the page. Upon the reverse of p. 15 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." There are no signatures, the pamphlet being composed of a single sheet, folded to form sixteen pages. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. _Contents_. PAGE The Giant of Bern and Orme Ungerswayne. [_It was the 5 lofty jutt of Bern_, _O'er all the walls he grew_] Fifteen stanzas, descriptive of the incident of Orm's obtaining his father's sword from the dead man's grave, were printed in _Targum_, 1835, pp. 59-61, under the title _Birting_. _A Fragment_. The text differs greatly in the two versions, that of the later (which, though not printed until 1913, was written about 1854) is much the superior. As an example I give the first two stanzas of each version: 1835 _It was late at evening tide_, _Sinks the day-star in the wave_, _When alone Orm Ungarswayne_ _Rode to seek his father's grave_. _Late it was at evening hour_, _When the steeds to streams are led_; _Let me now_, _said Orm the young_, _Wake my father from the dead_. 1913 _It was so late at evening tide_, _The sun had reached the wave_, _When Orm the youthful swain set out_ _To seek his father's grave_. _It was the hour when grooms do ride_ _The coursers to the rill_, _That Orm set out resolved to wake_ _The dead man in the hill_. There is a copy of _The Giant of Bern and Orm Ungerswayne_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. (41) [LITTLE ENGEL: 1913] Little Engel / A Ballad / With a Series of / Epigrams from the Persian / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; and Text of the _Ballad_ and _Epigrams_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular Poem occupying it--save for pp. 23-27, which are headed _Epigrams_. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (six leaves), and B (a full sheet of eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE Little Engel. [_It was the little Engel_, _he_] 5 An Elegy. [_Where shall I rest my hapless head_] 21 Epigrams. From the Persian: 1. [_Hear what once the pigmy clever_] 23 2. [_The man who of his words is sparing_] 23 3. [_If thou would'st ruin_ '_scape_, _and blackest 24 woe_] 4. [_Sit down with your friends in delightful repose_] 24 5. [_The hungry hound upon the bone will pounce_] 24 6. [_Great Aaroun is dead_, _and is nothing_, _the man_] 25 7. [_Though God provides our daily bread_] 25 8. The King and his Followers. [_If in the boor's 25 garden the King eats a pear_] 9. The Devout Man and the Tyrant. [_If the half of a 26 loaf the devout man receives_] 10. The Cat and the Beggar. [_If a cat could the power 26 of flying enjoy_] 11. The King and Taylor. [_The taylor who travels in 26 far foreign lands_] 12. Gold Coin and Stamped Leather. [_Of the children of 27 wisdom how like is the face_] 13. [_So much like a friend with your foe ever deal_] 27 The Manuscript of these _Epigrams_ bears instructive evidence of the immense amount of care and labour expended by Borrow upon his metrical compositions. Reduced facsimiles of two of the pages of this Manuscript are given herewith. It will be observed that a full page and a half are occupied by the thirteenth _Epigram_, at which Borrow made no fewer than seven attempts before he succeeded in producing a version which satisfied him. The completed _Epigram_ is as follows:-- _So much like a friend with your foe ever deal_, _That you never need dread the least scratch from his steel_; _But ne'er with your friend deal so much like a foe_, _That you ever must dread from his faulchion a blow_. The original Manuscript of _Little Engel_, written in 1829, is in the library of Mr. Edmund Gosse. The Manuscript of 1854, from which the ballad was printed, is in my own library. There is a copy of _Little Engel_, _A Ballad_, &c., in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of Little Engel] (42) [ALF THE FREEBOOTER: 1913] Alf the Freebooter / Little Danneved and / Swayne Trost / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are headlines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint, "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of 2 leaves), B (a half-sheet of 4 leaves), and _C_ (a full sheet of 8 leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE SIR ALF THE FREEBOOTER. [_Sir Alf he is an Atheling_.] 5 LITTLE DANNEVED AND SWAYNE TROST. ["_O what shall I in 14 Denmark do_?"] SIR PALL, SIR BEAR, AND SIR LIDEN. [_Liden he rode to 20 the Ting_, _and shewed_] BELARDO'S WEDDING. [_From the banks_, _in mornings 23 beam_] THE YEW TREE. [_O tree of yew_, _which here I spy_] 27 Two earlier versions of this Ode were printed by Borrow in _Wild Wales_, vol. iii, pp. 203 and 247. The texts of all three versions differ very considerably. There is a copy of _Alf the Freebooter and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Epigrams] [Picture: Manuscript of Epigrams] (43) [KING DIDERIK: 1913] King Diderik / and the Fight between the / Lion and Dragon / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint, "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of 2 leaves), B (a half-sheet of 4 leaves), and C (a full sheet of 8 leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE KING DIDERIK AND THE LION'S FIGHT WITH THE DRAGON. 5 [_From Bern rode forth King Diderik_] There exists a single leaf of an early draft of another, entirely different, version of this ballad. Upon the opposite page is a facsimile, the exact size of the original, of this fragment. DIDERIK AND OLGER THE DANE. [_With his eighteen brothers 14 Diderik stark_] OLGER THE DANE AND BURMAN. [_Burman in the mountain 21 holds_] The complete Manuscript of _King Diderik_, _&c._, _and Other Ballads_, as prepared for the _Songs of Scandinavia_ of 1829, is preserved in the British Museum. There is a copy of _King Diderik and the Fight between the Lion and Dragon_, _&c._ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: King Diderik--Early draft] (44) [THE NIGHTINGALE: 1913] The Nightingale / The Valkyrie and Raven / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N. W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of 2 leaves), B (a half-sheet of 4 leaves), and C (a full sheet of 8 leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE THE NIGHTINGALE, OR THE TRANSFORMED DAMSEL. [_I know 5 where stands a Castellaye_] THE VALKYRIE AND RAVEN. [_Ye men wearing bracelets_] 11 Previously printed in _Once a Week_, _August_ 2_nd_, 1862, pp. 152-156, where the Ballad was accompanied by a full-page Illustration engraved upon wood. [_See post_, pp. 302-305.] ERIK EMUN AND SIR PLOG. [_Early at morn the lark sang 21 gay_] THE ELVES. [_Take heed_, _good people_, _of yourselves_] 25 There are two Manuscripts of _The Elves_ available. So far as the body of the poem is concerned the texts of these are identical, the fifth line alone differing materially in each. This line, as printed, reads: _The lass he woo' d_, _her promise won_. In the earlier of the two MSS. it reads: _Inflamed with passion her he woo'd_. A cancelled reading of the same MS. runs: _Whom when he saw the peasant woo'd_. But the Ballad is furnished with a repeated refrain. This refrain in the printed version reads: _Take heed_, _good people_, _of yourselves_; _And oh_! _beware ye of the elves_. In the earlier MS. the refrain employed is: '_Tis wonderful the Lord can brook_ _The insolence of the fairy folk_! A reduced facsimile of the first page of the later MS. will be found facing the present page. The entire poem should be compared with _The Elf Bride_, printed in _The Brother Avenged and Other Ballads_, 1913, pp. 21-22. FERIDUN. [_No face of an Angel could Feridun claim_] 26 EPIGRAMS: 1. [_A worthless thing is song_, _I trow_] 27 2. [_Though pedants have essayed to hammer_] 27 3. [_When of yourself you have cause to speak_] 27 _Note_.--Each poem to which no reference is attached, appeared for the first time in this volume. There is a copy of _The Nightingale_, _The Valkyrie and Raven_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of The Elves] (45) [GRIMMER AND KAMPER: 1913] Grimmer and Kamper / The End of Sivard Snarenswayne / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 28; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-28. There are headlines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 28 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N. W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of 2 leaves), B (a half-sheet of 4 leaves), and C (a full-sheet of 8 leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE GRIMMER AND KAMPER. [_Grimmer walks upon the floor_] 5 MIMMERING TAN. [_The smallest man was Mimmering_] 11 THE END OF SIVARD SNARENSWAYNE. [_Young Sivard he his 14 step-sire slew_] The two Manuscripts, belonging to the years 1829 and 1854 respectively, of this ballad exhibit very numerous differences of text. As a brief, but sufficient, example I give the second stanza as it occurs in each: 1829 _It was Sivard Snareswayne_ [sic] _To his mother's presence hied_: "_Say_, _shall I go from thee on foot_, _Or_, _tell me_, _shall I ride_?" 1854 _It was Sivard Snarenswayne_ _To his mother's presence strode_: "_Say_, _shall I ride from hence_?" _he cried_, "_Or wend on foot my road_?" SIR GUNCELIN'S WEDDING. [_It was the Count Sir 19 Guncelin_] EPIGRAMS: HONESTY. [_No wonder honesty's a lasting article_] 27 A POLITICIAN. [_He served his God in such a fashion_] 27 THE CANDLE. [_For foolish pastimes oft_, _full oft_, 27 _they thee ignite_] EPIGRAM ON HIMSELF. BY WESSEL [_He ate_, _and drank_, 28 _and slip-shod went_] There is a copy of _Grimmer and Kamper_, _The End of Sivard Snarenswayne_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Sir Guncelin's Wedding] (46) [THE FOUNTAIN OF MARIBO: 1913] The / Fountain of Maribo / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Frontispiece (with blank recto) pp. 3-4; Title-page (with notice regarding the American copyright upon the centre of the reverse) pp. 5-6; and Text of the _Ballads_ pp. 7-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. The Frontispiece is a reduced facsimile of the first page of the original Manuscript of _Ramund_. _Contents_. PAGE THE FOUNTAIN OF MARIBO, OR THE QUEEN AND THE ALGREVE. 7 [_The Algreve he his bugle wound_] Of _The Fountain of Maribo_ there are two Manuscripts available, one written in 1829 and the other in 1854. The text of these differs appreciably, that of the second being as usual the superior. Here are some stanzas from each version: 1829 The Algreve he his bugle wound, _The longest night_. The Queen in her bower heard the sound _Love me doth thrall_. The Queen her little foot boy address'd: _The longest night_. "Go, come to me hither the Algreve request." _Love me doth thrall_. In came the Algrave, 'fore the board stood he: "What wilt thou my Queen that thou'st sent for me?" "If I survive when my lord is dead, Thou shall rule o'er my gold so red." 1854 The Algreve he his bugle wound _The long night all_-- The Queen in bower heard the sound, _I'm passion's thrall_. The Queen her little page address'd, _The long night all_-- "To come to me the Greve request," _I'm passion's thrall_. He came, before the board stood he, _The long night all_-- "Wherefore, O Queen, hast sent for me?" _I'm passion's thrall_, "As soon as e'er my lord is dead, _The long night all_-- Thou shall rule o'er my gold so red," _I'm passion's thrall_. RAMUND. [_Ramund thought he should a better man be_] 13 A reduced facsimile of the first page of the manuscript of _Ramund_ faces the present page. ALF OF ODDERSKIER. [_Alf he dwells at Odderskier_] 22 There is a copy of _The Fountain of Maribo and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Ramund] (47) [QUEEN BERNGERD: 1913] Queen Berngerd / The Bard and the Dreams / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 31; consisting of: Half-title (with blank reverse) pp. 1-2; Frontispiece (with blank recto) pp. 3-4; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 5-6; and Text of the _Ballads_ pp. 7-31. There are headlines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 31 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x6.75 inches. Thirty Copies only were printed. The Frontispiece consists of a reduced facsimile of the original Manuscript, in Borrow's handwriting, of _The Bard and the Dreams_. _Contents_. PAGE QUEEN BERNGERD. [_Long ere the Sun the heaven arrayed_] 7 DAME MARTHA'S FOUNTAIN. [_Dame Martha dwelt at 13 Karisegaard_] Previously printed (with some small differences of text) in _The Foreign Quarterly Review_, June 1830, p. 83. THE BARD AND THE DREAMS. [_O'er the sweet smelling meads 16 with his lyre in his hand_] KING OLUF THE SAINT. [_King Oluf and his brother bold_] 23 Previously printed (with some slight differences of text) in _The Foreign Quarterly Review_, _June_ 1830, pp. 59-61. TO SCRIBBLERS. [_Would it not be more dignified_] 30 This delightful Squib, here first printed, was written by Borrow upon the refusal by Lockhart to insert in _The Quarterly Review_ Borrow's Essay suggested by Ford's _Handbook for Travellers in Spain_, 1845, in the unmutilated and unamended form in which the author had written it.--[See _ante_, No. 10.] TO A CONCEITED WOMAN. [_Be still_, _be still_, _and 31 speak not back again_] _Note_.--Each poem, to which no reference is attached, appeared for the first time in this volume. There is a copy of _Queen Berngerd_, _The Bard and the Dreams_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of The Bard and the Dreams] [Picture: Title page of Finnish Arts] (48) [FINNISH ARTS: 1913] Finnish Arts / Or / Sir Thor and Damsel Thure / A Ballad / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Frontispiece (with blank recto), pp. 3-4; Title-page, as above (with notice regarding the American copyright upon the centre of the reverse) pp. 5-6; and Text of the _Ballads_ pp. 7-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. The Frontispiece is a reduced facsimile of the first page of the original Manuscript of _Finnish Arts_, _or Sir Thor and Damsel Thure_. _Contents_. PAGE FINNISH ARTS, OR, SIR THOR AND DAMSEL THURE. [_Sir Thor 7 was a knight of prowess tried_] A reduced facsimile of the first page of the Manuscript of _Finnish Arts_ will be found facing the present page. A NEW SONG TO AN OLD TUNE. [_Who starves his wife_] 22 ODE FROM ANACREON. [_The earth to drink does not 24 disdain_] LINES FROM THE ITALIAN. ["_Repent_, _O repent_!" _said a 25 Friar one day_] A DRINKING SONG. [_O how my breast is glowing_] 26 There is a copy of _Finnish Arts_, _Or Sir Thor and Damsel Thure_ in the Library of the British Museum. The Pressmark is C. 44. d. 38. [Picture: Manuscript of Finnish Arts] (49) [BROWN WILLIAM: 1913] Brown William / The Power of the Harp / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 31; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with notice regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-31. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 31 is the following imprint: "_London_ / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets, each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE BROWN WILLIAM. [_Let no one in greatness too confident 5 be_] Previously printed in _Once a Week_, _January_ 4_th_, 1862, pp. 37-38. THE POWER OF THE HARP. [_Sir Peter would forth from the 12 castle ride_] A reduced facsimile of one of the pages of the Manuscript of _The Power of The Harp_ will be found facing herewith. THE UNFORTUNATE MARRIAGE. [_Hildebrand gave his sister 18 away_] THE WRESTLING-MATCH. [_As one day I wandered lonely_, 25 _in extreme distress of mind_] THE WARRIOR. FROM THE ARABIC. [_Thou lov'st to look on 31 myrtles green_] _Note_.--Each poem to which no reference is attached, appeared for the first time in this volume. There is a copy of _Brown William_, _The Power of the Harp_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of The Power of the Harp] (50) [THE SONG OF DEIRDRA: 1913] The Song of Deirdra / King Byrge and his Brothers / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 28; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-28. There are head-lines throughout, each page being headed with the title of the particular Ballad occupying it. At the foot of p. 28 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.75 inches. Thirty Copies only were printed. _Contents_. PAGE THE SONG OF DEIRDRA. [_Farewell_, _grey Albyn_, _much 5 loved land_] THE DIVER. [_Where is the man who will dive for his 8 king_] Previously printed in _The New Monthly Magazine_, vol. vii., 1823, pp. 540-542. KING BYRGE AND HIS BROTHERS. [_Dame Ingeborg three brave 18 brothers could boast_] TURKISH HYMN TO MAHOMET. [_O Envoy of Allah_, _to thee 26 be salaam_] _Note_.--Each poem to which no reference is attached appeared for the first time in this volume. There is a copy of _The Song of Deirdra_, _King Byrge and his Brothers_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Title page of King Byrge] (51) [SIGNELIL: 1913] Signelil / A Tale from the Cornish / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 28; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page (with notice regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-28. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 28 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), all inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE SIGNELIL. [_The Lady her handmaid to questioning took_] 5 A TALE FROM THE CORNISH. [_In Lavan's parish once of 8 yore_] Previously printed, with some trifling inaccuracies, in Knapp's _Life_, _Writings_, _and Correspondence of George Borrow_, 1899, vol. ii, pp. 91-95. SIR VERNER AND DAME INGEBORG. [_In Linholm's house_ 19 _The swains they were drinking and making carouse_] THE HEDDEBY SPECTRE. [_At evening fall I chanced to 22 ride_] An earlier, and utterly different, version of this ballad was printed (under the tentative title _The Heddybee-Spectre_) in _Romantic Ballads_, 1826, pp. 37-39. Borrow afterwards described this earlier version as "a paraphrase." FROM GOUDELI. [_Yestere'en when the bat_, _and the owl_, 25 _and his mate_] PEASANT SONGS OF SPAIN: 1. [ _When Jesu our Redeemer_] 27 2. [_There stands a stone_, _a rounded stone_] 28 _Note_.--Each poem to which no reference is attached appeared for the first time in this volume. There is a copy of _Signelil_, _a Tale from the Cornish_, _and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Signelil] (52) [YOUNG SWAIGDER: 1913] Young Swaigder / or / The Force of Runes / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a notice regarding the American copyright upon the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE YOUNG SWAIGDER, OR THE FORCE OF RUNES. [_It was the 5 young Swaigder_] THE HAIL STORM. [_As in Horunga Haven_] 14 Previously printed in _Romantic Ballads_, 1826, pp. 136-138. Again printed in _Targum_, 1835, pp. 42-43. In each instance the text varied very considerably. The present version was written about 1854, and represents the text as Borrow finally left it. I quote the first stanza of each version. It will be seen that the revision was progressive. 1826 _When from our ships we bounded_, _I heard_, _with fear astounded_, _The storm of Thorgerd's waking_; _With flinty masses blended_, _Gigantic hail descended_, _And thick and fiercely rattled_ _Against us there embattled_. 1835 _For victory as we bounded_, _I heard_, _with fear astounded_, _The storm_, _of Thorgerd's waking_, _From Northern vapours breaking_. _Sent by the fiend in anger_, _With din and stunning clangour_, _To crush our might intended_, _Gigantic hail descended_. 1854 _As in Horunga haven_ _We fed the crow and raven_, _I heard the tempest breaking_, _Of demon Thorgerd's waking_; _Sent by the fiend in anger_, _With din and stunning clangor_, _To crush our might intended_, _Gigantic hail descended_. Another translation of the same Ballad, extending to 84 lines, was printed in _Once a Week_, 1863, vol. viii, p. 686, under the title _The Hail-Storm_; _Or_, _The Death of Bui_. ROSMER MEREMAN. [_In Denmark once a lady dwelt_] 16 This ballad should be read in conjunction with _Rosmer_, printed in _The Mermaid's Prophecy_, _and other Songs relating to Queen Dagmar_, 1913, pp. 25-30. THE WICKED STEPMOTHER. NO. II. [_Sir Peter o'er to the 23 island strayed_--] This ballad should be compared with _The Wicked Stepmother_, printed in _The Dalby Bear and Other Ballads_, 1913, pp. 14-20. _Note_.--Each poem to which no reference is attached, appeared for the first time in this volume. There is a copy of _Young Swaigder or The Force of Runes and Other Ballads_ in the Library of the British Museum The Press-mark is C. 44. d. 38. (53) [EMELIAN THE FOOL: 1913] Emelian the Fool / A Tale / Translated from the Russian / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 37; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with blank reverse) pp. 3-4; _Introduction_ pp. 5-7; and Text of the _Tale_ pp. 8-37. The reverse of p. 37 is blank. The head-line is _Emelian the Fool_ throughout, upon both sides of the page. The pamphlet is concluded by a leaf, with blank reverse, carrying the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of 4 leaves), plus B and C (2 sheets, each 8 leaves), inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. _Emelian the Fool_ first appeared in _Once a Week_, vol. vi, _March_ 8_th_, 1862, pp. 289-294, where it formed the first of a series of three _Russian Popular Tales_, in Prose, translated by George Borrow. The _Tale_ was also included in _The Avon Booklet_, vol. ii, 1904, pp. 175-197. There is a copy of _Emelian the Fool_ in the Library of the British Museum. The Press-mark is C. 57. e. 45 (1). (54) [THE STORY OF TIM: 1913] The Story of Tim / Translated from the Russian / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 31; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page as above (with blank reverse) pp. 3-4; _Introduction_ p. 5; and Text of the _Story_ pp. 6-31. The head-line is _The Story of Tim_ throughout, upon both sides of the page. Upon the reverse of p. 31 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets, each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. _The Story of Tim_ first appeared in _Once a Week_, vol. vii, _October_ 4_th_, 1862, pp. 403-406, where it formed the third of a series of _Russian Popular Tales_, in Prose, translated by George Borrow. The _Story_ was also included in _The Avon Booklet_, vol. ii, 1904, pp. 211-229. There is a copy of _The Story of Tim_ in the Library of the British Museum. The Press-mark is C. 57. e. 45 (2). [Picture: Title page of The Story of Tim] (55) [MOLLIE CHARANE: 1913] Mollie Charane / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 28; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with notice regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-28. There are headlines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 28 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a quarter-sheet of two leaves), B (a half-sheet of four leaves), and C (a full sheet of eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE MOLLIE CHARANE. [_O_, _Mollie Charane_, _where got you 5 your gold_?] Previously printed in _Once a Week_, vol. vi, 1862, pp. 38-39. THE DANES OF YORE. [_Well we know from saga_] 8 A SURVEY OF DEATH. [_My blood is freezing_, _my senses 11 reel_] Another version of this poem was printed in _The Monthly Magazine_, vol. lvi, 1823, p. 245; and reprinted (with some small textual variations) in _Romantic Ballads_, 1826, pp. 169-170. As the poem is a short one, and as the two versions afford a happy example of the drastic changes Borrow introduced into his text when revising his Ballads, I give them both in full: 1823 _Perhaps_ '_tis folly_, _but still I feel_ _My heart-strings quiver_, _my senses reel_, _Thinking how like a fast stream we range_, _Nearer and nearer to life's dread change_, _When soul and spirit filter away_, _And leave nothing better than senseless clay_. _Yield_, _beauty_, _yield_, _for the grave does gape_, _And_, _horribly alter'd_, _reflects thy shape_; _For_, _oh_! _think not those childish charms_ _Will rest unrifled in his cold arms_; _And think not there_, _that the rose of love_ _Will bloom on thy features as here above_. _Let him who roams at Vanity Fair_ _In robes that rival the tulip's glare_, _Think on the chaplet of leaves which round_ _His fading forehead will soon be bound_, _And on each dirge the priests will say_ _When his cold corse is borne away_, _Let him who seeketh for wealth_, _uncheck'd_ _By fear of labour_, _let him reflect_ _That yonder gold will brightly shine_ _When he has perish'd_, _with all his line_; _Tho' man may rave_, _and vainly boast_, _We are but ashes when at the most_. 1913 _My blood is freezing_, _my senses reel_, _So horror stricken at heart I feel_; _Thinking how like a fast stream we range_ _Nearer and nearer to that dread change_, _When the body becomes so stark and cold_, _And man doth crumble away to mould_. _Boast not_, _proud maid_, _for the grave doth gape_, _And strangely altered reflects thy shape_; _No dainty charms it doth disclose_, _Death will ravish thy beauty's rose_; _And all the rest will leave to thee_ _When dug thy chilly grave shall be_. _O_, _ye who are tripping the floor so light_, _In delicate robes as the lily white_, _Think of the fading funeral wreath_, _The dying struggle_, _the sweat of death_-- _Think on the dismal death array_, _When the pallid corse is consigned to clay_! _O_, _ye who in quest of riches roam_, _Reflect that ashes ye must become_; _And the wealth ye win will brightly shine_ _When burried are ye and all your line_; _For your many chests of much loved gold_ _You'll nothing obtain but a little mould_. DESIDERABILIA VITAE. [_Give me the haunch of a buck to 13 eat_] Previously printed, with a slightly different text, and arranged in six lines instead of in three four-line stanzas, in _Lavengro_, 1851, vol. i, p. 306. SAINT JACOB. [_Saint Jacob he takes our blest Lord by 14 the hand_] THE RENEGADE. [_Now pay ye the heed that is fitting_] 19 Previously printed, with some small differences of text, in _The Talisman_, 1835, pp. 13-14. AN IMPROMPTU. [_And darest thou thyself compare_] 21 A HYMN. [_O Jesus_, _Thou Fountain of solace and 23 gladness_] THE TRANSFORMED DAMSEL. [_My father up of the country 25 rode_] This Ballad should be compared with _The Cruel Step-dame_, printed in _The Serpent Knight and Other Ballade_, 1913, pp. 30-33. Also with _The Transformed Damsel_, printed in _The Return of the Dead and Other Ballads_, 1913, pp. 13-14. The actions described in the earlier stanzas follow closely those of the opening stanzas of _The Cruel Step-dame_; whilst the incident of the lover cutting a piece of flesh from his own breast to serve as bait to attract his mistress, who, in the form of a bird, is perched upon a branch of the tree above him, is common to both the _Transformed Damsel_ ballads. _Note_.--Each poem to which no reference is attached appeared for the first time in this volume. There is a copy of _Mollie Charane and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of The Danes of Yore] (56) [GRIMHILD'S VENGEANCE: 1913] Grimhild's Vengeance / Three Ballads / By / George Borrow / Edited / With an Introduction / By / Edmund Gosse, C. B. / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 40; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; _Introduction_ pp. 5-14; and text of the three _Ballads_ pp. 15-40. The head-line is _Grimhild's Vengeance_ throughout, upon both sides of the page. At the foot of p. 40 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), and B and C (two sheets, each eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE GRIMHILD'S VENGEANCE. SONG THE FIRST. [_It was the 15 proud Dame Grimhild Prepares the mead and beer_] A reduced facsimile of page 2 of the 1854 Manuscript of this _Song_ faces the present page. GRIMHILD'S VENGEANCE. SONG THE SECOND. [_It was the 24 proud Dame Grimhild The wine with spices blends_] GRIMHILD'S VENGEANCE. SONG THE THIRD. [_O_, _where will 32 ye find kempions So bold and strong of hand_] The Introduction furnished by Mr. Edmund Gosse to _Grimhild's Vengeance_ is undoubtedly by far the most illuminating and important contribution yet made to the critical study of Borrow's Ballads, a study which has hitherto been both meagre and inadequate. Not only does Mr. Gosse handle the three _Songs_ particularly before him, and make clear the relationship they bear to each other, but he deals with the whole subject of the origin of Borrow's Scandinavian Ballads, and traces fully and precisely the immediate source from which their author derived them. One of Borrow's most vivid records Mr. Gosse calls into question, and proves indisputably that it must henceforth be regarded, if not as a fiction, at least as one more result of Borrow's inveterate habit of "drawing the long bow,"--to wit the passages in _Lavengro_ wherein Borrow recounts his acquisition of the "strange and uncouth-looking volume" at the price of a kiss from the yeoman's wife, and the purpose which that volume served him. Of the first and second of the three Ballads included in _Grimhild's Vengeance_ two Manuscripts are available. The first of these was written in 1829, and was intended to find a place in the _Songs of Scandinavia_ advertised at the close of that year. The second Manuscript was written in 1854, and was prepared for the projected volumes of _Koempe Viser_ of that date. Of the third Ballad there exists only a single Manuscript, namely that produced in 1829. Apparently in 1854 Borrow had relinquished all hope of publishing the _Koempe Viser_ before he had commenced work upon the third Ballad. In the present volume the first two _Songs_ were printed from the Manuscripts of 1854; the third _Song_ from the Manuscript of 1829. There is a copy of _Grimhild's Vengeance_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Grimhild's Vengeance: Song the First--1854] (57) [LETTERS TO ANN BORROW: 1913] Letters / To his Mother / Ann Borrow / and Other Correspondents / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Crown octavo, pp. 38; consisting of Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a notice regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Letters_ pp. 5-38. The head-line is _Letters to his Mother_ throughout, upon both sides of the page. Following p. 38 is a leaf, with blank recto, and with the following imprint upon the reverse: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), plus B and C (two sheets, each eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 7.5 x 5 inches. Thirty Copies only were printed. The series of letters contained in this volume were reprinted in _George Borrow and his Circle_. _By Clement King Shorter_, 8vo, 1913. The whole of the holographs are in Mr. Shorter's possession. There is a copy of _Letters to his Mother_, _Ann Borrow_, in the Library of the British Museum. The Press-mark is C. 57. e. 46. (58) [THE BROTHER AVENGED: 1913] The Brother Avenged / and / Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 32; consisting of Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp 3-4; and Text of the _Ballads_ pp. 5-32. There are head-lines throughout, each page being headed with the title of the particular Ballad occupying it. At the foot of p. 32 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets, each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed _Contents_. PAGE THE BROTHER AVENGED. [_I stood before my master's 5 board_] Previously printed (with some textual variations) in _The Foreign Quarterly Review_, vol. vi, _June_ 1830, pp 61-62. THE EYES. {268} [_To kiss a pair of red lips small_] 9 HARMODIUS AND ARISTOGITON. [_With the leaves of the 12 myrtle I'll cover my brand_] MY DAINTY DAME. [_My dainty Dame_, _my heart's delight_] 14 GRASACH ABO OR THE CAUSE OF GRACE. [_O_, _Baillie Na 16 Cortie_! _thy turrets are tall_] DAGMAR. [_Sick in Ribe Dagmar's lying_] 19 THE ELF BRIDE. [_There was a youthful swain one day_] 21 These stanzas should be compared with _The Elves_, printed in _The Nightingale_, _The Valkyrie and Raven_, _and Other Ballads_, 1913, pp. 25-26. THE TREASURE DIGGER. [_O_, _would that with last and 23 shoe I had stay'd_] THE FISHER. [_The fisherman saddleth his good winged 25 horse_] THE CUCKOO. [_Abiding an appointment made_] 29 _Note_.--Each poem to which no reference is attached, appeared for the first time in this volume. There is a copy of _The Brother Avenged and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Grasach Abo] (59) [THE GOLD HORNS: 1913] The Gold Horns / Translated by / George Borrow / from the Danish of / Adam Gottlob Oehlenschlager / Edited / with an Introduction by / Edmund Gosse, C.B. / London: / Printed for Private Circulation / 1913. Collation:--Square demy octavo, pp. 25; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; _Introduction_ pp. 5-9; and Text of _The Gold Horns_, the Danish and English texts facing each other upon opposite pages, pp. 10-25. The reverse of p. 25 is blank. There are head-lines throughout, each recto being headed _The Gold Horns_, and each verso _Guldhornene_. The book is completed by a leaf, with blank reverse, and with the following imprint upon its recto: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), B (a quarter-sheet of two leaves), and C (a full sheet of eight leaves), each inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. Although the poem was not printed until 1913, it is quite evident that the translation was made by Borrow in or about the year 1826. The paper upon which the Manuscript is written is watermarked with the date 1824, whilst the handwriting coincides with that of several of the pieces included in the _Romantic Ballads of_ 1826. "There can be little doubt," writes Mr. Gosse, "that Borrow intended _The Gold Horns_ for that volume, and rejected it at last. He was conscious, perhaps, that his hand had lacked the skill needful to reproduce a lyric the melody of which would have taxed the powers of Coleridge or of Shelley." "_The Gold Horns_ marks one of the most important stages in the history of Scandinavian literature. It is the earliest, and the freshest, specimen of the Romantic Revival in its definite form. In this way, it takes in Danish poetry a place analogous to that taken by _The Ancient Mariner_ in English poetry. . . . "Oehlenschlager has explained what it was that suggested to him the leading idea of his poem. Two antique horns of gold, discovered some time before in the bogs of Slesvig, had been recently stolen from the national collection at Rosenberg, and the thieves had melted down the inestimable treasures. Oehlenschlager treats these horns as the reward for genuine antiquarian enthusiasm, shown in a sincere and tender passion for the ancient relics of Scandinavian history. From a generation unworthy to appreciate them, the _Horns_ had been withdrawn, to be mysteriously restored at the due romantic hour."--[_From the Introduction by Edmund Gosse_.] There is a copy of _The Gold Horns_ in the Library of the British Museum. The Press-mark is C. 57. d. 19. (60) [TORD OF HAFSBOROUGH: 1914] Tord of Hafsborough / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1914. Collation:--Square demy octavo, pp. 32; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-32. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. At the foot of p. 32 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A and B (two sheets, each eight leaves), the one inset within the other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE TORD OF HAFSBOROUGH. [_It was Tord of Hafsborough_] 5 FROM THE ARABIC. [_O thou who fain would'st wisdom 10 gain_] THORVALD. [_Swayne Tveskieg did a man possess_] 11 Previously printed in _The Foreign Quarterly Review_, vol. vi, 1830, p. 74. PETER COLBIORNSEN. ['_Fore Fredereksteen King Carl he 16 lay_] Previously printed in _The Foreign Quarterly Review_, vol. vi, 1830, pp. 84-85. KRAGELILL. ['_Twas noised about_, '_twas noised about_] 21 ALLEGAST. [_The Count such a store of gold had got_] 25 EPIGRAMS: 1. [_Assume a friend's face when a foeman you spy_] 30 2. [_The lion in woods finds prey of noble kind_] 30 3. [_Though God provides our daily bread_] 30 4. [_To trust a man I never feel inclined_] 31 5. [_A hunter who was always seeking game_] 31 6. [_The plans of men of shrewdest wit_] 31 7. [_Well was it said_, _long years ago_] 31 8. [_Who roams the world by many wants beset_] 32 It is probable that the whole of these eight _Epigrams_ were derived by Borrow from Persian sources. ON A YOUNG MAN WITH RED HAIR. [_He is a lad of sober 32 mind_] _Note_.--Each poem to which no reference is attached, appeared for the first time in this volume. There is a copy of _Tord of Hafsborough and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. (61) [THE EXPEDITION TO BIRTING'S LAND: 1914] The Expedition to / Birting's Land / and Other Ballads / By / George Borrow / London: / Printed for Private Circulation / 1914. Collation:--Square demy octavo, pp. 27; consisting of: Half-title (with blank reverse) pp. 1-2; Title-page, as above (with a note regarding the American copyright upon the centre of the reverse) pp. 3-4; and Text of the _Ballads_ pp. 5-27. There are head-lines throughout, each page being headed with the title of the particular _Ballad_ occupying it. Upon the reverse of p. 27 is the following imprint: "_London_: / _Printed for Thomas J. Wise_, _Hampstead_, _N.W._ / _Edition limited to Thirty Copies_." The signatures are A (a half-sheet of four leaves), B (a quarter-sheet of two leaves), and C (a full sheet of eight leaves), inset within each other. Issued in bright green paper wrappers, with untrimmed edges, and with the title-page reproduced upon the front. The leaves measure 8.5 x 6.875 inches. Thirty Copies only were printed. _Contents_. PAGE THE EXPEDITION TO BIRTING'S LAND. [_The King he o'er the 5 castle rules_] Of _The Expedition to Birting's Land_ no less than three Manuscripts are extant. The first was composed in 1826, and was originally destined for inclusion in the _Romantic Ballads_ of that date. It is numbered to come between _The Tournament_ and _Vidrik Verlandson_. The second was written in 1829, and was intended to find a place in _The Songs of Scandinavia_. The third was prepared in 1854, with a view to its appearance in the _Koempe Viser_. In the two earlier versions the Ballad bears the tentative title _The Expedition of King Diderik's Warriors to Birting's Land_. The texts of all three differ very considerably, the final version being that from which the Ballad was here printed. THE SINGING MARINER. [_Who will ever have again_] 16 Previously printed in _The Monthly Magazine_, Vol. lvi, 1823, p. 335. There exists an early Manuscript of this charming lyric, differing entirely from the text as printed. This early version is written in couplets, instead of in four-line stanzas. Here is the first stanza, followed by the equivalent couplet from the MS.: Printed text. _Who will ever have again_, _On the land or on the main_, _Such a chance as happen'd to_ _Count Arnaldos long ago_. MS. _Who had e'er such an adventure the ocean's waves upon_, _As had the Count Arnaldos the morning of St. John_. Upon the opposite page I give a facsimile of this early Manuscript, the exact size of the original. The tiny waif affords a delightful specimen of Borrow's extremely beautiful and graceful minute handwriting, of which one or two other examples exist. The paper upon which the lines are written is evidently a leaf torn from a small note-book. YOUTH'S SONG IN SPRING. [_O_, _scarcely is Spring a time 18 of pure bliss_] THE NIGHTINGALE. [_In midnight's calm hour the 19 Nightingale sings_] Previously printed in _The Monthly Magazine_, vol. lvi, 1823, p. 526. LINES. [_Say from what mine took Love the yellow gold_] 20 MORNING SONG. [_From Eastern quarters now_] 21 Previously printed in _The Foreign Quarterly Review_, vol. vi, 1830, p. 65. FROM THE FRENCH. [_This world by fools is occupied_] 22 THE MORNING WALK. [_To the beech grove with so sweet an 23 air_] Previously printed in _The Foreign Quarterly Review_, vol. vi, 1830, pp. 80-81. _Note_.--Each poem to which no reference is attached, appeared for the first time in this volume. There is a copy of _The Expedition to Birting's Land and Other Ballads_ in the Library of the British Museum. The Press-mark is C. 44. d. 38. [Picture: Manuscript of Singing Mariner] _PART II_. CONTRIBUTIONS TO PERIODICAL LITERATURE, ETC. (1) _The New Monthly Magazine_, Vol. vii, 1823. Pp. 540-542. THE DIVER, A BALLAD TRANSLATED FROM THE GERMAN. [_Where is the man who will dive for his King_?] Reprinted in The Song of Deirdra and Other Ballads, 1913, pp. 8-17. (2) _The Monthly Magazine_, Vol. lvi, 1823. P. 244. ODE TO A MOUNTAIN TORRENT. [_How lovely thou art in thy tresses of foam_] Reprinted, with the text substantially revised, in _Romantic Ballads_, 1826, pp. 164-166. Again reprinted in _Targum_, 1835, pp. 45-46. The majority of Borrow's contributions to _The Monthly Magazine_ appeared under the signature '_George Olaus Borrow_.' Dr. Knapp has recorded that he found in the Corporation Library at Norwich a book on ancient Danish Literature, by Olaus Wormius, carrying several marginal notes in Borrow's handwriting. The suggestion that it was from this book that Borrow derived the pseudonymous second Christian name which he employed in _The Monthly Magazine_ is not an unreasonable one. P. 245. DEATH. [_Perhaps_ '_tis folly_, _but still I feel_] Reprinted (under the amended title _Thoughts on Death_, and with some small textual variations) in _Romantic Ballads_, 1826, pp. 169-170. Another version of the same poem was printed (under the title _A Survey of Death_, the first line reading _My blood is freezing_, _my senses reel_) in _Mollie Charane and Other Ballads_, 1913, pp. 11-12. P. 246. MOUNTAIN SONG. [_That pathway before ye_, _so narrow and gray_] Pp. 306-309. DANISH POETRY AND BALLAD WRITING. A Prose Essay, including, _inter alia_, the following Ballad: SKION MIDDEL. [_The maiden was lacing so tightly her vest_] Reprinted, under the amended title _Sir Middel_, the first line reading "_So tightly was Swanelil lacing her vest_," in _Romantic Ballads_, 1826, pp. 28-30. Another, but widely different, version of this Ballad is printed in _Child Maidelvold and Other Ballads_, 1913, pp. 5-10. In this latter version the name of the heroine is Sidselil in place of Swanelil, and that of the hero is Child Maidelvold in place of Sir Middel. Pp. 334-336. LENORA. [_When morning's gleam was on the hill_] P. 437. CHLOE. [_Oh_! _we have a sister on earthly dominions_] Reprinted in _Targum_, 1835, pp. 47-48. When gathering _Chloe_ into the pages of _Targum_ Borrow very considerably revised the text. Here is the concluding stanza of each of the two versions:-- 1823 _But God shook his sceptre_, _and thunder'd appalling_, _While winds swept the branches with turbulent sigh_; _Then trembled the host_, _but they heeded his calling_, _And bore the sweet maiden_, _yet praying_, _on high_. "_Ah_, _we had a sister on earthly dominions_!" _All sung_, _as thro' heaven they joyously trod_, _And bore_, _with flush'd faces_, _and fluttering pinions_, _The yet-praying maid to the throne of her God_. 1835 _Then frown'd the dread father_;_ his thunders appalling_ _To rattle began_, _and his whirlwinds to roar_; _Then trembled the host_, _but they heeded his calling_, _And Chloe up-snatching_, _to heaven they soar_. _O we had a sister on earthly dominions_! _They sang as through heaven triumphant they stray'd_, _And bore with flush'd faces and fluttering pinions_ _To God's throne of brightness the yet praying maid_. P. 437. SEA-SONG. [_King Christian stood beside the mast_] In 1826 and 1835 the title was changed to _National Song_. Borrow published no less than four versions of this _National Song_: 1. In _The Monthly Magazine_, 1823, p. 437, 2. In _Romantic Ballads_, 1826, pp. 146-148, 3. In The Foreign Quarterly Review, 1830, pp. 70-71, 4. In _Targum_, 1835, pp. 49-50. Upon each occasion he practically rewrote the _Song_, so that all four versions differ completely. As an illustration of these differences I give the first stanza of each version: 1823. _King Christian stood beside the mast_, _In smoke and flame_; _His heavy cannon rattled fast_ _Against the Gothmen_, _as they pass'd_: _Then sunk each hostile sail and mast_ _In smoke and flame_. "_Fly_, (_said the foe_,) _fly_, _all that can_, _For who with Denmark's Christian_ _Will ply the bloody game_?" 1826. _King Christian stood beside the mast_ _Smoke_, _mixt with flame_, _Hung o'er his guns_, _that rattled fast_ _Against the Gothmen_, _as they passed_: _Then sunk each hostile sail and mast_ _In smoke and flame_. "_Fly_!"_ said the foe_: "_fly_! _all that can_, _Nor wage_, _with Denmark's Christian_, _The dread_, _unequal game_." 1830. _King Christian by the main-mast stood_ _In smoke and mist_! _So pour'd his guns their fiery flood_ _That Gothmen's heads and helmets bow'd_; _Their sterns_, _their masts fell crashing loud_ _In smoke and mist_. "_Fly_," _cried they_, "_let him fly who can_, _For who shall Denmark's Christian_ _Resist_?" 1835. _King Christian stood beside the mast_ _In smoke and mist_. _His weapons_, _hammering hard and fast_, _Through helms and brains of Gothmen pass'd_. _Then sank each hostile sail and mast_ _In smoke and mist_. "_Fly_," _said the foe_, "_fly all that can_, _For who can Denmark's Christian_ _Resist_?" P. 438. THE ERL KING. [_Who is it that gallops so lat on the wild_!] (3) _The Monthly Magazine_, Vol. lvii, 1824. P. 235. BERNARD'S ADDRESS TO HIS ARMY. [_Freshly blew the morning breeze_] P. 335. THE SINGING MARINER. [_Who will ever have again_] Reprinted in _The Expedition to Birting's Land and Other Ballads_, 1914, pp. 16-18. P. 431. THE FRENCH PRINCESS. [_Towards France a maiden went_] P. 526. THE NIGHTINGALE. [_In midnight's calm hour the Nightingale sings_] Reprinted in _The Expedition to Birting's Land and Other Ballads_, 1914, pp. 19-20. (4) _The Universal Review_, Vol. i, 1824. P. 391. A REVIEW OF _Fortsetzung des Faust Von Goethe_. _Von C. C. L. Schone_. (_Berlin_.) P. 394. A REVIEW OF _OElenschlager's Samlede digte_. (_Copenhagen_.) Pp. 491-513. A REVIEW OF _Narrative of a Pedestrian Journey through Russia and Siberian Tartary_, _from the Frontiers of China to the Frozen Sea_. _By Capt. John Dundas_, _R.N._ (_London_, 1824.) (5) _The Monthly Magazine_, Vol. lviii, 1824-1825. Pp. 19-22. DANISH TRADITIONS AND SUPERSTITIONS. A Prose Essay. _Part i_. Including _inter alia_ the following Ballad: WALDEMAR'S CHASE. [_Late at eve they were toiling on Harribee bank_] Reprinted in _Romantic Ballads_, 1826, pp. 115-116. P. 47. WAR-SONG; WRITTEN WHEN THE FRENCH FIRST INVADED SPAIN. [_Arise_, _ye sons of injur'd Spain_] P. 432. DANISH SONGS AND BALLADS. No. 1, BEAR SONG. [_The squirrel that's sporting_] Reprinted in _Romantic Ballads_, 1826, pp. 144-145. Pp. 498-500. DANISH TRADITIONS AND SUPERSTITIONS. A Prose Essay. _Part ii_. (6) _The Monthly Magazine_, Vol. lix, 1825. Pp. 25-26 and 103-104. DANISH TRADITIONS AND SUPERSTITIONS. A Prose Essay. _Parts iii and iv_. Pp. 143-144. THE DECEIVED MERMAN. [_Fair Agnes left her mother's door_] Reprinted (with very considerable changes in the text, the first line reading "_Fair Agnes alone on the sea-shore stood_") in _Romantic Ballads_, 1826, pp. 120-123. In 1854 Borrow rewrote this Ballad, and furnished it with a new title _Agnes and the Merman_. The following stanzas taken from each, will serve to show the difference between the two versions:-- 1826. _The Merman up to the church door came_; _His eyes they shone like a yellow flame_; _His face was white_, _and his beard was green_-- _A fairer demon was never seen_. "_Now_, _Agnes_, _Agnes_, _list to me_, _Thy babes are longing so after thee_." "_I cannot come yet_, _here must I stay_ _Until the priest shall have said his say_." 1854. _In at the door the Merman treads_-- _Away the images turned their heads_. _His face was white_, _his beard was green_, _His eyes were full of love_, _I ween_. "_Hear_, _Agnes_, _hear_! _'tis time for thee_ _To come to thy home below the sea_." "_I cannot come yet_, _I here must stay_, _Until the priest has said his say_." Pp. 308, 411, and 507. DANISH TRADITIONS AND SUPERSTITIONS. A Prose Essay. _Parts v_, _vi_, _and vii_. (7) _The Monthly Magazine_, Vol. lx, 1825. Pp. 296-297 {291} and 424-425. DANISH TRADITIONS AND SUPERSTITIONS. A Prose Essay. _Parts viii and ix_. (8) _The Universal Review_, Vol. ii, 1825. Pp. 315-331. A REVIEW OF _The Devil's Elixir_; _from the German of Hoffman_. (_London_, _Cadell_, 2 _vols_.) Pp. 550-566. A REVIEW OF _Danske Folkesagn_, _Samlede af J. M. Thiele_. (_Copenhagen_, 1818-1823.) (9) _The Foreign Quarterly Review_, Vol. vi, No. xi, _June_, 1830, pp. 48-87. A REVIEW OF _Dansk-norsk Litteraturlexicon_, 1818, AND _Den Danske Digtekunsts Middelalder fra Arrebo til Tullin fremstillet i Academiske Foreloesinger holdne i Aarene_, 1798-1800. A long critical prose article by John Bowring, including, _inter alia_, the following Ballads by George Borrow:-- 1. KING OLUF THE SAINT. [_King Oluf and his brother bold_] Reprinted in _Queen Berngerd_, _The Bard and the Dreams_, _and Other Ballads_, 1913, pp. 23-29. This is an entirely different Ballad from that which had appeared, under the title _Saint Oluf_, in _Romantic Ballads_, 1826, pp. 53-57. 2. THE BROTHER AVENGED. [_I stood before my master's board_] Reprinted, with some textual variations, in _The Brother Avenged and Other Ballads_, 1913, pp. 5-8. 3. AAGER AND ELIZA. ['_Twas the valiant knight_, _Sir Aager_] Previously printed, but with endless variations in the text, in _Romantic Ballads_, 1826, pp. 47-52, where the first line reads, "_Have ye heard of bold Sir Aager_." As an example of the differences of text to be observed in the two versions, I give three stanzas of each: 1826. _Up his mighty limbs he gather'd_, _Took the coffin on his back_; _And to fair Eliza's bower_ _Hasten'd_, _by the well-known track_. _On her chamber's lowly portal_, _With his fingers long and thin_, _Thrice he tapp'd_, _and bade Eliza_ _Straightway let her bridegroom in_! _Straightway answer'd fair Eliza_, "_I will not undo my door_ _Till I hear thee name sweet Jesus_, _As thou oft hast done before_." 1830. _Up Sir Aager rose_, _his coffin_ _Bore he on his bended back_. _Tow'ds the bower of sweet Eliza_ _Was his sad and silent track_. _He the door tapp'd with his coffin_, _For his fingers had no skin_; "_Rise_, _O rise_, _my sweet Eliza_! _Rise_, _and let thy bridegroom in_." _Straightway answer'd fair Eliza_: "_I will not undo my door_ '_Till thou name the name of Jesus_, _Even as thou could'st before_." 4. MORNING SONG. [From eastern quarters now] Reprinted in _The Expedition to Birting's Land_, _and Other Ballads_, 1914, pp. 21-22. 5. DANISH NATIONAL SONG. [_King Christian by the main-mast stood_] Previously printed: 1. In _The Monthly Magazine_, Vol. lvi, 1823, p. 437. 2. In _Romantic Ballads_, 1826, pp. 146-148. Afterwards reprinted in _Targum_, 1835, pp. 49-50. 6. THE SEAMAN. [_A seaman with a bosom light_] 7. SIR SINCLAIR. [_Sir Sinclair sail'd from the Scottish ground_] Reprinted in _Targum_, 1835, pp. 51-55. 8. THORVALD. [_Swayne Tveskieg did a man possess_] Reprinted in _Tord of Hafsborough and Other Ballads_, 1914, pp. 11-15. 9. WHEN I WAS LITTLE. [_There was a time when I was very tiny_] 10. BIRTH OF CHRIST. [_Each spring_,--_when the mists have abandon'd the earth_] 11. TIME'S PERSPECTIVE. [_Through the city sped a youth_] 12. THE MORNING WALK. [_To the beach grove with so sweet an air_] Reprinted in _The Expedition to Birting's Land and Other Ballads_, 1914, pp. 23-27. 13. THE ASPEN. [_What whispers so strange at the hour of midnight_] 14. DAME MARTHA'S FOUNTAIN. [_Dame Martha dwelt at Karisegaard_] Reprinted in _Queen Berngerd_, _The Bard and the Dreams_, _and Other Ballads_, 1913, pp. 13-15. 15. PETER COLBIORNSEN. ['_Fore Fredereksteen King Carl he lay_] Reprinted in _Tord of Hafsborough and Other Ballads_, 1914, pp. 16-20. 16. THE RUINS OF URANIENBORG. [_Thou by the strand dost wander_] Reprinted, but with much textual variation, in _Ellen of Villenskov and Other Ballads_, 1913, pp. 13-18. (10.) _The Norfolk Chronicle_, August 18_th_, 1832. A NOTE ON "THE ORIGIN OF THE WORD 'TORY'." A short prose article, signed "_George Borrow_," and dated "_Norwich_, _August_ 6." (11) _The Athenaeum_, _August_ 20, 1836, pp. 587-588. THE GYPSIES IN RUSSIA AND IN SPAIN. Two letters from Borrow, giving an account of his experiences of the gypsies in Russia and in Spain. "All the episodes that he relates he incorporated in _The Bible in Spain_. The two letters plainly indicate that all the time Borrow was in Spain his mind was more filled with the subject of the gypsies than with any other question. He did his work well for the Bible Society no doubt . . . but there is a humourous note in the fact that Borrow should have utilised his position as a missionary--for so we must count him--to make himself thoroughly acquainted with gypsy folklore, and gypsy songs and dances."--[Shorter, _George Borrow and his Circle_, p. 240.] (12) _The Illustrated London News_, _December_ 8_th_, 1855, p. 685. ANCIENT RUNIC STONE, RECENTLY FOUND IN THE ISLE OF MAN. Reprinted in _George Borrow and his Circle_, by Clement King Shorter, 1913, pp. 301-303. (13.) _A Practical Grammar of the Antient Gaelic_. By the Rev. John Kelly, LL.D. Edited by the Rev. William Gill, 8vo, 1859. p. xi. TRANSLATION FROM THE MANX. [_And what is glory_, _but the radiance of a name_,--] Borrow's statement in the closing paragraph (printed _post_, p. 299) of his Essay on _The Welsh and their Literature_ renders it possible to place this Translation to his credit. p. xix. A LETTER FROM BORROW TO THE EDITOR, regarding Manx Ballads. (14) _ The Quarterly Review_, _January_, 1861, pp. 38-63. THE WELSH AND THEIR LITERATURE. A Prose Essay. This Essay was in fact a review, by Borrow himself, of his own work _The Sleeping Bard_. "In the autumn [of 1860] Borrow determined to call attention to it [_The Sleeping Bard_] himself. He revamped an old article he had written in 1830, entitled _The Welsh and their Literature_, and sent it to Mr. Murray for _The Quarterly Review_. . . . The modern literature and things of Wales were not introduced into the article . . . and it appeared anonymously in _The Quarterly Review_ for January, 1861. It is in fact Borrow's own (and the only) review of _The Sleeping Bard_, which, however, had the decisive result of selling off the whole edition in a month."--[Knapp's _Life and Correspondence of George Borrow_, 1899, vol. ii, pp. 195-196.] The Manuscript of this Essay, or Review, is not at present forthcoming. But, fortunately, the MS. of certain paragraphs with which Borrow brought the Essay to a conclusion, and which the Editor in the exercise of his editorial function quite properly struck out, have been preserved. The barefaced manner in which Borrow anonymously praised and advertised his own work fully justified the Editor's action. I print these paragraphs below. My principal reason for doing so is this, that the closing lines afford evidence of Borrow's authorship of other portions of Gill's Introduction to his Edition of _Kelly's Manx Grammar_, 1859, beyond those which until now have been attributed to his pen: "Our having mentioned _The Romany Rye_ gives us an opportunity of saying a few words concerning that work, to the merits of which, and likewise to those of _Lavengro_, of which it is the sequel, adequate justice has never been awarded. It is a truly remarkable book, abounding not only with strange and amusing adventure, but with deep learning communicated in a highly agreeable form. We owe it an _amende honorable_ for not having in our recent essay on Buddhism quoted from it some remarkable passages on that superstition, which are to be found in a conversation between the hero of the tale and the man in black. Never was the subject of Buddhism treated in a manner so masterly and original. But the book exhibits what is infinitely more precious than the deepest learning, more desirable than the most amusing treasury of adventure, a fearless, honest spirit, a resolution to tell the truth however strange the truth may appear to the world. "A remarkable proof of this is to be found in what is said in it respecting the Italians. It is all very well at the present day, after the miracles lately performed in Italy by her sons, to say that Italy is the land to which we must look for great men; that it is not merely the country of singers, fiddlers, _improvisatori_, and linguists, but of men, of beings who may emphatically be called men. But who, three or four years ago, would have ventured to say as much? Why there was one and only one who ventured to say so, and that was George Borrow in his work entitled _The Romany Rye_. Many other things equally bold and true he has said in that work, and also in its predecessor _Lavengro_. "In conclusion we wish to give Mr. Borrow a piece of advice, namely, that with all convenient speed he publish whatever works he has written and has not yet committed to the press. Life is very precarious, and when an author dies, his unpublished writings are too frequently either lost to the world, or presented in a shape which all but stultifies them. Of Mr. Borrow's unpublished writings there is a catalogue at the end of _The Romany Rye_, and a most remarkable catalogue it is, comprising works on all kinds of interesting subjects. Of these, the one which we are most eager to see is that which is called _Wild Wales_, which we have no doubt whenever it appears will be welcomed as heartily as _The Bible in Spain_ was seventeen years ago, a book which first laid open the mysterious peninsula to the eyes of the world, and that the book on Wales will be followed by the one which is called _Wanderings in quest of Manx Literature_. Now the title alone of that book is worth a library of commonplace works, for it gives the world an inkling of a thing it never before dreamed of, namely, that the little Celtic Isle of Man has a vernacular literature. What a pity if the book itself should be eventually lost! Here some person will doubtless exclaim, 'Perhaps the title is all book, and there is no book behind it; what can Mr. Borrow know of Manx literature?' Stay, friend, stay! A Manx grammar has just appeared, edited by a learned and highly respectable Manx clergyman, in the preface to which are some beautiful and highly curious notices of Manx vernacular Gallic literature, which are, however, confessedly not written by the learned Manx clergyman, nor by any other learned Manxman, but by George Borrow, an Englishman, the author of _The Bible in Spain_ and _The Romany Rye_." A number of translations from Welsh Poetry were introduced by Borrow into this Essay. They were all, as he explained in a footnote, derived from his projected _Songs of Europe_. With the exception of an occasional stray couplet, or single line, the following list includes them all:-- 1. FROM IOLO GOCH'S "ODE TO THE PLOUGH MAN." [_The mighty Hu with mead would pay_] Reprinted, with several changes in the text, in _Wild Wales_, 1862, Vol. iii, pp. 292-293. A further extract from the same _Ode_, "_If with small things we Hu compare_" etc., is given in a footnote on p. 40. 2. SAXONS AND BRITONS. [_A serpent that coils_] Reprinted (the first line reading _A serpent which coils_) in _Wild Wales_, 1862, Vol. i, p. 48. 3. THE DESTINY OF THE BRITONS. [_Their Lord they shall praise_] These lines were employed by Borrow in the following year as a motto for the title-pages of _Wild Wales_. 4. FROM AN ODE ON LLYWELYN, BY DAFYDD BENFRAS. [_Llywelyn of the potent hand oft wroght_] 5. FROM AN ODE ON THE MANSION OF OWEN GLENDOWER, BY IOLO GOCH. [_Its likeness now I'll limn you out_] 6. EPIGRAM ON THE RISING OF OWEN GLENDOWER. [_One thousand four hundred_, _no less and no more_] 7. FROM AN ODE TO GRIFFITH AP NICHOLAS, BY GWILYM AP IEUAN HEN. [_Griffith ap Nicholas_! _who like thee_] Reprinted in _Wild Wales_, 1862, Vol. iii, p. 327. 8. EPIGRAM ON A SPIDER. [_From out its womb it weaves with care_] (15) _Once a Week_, Vol. vi, _January_ 4_th_, 1862, pp. 37-39. BALLADS OF THE ISLE OF MAN. TRANSLATED FROM THE MANX. BY GEORGE BORROW: 1. BROWN WILLIAM. [_Let no one in greatness too confident be_] Reprinted in _Mona Miscellany_, 1869, pp. 67-70. Again reprinted (with the prose Introduction considerably curtailed) in _Brown William_, _The Power of the Harp_, _and Other Ballads_, 1913, pp. 5-11. 2. MOLLIE CHARANE. [_O_, _Mollie Charane_, _where got you your gold_?] Reprinted in _Mollie Charane and Other Ballads_, 1913, pp. 5-7. (16) _Once a Week_, Vol. vi, _March_ 8_th_, 1862, pp. 289-294. EMELIAN THE FOOL. The first of a series of three _Russian Popular Tales_, in Prose, translated by George Borrow. Also printed privately in pamphlet form, as follows:-- _Emelian the Fool_ / _A Tale_ / _Translated from the Russian_ / _By_ / _George Borrow_ / _London_: / _Printed for Private Circulation_ / 1913.--Crown octavo, pp. 37. [See _ante_, Part I, No. 53.] The _Tale_ was included in _The Avon Booklet_, Vol. ii, 1904, pp. 175-197. Borrow had projected a volume to contain a series of twelve _Russian Popular Tales_, and this was included among the Works advertised as "ready for the press" at the end of _The Romany Rye_. Unfortunately the project failed to meet with success, and these three _Tales_ were all that finally appeared. (17) _Once a Week_, Vol. vi, _May_ 17_th_, 1862, pp. 572-574. THE STORY OF YVASHKA WITH THE BEAR'S EAR. The second of a series of _Russian Popular Tales_, in Prose, translated by George Borrow. Reprinted in _The Sphere_, _February_ 1_st_, 1913, p. 136. Also printed privately in pamphlet form as follows:-- _The Story_ / _of_ / _Yvashka with the Bear's Ear_ / _Translated from the Russian_ / _By_ / _George Borrow_ / _London_: / _Printed for Private Circulation_ / 1913. Square demy octavo, pp. 23. [See _ante_, Part I, No. 26.] The _Story_ was also included in _The Avon Booklet_, Vol. ii, 1904, pp. 199-210. (18) _Once a Week_, Vol. vii, _August_ 2_nd_, 1862, pp. 152-155. HARALD HARFAGR. A DISCOURSE BETWEEN A VALKYRIE AND A RAVEN, &c. [_Ye men wearing bracelets_] Reprinted (under the amended title _The Valkyrie and Raven_) in _The Nightingale_, _The Valkyrie and Raven_, _and Other Ballads_, 1913, pp. 11-20. A Prose Introduction, which preceded the Ballad in _Once a Week_, was not reprinted in _The Nightingale_, _The Valkyrie and Raven_, _and Other Ballads_. A facsimile (actual size) of a page of the Original Manuscript is given herewith. In _Once a Week_ this Ballad was accompanied by an Illustration, engraved upon wood, representing the Valkyrie discoursing with the Raven. [Picture: Manuscript of Harold Harfagr = The Valkyrie and Raven] (19) _Once a Week_, Vol. vii, _October_ 4_th_, 1862, pp. 403-406. THE STORY OF TIM. The third (and last) of a series of _Russian Popular Tales_, in Prose, translated by George Borrow. Also printed privately in pamphlet form, as follows:-- _The Story of Tim_ / _Translated from the Russian_ / _By_ / _George Borrow_ / _London_: / _Printed for Private Circulation_ / 1913-Crown octavo, p. 31. [See _ante_, Part I, No. 54.] The _Story_ was also included in _The Avon Booklet_, Vol. ii, 1904, pp. 211-229. (20) _Once a Week_, Vol. viii, _January_ 3_rd_, 1863, pp. 35-36. THE COUNT OF VENDEL'S DAUGHTER. [_Within a bower the womb I left_] Reprinted in _The Verner Raven_, _The Count of Vendel's Daughter_, _and Other Ballads_, 1913, pp. 12-17. (21) _Once a Week_, Vol. viii, _December_ 12_th_, 1863, p. 686. THE HAIL-STORM; OR, THE DEATH OF BUI. [_All eager to sail_] This Ballad differs entirely from those which appeared, under the title _The Hail-Storm_ only, in _Romantic Ballads_, 1826, pp. 136-138, in _Targum_, 1835, pp. 42-43, and in _Young Swaigder or The Force of Runes and Other Ballads_, 1913, pp. 14-15. Each of these three versions consists of four eight-line stanzas; the present Ballad extends to 84 lines, arranged in irregular stanzas. (22) _Benjamin Robert Haydon_: _Correspondence and Table Talk_. By Frederic Wordsworth Haydon, 1876, Vol. i, pp. 360-361. A LETTER FROM BORROW TO B. R. HAYDON. Reprinted in _George Borrow and his Circle_. By Clement King Shorter, 1913, p. 25. (23) _Life_, _Writings_, _and Correspondence of George Borrow_. By William I. Knapp, 2 Vols, 1899: Vol. ii, pp. 91-95. TALE FROM THE CORNISH. [_In Lavan's parish once of yore_] Reprinted (with some small textual revisions) in _Signelil_, _A Tale from the Cornish_, _and Other Ballads_, 1913, pp. 8-18. Vol. ii, p. 238. HUNGARIAN GYPSY SONG. [_To the mountain the fowler has taken his way_] The two volumes contain, in addition, a considerable number of Letters and other documents published therein for the first time. (24) _George Borrow_: _The Man and his Work_. By R. A. J. Walling, 8vo, 1908. SEVERAL LETTERS BY BORROW, ADDRESSED TO DR. [AFTERWARDS SIR JOHN] BOWRING, were printed for the first time in this volume. (25) _The Life of George Borrow_. By Herbert Jenkins, 8vo, 1912. SEVERAL LETTERS, AND PORTIONS OF LETTERS, BY BORROW, were printed for the first time in this volume. (26) _The Fortnightly Review_, _April_, 1913, pp. 680-688. NINE LETTERS FROM BORROW TO HIS WIFE. The letters form a portion of an article by Mr. Clement Shorter, entitled _George Borrow in Scotland_. Eight of these letters had been printed previously in _Letters to his Wife Mary Borrow_, 1913 [see _ante_, Part I, No. 19]. The remaining letter was afterwards included in _Letters to his Mother Ann Borrow and Other Correspondents_, 1913 [see _ante_, Part I, No. 57]. (27) _George Borrow and his Circle_. By Clement King Shorter, 8vo, 1913. MANY LETTERS BY BORROW, together with a considerable number of other important documents, were first printed in this volume. _Note_. The various Poems and Prose Articles included in the above list, to which no reference is appended, have not yet been reprinted in any shape or form. _Query_. There exists a galley-proof of a Ballad by Borrow entitled _The Father's Return_. _From the Polish of Mickiewicz_. The Ballad consists of twenty-one four-line stanzas, and commences "_Take children your way_, _for the last time to-day_." This proof is set up in small type, and was evidently prepared for insertion in some provincial newspaper. This paper I have not been able to trace. Should its identity be known to any reader of the present Bibliography I should be grateful for a note of it. * * * * * *** In _The Tatler_ for _November_ 26, 1913, appeared a short story entitled _The Potato Patch_. _By G. Borrow_. This story was not by the Author of _Targum_. '_Borrow_' was a mis-print; the name should have read '_G. Barrow_.' _PART III_. BORROVIANA: COMPLETE VOLUMES OF BIOGRAPHY AND CRITICISM. (1) George Borrow in / East Anglia / By / William A. Dutt / [_Quotation from Emerson_] / London / David Nutt, 270-271, Strand / 1896. Collation:--Crown octavo, pp. 80. Issued in paper boards backed with cloth, with the title-page, slightly abbreviated, reproduced upon the front cover. Some copies are in cream-coloured paper wrappers. (2) Life, Writings, / and Correspondence of / George Borrow / Derived from Official and other / Authentic Sources / By William I. Knapp, Ph.D., LL.D. / Author and Editor of French and Spanish Text-Books / Editor of "Las Obras de Boscan," "Diego de Mendoza," etc. / And late of Yale and Chicago Universities / With Portrait and Illustrations / In Two Volumes / Vol. I. [Vol. II.] / London / John Murray, Albemarle Street / New York: G. P. Putnam's Sons / 1899. Collation:--Demy octavo: Vol. I. pp. xx + 402. Vol. II. pp. x + 406, with an inserted slip carrying a List of _Errata_ for both Volumes. Issued in dull green cloth boards, gilt lettered. (3) George Borrow / The Man and his Work / By / R. A. J. Walling / Author of "A Sea Dog of Devon" / Cassell and Company, Limited / London, Paris, New York, Toronto and Melbourne / MCMVIII. Collation:--Crown octavo, pp. xii + 356. Issued in dull red cloth boards, gilt lettered. Several Letters from Borrow to Dr. [afterwards Sir John] Bowring were first printed in this volume. (4) George Borrow / Von / Dr. Bernhard Blaesing. / Berlin / Emil Ebering / 1910. Collation:--Royal octavo, pp. 78. Issued in mottled-grey paper wrappers, with the title-page reproduced upon the front. (5) Cymmrodorion / Society's / Publications. / George Borrow's Second / Tour in Wales. / By / T. C. Cantrill, B.Sc., / and / J. Pringle. / From "Y Cymmrodor," Vol. xxii. {313} / London: Issued by the Society, / New Stone Buildings, 64, Chancery Lane. Collation:--Demy octavo, pp. 11, without title-page, the title, as above, appearing upon the front wrapper only. Issued (in _April_, 1911) in bright green paper wrappers, with the title in full upon the front. (6) George Borrow / The Man and his Books / By / Edward Thomas / Author of / "The Life of Richard Jefferies," "Light and / Twilight," "Rest and Unrest," "Maurice / Maeterlinck," Etc. / With Portraits and Illustrations / London / Chapman & Hall, Ltd. / 1912. Collation:--Demy octavo, pp. xii + 333 + viii. Issued in deep mauve coloured cloth boards, gilt lettered. (7) The Life of / George Borrow / Compiled from Unpublished / Official Documents, his / Works, Correspondence, etc. / By Herbert Jenkins / With a Frontispiece in Photogravure, and / Twelve other Illustrations / London / John Murray, Albemarle Street, W. / 1912. Collation:--Demy octavo, pp. xxvi [misnumbered xxviii] + 496. Issued in bright green cloth boards, gilt lettered. A _Second Edition_ appeared in 1913. (8) George / Borrow / A Sermon preached in / Norwich Cathedral on / July 6, 1913 / By / H. C. Beeching, D.D., D.Litt. / Dean of Norwich / London / Jarrold & Sons / Publishers. Collation:--Crown octavo, pp. 12. Issued in drab paper wrappers, with the title-page reproduced upon the front, the words _Threepence Net_ being added at foot. (9) Souvenir / of the / George Borrow / Celebration / Norwich, July 5th, 1913 / By / James Hooper / Prepared and Published for / the Committee / Jarrold & Sons / Publishers / London and Norwich. Collation:--Royal octavo, pp. 48, with a Portrait-Frontispiece, and twenty-four Illustrations and Portraits. Issued in white pictorial paper wrappers, with trimmed edges. (10) Catalogue of the Exhibition / Commemorative of George Borrow / Author of "Lavengro" etc. held / at the Norwich Castle Museum. / July, 1913. / Price 3_d._ Collation:--Post octavo, pp. 12. Issued wire-stitched, without wrappers, and with trimmed edges. (11) George Borrow / and his Circle / Wherein may be found many / hitherto Unpublished Letters / of Borrow and his Friends / By / Clement King Shorter / Hodder and Stoughton / London New York Toronto / 1913. Collation:--Square octavo, printed in half-sheets, pp. xix + 450; with a Portrait of Borrow as Frontispiece, and numerous other Illustrations. Issued in dark crimson paper boards, backed with buckram, gilt lettered. There are several variations in this edition as compared with one published simultaneously in America by Messrs. Houghton, Mifflin & Co. of Cambridge, Mass. These variations are connected with Borrow's attitude towards the British and Foreign Bible Society, Mr. Shorter having taken occasion to pass some severe strictures upon the obvious cant which characterised the Bible Society in its relations with Borrow. These strictures, although supported by ample quotations from unpublished documents, the London publishers, being a semi-religious house, persuaded the author to cancel. (12) A / Bibliography / of / The Writings in Prose and Verse / of / George Henry Borrow / By / Thomas J. Wise / London: / Printed for Private Circulation only / By Richard Clay & Sons, Ltd. / 1914. Collation:--Foolscap quarto, pp. xxii + 316, with Sixty-nine facsimiles of Title-pages and Manuscripts. Issued in bright green paper boards, lettered across the back, and with the title-page reproduced upon the front. One hundred copies only were printed. LONDON: PRINTED FOR PRIVATE CIRCULATION ONLY BY RICHARD CLAY & SONS, LTD. 1914. Footnotes: {0a} The majority of the Manuscripts of Ballads written in or about 1829 are upon paper watermarked with the date 1828. The majority of the Manuscripts of Ballads written in or about 1854 are upon paper watermarked with the date 1852. {0b} Among the advertisements at the end of _The Romany Rye_, 1857, three works (1) _Celtic Bards_, _Chiefs_, _and Kings_, (2) _Songs of Europe_, and (3) _Koempe Viser_, were announced as 'ready for the Press'; whilst a fourth, _Northern Skalds_, _Kings_, _and Earls_, was noted as 'unfinished.' {0c} No doubt a considerable number of the Ballads prepared for the _Songs of Scandinavia_ in 1829, and surviving in the Manuscripts of that date, were actually composed during the three previous years. The production of the complete series must have formed a substantial part of Borrow's occupation during that "veiled period," the mists surrounding which Mr. Shorter has so effectually dissipated. {0d} "What you have written has given me great pleasure, as it holds out hope that I may be employed usefully to the Deity, to man, and to myself."--[_From Borrow's letter to the Rev. J. Jowett_.] "Our Committee stumbled at an expression in your letter of yesterday . . . at which a humble Christian might not unreasonably take umbrage. It is where you speak of becoming '_useful to the Deity_, _to man_, _and to yourself_.' Doubtless you meant _the prospect of glorifying God_."--[_From the Rev. J. Jowett's reply_.] "The courier and myself came all the way without the slightest accident, my usual wonderful good fortune accompanying us."--[_From Borrow's letter to the Rev. A. Brandram_.] "You narrate your perilous journey to Seville, and say at the beginning of the description '_my usual wonderful good fortune accompanying us_.' This is a mode of speaking to which we are not accustomed, it savours of the profane."--[_From the Rev. A. Brandram's reply_.] {12} In the majority of the extant copies of the book this List is not present. {23} The name of the ship. {85} These preliminary pages are misnumbered viii-xx, instead of vi-xviii. {132} A reduced facsimile of the first page of the Manuscript of _The King's Wake_ will be found facing page 136. {161} Facing the following page will be found a reduced facsimile of the first page of the Manuscript of _Ingeborg's Disguise_. {199} A reduced facsimile of the first page of the original Manuscript of _Ingefred and Gudrune_ will be found facing page 200. {268} The Manuscript of this poem is in the possession of Mr. J. A. Spoor, of Chicago, to whose courtesy I was indebted for the loan of it when editing the present pamphlet. {291} Pages 296 and 297 are misnumbered 216 and 217. {313} _Y Cymmrodor_, vol. xxii, 1910, pp. 160-170. --- Provided by LoyalBooks.com ---