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By: Gustav Kobbé (1857-1918) | |
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By: H. E. (Henry Edward) Bird (1830-1908) | |
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By: H. G. Wells (1866-1946) | |
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![]() H.G. Wells had so much fun playing with his children on the floor of their playroom, he decided to write a jovial little book to inspire other parents in their pursuit of quality time with the kids. While the raw materials available from hobby stores of his day were woefully short of the variety and quality of what can be bought easily now, he and his sons created their own worlds to rule. This short work describes two games of imagination played out upon the floor of his home – an archipelago of islands, and a thoroughly integrated city, conveniently organized with two mayoral positions for his sons “G... | |
By: H. M. (Herbert Minton) Cundall (1848-1940) | |
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By: Hagop K. Kevorkian | |
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By: Haldane MacFall (1860-1928) | |
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By: Hamilton Fyfe (1869-1951) | |
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![]() A discussion about the life and works of the playwright Arthur Wing Pinero. The perfect accompaniment to the plays by Pinero available here at. - Summary by ToddHW |
By: Hannibal Gamon | |
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By: Harold Howland (1877-) | |
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By: Harold Speed | |
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![]() THE PRACTICE & SCIENCE OF DRAWINGBY HAROLD SPEEDPREFACEPermit me in the first place to anticipate the disappointment of any student who opens this book with the idea of finding wrinkles on how to draw faces, trees, clouds, or what not, short cuts to excellence in drawing, or any of the tricks so popular with the drawing masters of our grandmothers and still dearly loved by a large number of people. No good can come of such methods, for there are no short cuts to excellence. But help of a very practical kind it is the aim of the following pages to give; although it may be necessary to make a greater call upon the intelligence of the student than these Victorian methods attempted... |
By: Harry Alan Potamkin (1900-1933) | |
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![]() "The movie was born in the laboratory and reared in the counting-house. It is a benevolent monster of four I's: Inventor, Investor, Impresario, Imperialist." So begins Harry Alan Potamkin's The Eyes of the Movie, a posthumously published indictment of Hollywood. It is a savage socialist critique of the film industry, its practices, and products. Potamkin takes aim at the "conservative element" infiltrating Hollywood's dream factory, investigating mainstream cinema's double function as propaganda and "passing amusement." |
By: Harry De Windt (1856-1933) | |
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By: Harry Furniss (1854-1925) | |
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By: Harry Houdini | |
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![]() “A complete exposé of the modus operandi of fire eaters, heat resisters, poison eaters, venomous reptile defiers, sword swallowers, human ostriches, strong men, etc.”, [by Harry Houdini, from the subtitle]. |
By: Harry Vardon (1870-1937) | |
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By: Hartley Withers (1867-1950) | |
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By: Helen Churchill Hungerford Candee (1861-1949) | |
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By: Helen Marshall Pratt | |
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![]() This recording comprises chapters from two different works: How To Visit The English Cathedrals by Esther Singleton, and The Cathedral Churches Of England by Helen Marshall Pratt. Each book devotes a chapter to each cathedral, but this recording includes only the introductory chapters of general information. - Summary by David Wales |
By: Henry Adams (1838-1918) | |
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By: Henry Ernest Dudeney (1857-1930) | |
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By: Henry Fisk Carlton | |
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By: Henry Frith (1840-) | |
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By: Henry H. Windsor (1859-1924) | |
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By: Henry Hunt Snelling (1816-1897) | |
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By: Henry J. Ford (1860-1941) | |
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By: Henry James (1843-1916) | |
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![]() The Golden Bowl is a 1904 novel by Henry James. Set in England, this complex, intense study of marriage and adultery completes what some critics have called the “major phase” of James’ career. The Golden Bowl explores the tangle of interrelationships between a father and daughter and their respective spouses. The novel focuses deeply and almost exclusively on the consciousness of the central characters, with sometimes obsessive detail but also with powerful insight. | |
![]() The Real Thing is, on one level, a somewhat ironic tale of an artist and two rather particular models. Yet it also raises questions about the relationship between the notion of reality in our humdrum world, and the means that an artist must use in trying to achieve, or reflect, that reality. Though the protagonist is an artist and illustrator of books, not a writer, it's not hard to imagine that James has himself, and other writers, in mind. | |
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