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By: Pemberton Ginther (1869-1959) | |
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By: Melvin W. [Editor] Sheppard | |
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By: George Wood Wingate (1840-1928) | |
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By: Joseph Darvall | |
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By: Charlotte Hapai | |
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By: Paul Boyton (1848-1924) | |
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By: Lew Lysle Harr (1882-) | |
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By: Stella George Stern Perry (1877-1956) | |
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By: William H. (William Henry) Gilder (1838-1900) | |
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By: Herbert Corey Leeds (1855-1930) | |
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By: Frederica Seeger | |
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By: W. B. Cramp | |
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By: F. M. S. | |
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By: James Frederic Thorne (1871-) | |
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By: Hannibal Gamon | |
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By: Thomas Dykes Beasley | |
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By: Alice J. Knight | |
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By: George Sampson (1873-1950) | |
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By: Milton C. (Milton Cooper) Work (1864-1934) | |
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By: Leader Scott (1837-1902) | |
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By: W. H. Inglis | |
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By: Unknown | |
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![]() The original document is in Latin so this can only be a fairly rough approximation of the actual content. The text used is the first version in the Gutenberg collection. – Magna Carta is the most significant early influence on the long historical process that has led to the rule of constitutional law today. Magna Carta was originally created because of disagreements between the Pope, King John and his English barons over the rights of the King. Magna Carta required the king to renounce certain rights and respect certain legal procedures and to accept that the will of the king could be bound by law. |
By: Gaston Maspero (1846-1916) | |
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![]() A handbook of Egyptian archaeology, issued by the British Museum, considered suitable for British tourists travelling to Egypt in the 19th Century. (Introduction by Timothy Ferguson) |
By: Unknown | |
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By: Katharine Pyle (1863-1938) | |
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![]() In "Tales of Folk and Fairies" Ms. Pyle tells 15 different children's stories from around the world; each more delightful than the last. Each story stands completely on it's own and although they were probably meant for children, adults will certainly enjoy them as well. |
By: James T. Nichols (1865-?) | |
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![]() Birdseye Views of Far Lands is an interesting, wholesome presentation of something that a keen-eyed, alert traveler with the faculty of making contrasts with all classes of people in all sorts of places, in such a sympathetic way as to win their esteem and confidence, has been able to pick up as he has roamed over the face of the earth for a quarter of a century.The book is not a geography, a history, a treatise on sociology or political economy. It is a Human Interest book which appeals to the reader who would like to go as the writer has gone and to see as the writer has seen the conformations of surface, the phenomena of nature and the human group that make up what we call a "world... |
By: Anonymous | |
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By: William Morris (1834-1896) | |
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![]() In the 1880s William Morris, the artist and poet famously associated with the Arts and Crafts movement, left the Liberal Party and threw himself into the Socialist cause. He spoke all over the country, on street corners as well as in working men's clubs and lecture halls, and edited and wrote for the Socialist League's monthly newspaper. Signs of Change is a short collection of his talks and writings in this period, first published in 1888, covering such topics as what socialism and work should be, and how capitalism and waste developed. |
By: Anonymous | |
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By: Unknown (1452-1519) | |
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By: Anonymous | |
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By: A Highland Seer | |
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![]() Reading the Cup is essentially a domestic form of Fortune-telling to be practiced at home, and with success by anyone who will take the trouble to master the simple rules laid down in these pages: and it is in the hope that it will provide a basis for much innocent and inexpensive amusement and recreation round the tea-table at home, as well as for a more serious study of an interesting subject, that this little guide-book to the science is confidently offered to the public. |
By: Anonymous | |
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By: Various | |
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By: Anonymous | |
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By: Various | |
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By: Anonymous | |
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By: Unknown | |
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By: Anonymous | |
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By: Various | |
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By: Anonymous | |
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By: Leonardo da Vinci | |
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![]() The Notebooks of Leonardo Da VinciPREFACEA singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third--the picture of the Last Supper at Milan--has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries... |
By: Clement | |
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![]() WOMEN IN THE FINE ARTS FROM THE SEVENTH CENTURY B. C.TO THE TWENTIETH CENTURY A. D.BY CLARA ERSKINE CLEMENT PREFATORY NOTE As a means of collecting material for this book I have sent to many artists in Great Britain and in various countries of Europe, as well as in the United States, a circular, asking where their studies were made, what honors they have received, the titles of their principal works, etc. I take this opportunity to thank those who have cordially replied to my questions, many of whom... |
By: Beazley | |
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![]() PRINCE HENRY THE NAVIGATORBy Evelyn Abbot, M.A.INTRODUCTION.The Greek And Arabic Ideas Of The World, As The Chief Inheritance Of The Christian Middle Ages In Geographical Knowledge. Arabic science constitutes one of the main links between the older learned world of the Greeks and Latins and the Europe of Henry the Navigator and of the Renaissance. In geography it adopted in the main the results of Ptolemy and Strabo; and many of the Moslem travellers and writers gained some additional hints from Indian, Persian, and Chinese knowledge; but, however much of fact they added to Greek cartography, they did not venture to correct its postulates... |
By: Joseph W. Zaehnsdorf (1853-1930) | |
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![]() This handbook explains the art of bookbinding and simultaneously reminds us what a complex technology is to make books! Zaehnsdorf, bookbinder and son of a bookbinder, made this second edition of his book to enlighten amateurs and tradesmen alike. The whole process of binding a book and the required equipment are carefully explained to the reader. |
By: Riccardo Nobili (1859-1939) | |
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![]() IIn analysing the Faker one must dissociate him from the common forger; his semi-artistic vocation places him quite apart from the ordinary counterfeiter; he must be studied amid his proper surroundings, and with the correct local colouring, so to speak, and his critic may perchance find some slight modicum of excuse for him. Beside him stand the Imitator, from whom the faker often originates, the tempter who turns the clever imitator into a faker, and the middleman who lures on the unwary collector with plausible tales... |
By: Johann Wolfgang von Goethe (1749-1832) | |
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![]() Newton's observations on the optical spectrum were widely accepted but Goethe noticed the difference between the scientific explanation and the phenomena as experienced by the human eye. He did not try to explain this, but rather collected and presented data, conducting experiments on the interplay of light and dark. His work was rejected as 'unscientific' by physicists but his color wheel is still used by artists today. - Summary by Lynne Thompson |
By: Edward Armitage (1817-1896) | |
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![]() This 1883 book contains chapters on ancient costumes, Byzantine and Romanesque art, David and his school, modern schools of Europe, drawing, color, decorative painting, finish, choice of subject, composition of decorative and historical pictures, and composition of incident pictures. Edward Armitage RA was an English painter of the Victorian era whose work focused on historical, classical and biblical subjects. He was Professor and Lecturer on painting in the Royal Academy 1875-1886. |
By: Albert Bigelow Paine (1861-1937) | |
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![]() An authorized biography of Lillian Gish, the renowned silent film star known in her heyday as the First Lady of American Cinema. Albert Bigelow Paine chronicles Gish's early life, her close relationship with her sister Dorothy, her rise in film as an actor with Biograph Studios and muse of D. W. Griffith, her short time as a contract actor with MGM, and her return to the stage in the advent of the talkies. Peppered throughout with intimate and amusing anecdotes, this is a must-read for film historians, silent film enthusiasts, and admirers of one of cinema's legendary talents. |
By: John M. Burke (1842-1917) | |
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![]() William Frederick "Buffalo Bill" Cody is one of the legends of the American western frontier. As a teen he rode for the pony expressed and then drove for the Union Army during the U.S. Civil War. He later rejoined the army as a scout and was awarded the medal of honor for his valor during the Indian Wars. His fame became worldwide, however, through his flamboyant Wild West shows which toured not only across the American West but through England and Europe. John M. Burke served as Cody’s publicist and promoter for the Wild West shows, propelling him into celebrity status... |
By: P. T. Barnum (1810-1891) | |
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![]() The 1873 edition of the autobiography of the founding genius of the "Greatest Show on Earth," P.T. Barnum. It details his life and business struggles up to the year 1872. Not only a showman and a museum operator, but an antislavery politician, Connecticut state legislator, Mayor of Bridgeport, Connecticut, and temperance lecturer, Barnum lays aside some of the gilding to provide his thoughts on his career, economics, how to make money, and other issues of the day. - Summary by DrPGould |
By: Willard M. Smith | |
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![]() From the preface: "For thirty years I have devoted myself to the practical problems of the glove industry, and my connection with one of the substantial firms of master-merchant-glovers in the world has taught me how little gloves are known or appreciated by the millions of persons who buy them and wear them. The pursuit of glove lore--the historic romance of the glove--has long since been with me a selfish recreation. Now I desire to share it, as well as the practical knowledge, with all men and women who have missed seizing upon the real relation which gloves bear to life." |
By: Austen Layard (1817-1894) | |
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![]() Austen Henry Layard is best known as the excavator of Nimrud and of Nineveh, where he uncovered a large proportion of the Assyrian palace reliefs known, and in 1851 the library of Ashurbanipal. The Royal Library of Ashurbanipal, named after Ashurbanipal, the last great king of the Assyrian Empire, is a collection of thousands of clay tablets and fragments containing texts of all kinds from the 7th century BC. Among its holdings was the famous Epic of Gilgamesh.In this work, he describes his experiences upon his return to the region for a second expedition. - Summary by Soupy Proof-listened by Elijah Fisher and TriciaG. |
By: Friedrich Nietzsche (1844-1900) | |
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![]() In this famous early work of German philosopher Friedrich Nietzsche, he investigates the artistic characteristics of Apollonian and Dionysian characteristics in Greek art, specifically in Greek tragedy as it evolved. Then he applies his conclusions about Greek tragedy to the state of modern art, especially modern German art and specifically to the operas of Richard Wagner. |
By: Ethel Brilliana Tweedie (1862-1940) | |
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![]() In this collection of essays the author gives us an opportunity to peek into the mysterious life of the theatre; she recalls her numerous conversations with and anecdotes about the "stage folk", such as actors, actresses, playwrights, stage directors or managers. However, her portrayal of theatrical life doesn't aim at glamorising the profession and the day-to-day life of those connected with the stage. On the contrary, if there's one overarching theme to her stories it is the repeated assurance that it's a hard and precarious existence, even for those at the top of the profession, let alone those who play minor parts and are rarely mentioned. |