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By: William Morris (1834-1896) | |
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By: William Dean Howells (1837-1920) | |
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![]() William Dean Howells is at his iconoclastic best in this exploration of bourgeois values, particularly in the clash between respectable society and the dubious bohemian world of Art and Poetry. Cornelia Saunders has everything going for her in her middle-class world: comfort, good looks, attentive young men. She seems willing to risk it all for the sake of what might be an artistic Gift, venturing with great trepidation to put her foot over the line into Bohemia to see if it might be the thing for her. Skewering the conventions of sentimental literature as usual, Howells keeps the reader guessing to the end as to the fate of Cornelia and her Gift. |
By: Fanny Dickerson Bergen (1846-1924) | |
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![]() No matter how enlightened, chances are you’ve been raised around superstitious lore of one kind or another. Fanny Dickerson Bergen was one of the original researchers of North American oral traditions relating to such key life events and experiences as babyhood and childhood, marriage, wishes and dreams, luck, warts and cures, death omens and mortuary customs, and “such truck,” as Huck Finn would say. You’ll be surprised at how many of these old saws you’ll know. Here’s a quote from... |
By: Samuel Butler (1774-1839) | |
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By: Roald Amundsen (1872-1928) | |
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![]() In contrast to Scott’s South Pole expedition, Amundsen’s expedition benefited from good equipment, appropriate clothing, and a fundamentally different primary task (Amundsen did no surveying on his route south and is known to have taken only two photographs) Amundsen had a better understanding of dogs and their handling, and he used of skis more effectively. He pioneered an entirely new route to the Pole and they returned. In Amundsen’s own words: “Victory awaits him who has everything in order — luck, people call it... | |
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By: U. Waldo Cutler | |
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![]() Stories of King Arthur and His Knights. Retold from Malory’s “Morte dArthur”. |
By: Benvenuto Cellini ((1500-1571)) | |
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![]() Cellini’s autobiographical memoirs, which he began writing in Florence in 1558, give a detailed account of his singular career, as well as his loves, hatreds, passions, and delights, written in an energetic, direct, and racy style. They show a great self-regard and self-assertion, sometimes running into extravagances which are impossible to credit. He even writes in a complacent way of how he contemplated his murders before carrying them out. He writes of his time in Paris: Parts of his tale recount... |
By: Amy Steedman | |
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![]() A children's version of the Lives of Artists by Vassari with many Illustrations. Of course we won't be able to show the paintings but the descriptions and the anecdotes are interesting and may lead a child to further interest. |
By: Christopher Marlowe (1564-1593) | |
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By: Lawrence Beesley (1877-1967) | |
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![]() This is a 1st hand account written by a survivor of the Titanic about that fateful night and the events leading up to it as well as the events that followed its sinking. |
By: Joseph Lewis French (1858-1936) | |
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![]() Piracy embodies the romance of the sea at its highest expression. It is a sad but inevitable commentary on our civilization, that, so far as the sea is concerned, it has developed from its infancy down to a century or so ago, under one phase or another of piracy. If men were savages on land they were doubly so at sea, and all the years of maritime adventure–years that added to the map of the world till there was little left to discover–could not wholly eradicate the piratical germ. |
By: Sir Wilfred Grenfell (1865-1940) | |
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![]() This autobiographical work describes the author’s harrowing experience caught on a small drifting piece of ice, while crossing a frozen bay by dog team on the Northern Peninsula of Newfoundland. |
By: United States. Central Intelligence Agency | |
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By: Edward R. Shaw (1855-1903) | |
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![]() Tales of the brave and daring explorers that ventured into the unknown “Sea of Darkness” where it was thought monsters and angry gods lived. They dared to sail near the equator which was thought to have such intense heat that it would boil the ocean water. It was also commonly thought at the time that the world was flat, and the ships would fall off the face of the earth. These men overcame these fears to explore and discover new lands. |
By: Ruth Edna Kelley | |
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![]() This book is intended to give the reader an account of the origin and history of Hallowe’en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe’en ideas. |
By: K. Langloh Parker | |
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![]() A Collection of Australian Aboriginal Legendary Folk-Lore Tales, legends of the Narran tribe, known among themselves as Noongahburrahs. |
By: Fridtjof Nansen (1861-1930) | |
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By: Mary MacGregor | |
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![]() A collection of Arthurian tales retold for children. |
By: Théodule Ribot (1839-1916) | |
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![]() “It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the “spook science” per se, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks. Whereas people have been accustomed to speak of the imagination as an entity sui generis, as a... |
By: Lacy Collison-Morley | |
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![]() A non-fiction work, comparing and collecting ghost stories by Classical Greek and Republican or Imperial Roman authors. |
By: Carlton McCarthy (1847-1936) | |
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![]() The author, who fought as a private in the Army of Northern Virginia during the Civil War, describes the Confederate soldier’s daily struggles with hunger, illness, fear, and the perils of combat; as well as his pride of service, love of comrades, and courage in the face of overwhelming odds |
By: William Henry Giles Kingston (1814-1880) | |
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By: Carolyn Wells (1862-1942) | |
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By: Friedrich Kerst | |
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![]() Wolfgang Amadeus Mozart. His name is one of the most recognizable names in history and one of the most enduring of composers. At age 5, this “wunderkinder” took to the stage and began his life as a prolific and celebrated creator-genius of such luminous works the world has not known since. This collection of morsels taken from his personal letters is engaging and gives a look into the mind of the boy wonder. Was he mad? Was he miraculous? |
By: Thérèse de Dillmont (1846-1890) | |
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By: Cornelia Mee | |
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![]() Mrs. Mee, her husband, and her sister ran a yarn and needlework import/warehouse business in Bath, England. Her books primarily contain practical everyday items that knit up quickly with the busy homemaker in mind. At this time, published knitting “receipts” did not contain abbreviations and were laborious to use. They were, however, rich in error! Later in her career, due to circumstances of war and the resulting social stress and poverty, many of her knitting books were printed for ladies’ charitable societies, which used her knitting “receipts” to clothe the poor mill workers who were out of work due to the American Civil War and the embargo of cotton. |
By: Maturin Murray Ballou (1820-1895) | |
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By: George L. Apperson (1857-1937) | |
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![]() This work tells the history of smoking in England from the social point of view. Thus it does not deal with the history of tobacco growing or tobacco related manufacture, but is rather the story of how smoking has fitted in with the fashions and customs throughout the ages, and the changes in the attitude of society towards smoking. |
By: Padraic Colum (1881-1972) | |
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![]() The King of Ireland's Son is a children's novel published in Ireland in 1916 written by Padraic Colum, and illustrated by Willy Pogany. It is the story of the eldest of the King of Ireland's sons, and his adventures winning and then finding Fedelma, the Enchanter's Daughter, who after being won is kidnapped from him by the King of the Land of Mist. It is solidly based in Irish folklore, itself being originally a folktale. (Introduction by Wikipedia) |
By: Jennie Ellis Keysor | |
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![]() Biographies of Raphael Santi, Murillo, Peter Paul Rubens, and Albrecht Durer. This is a wonderful tool for art study as there are references for further study, as well as ideas for language arts to incorporate into the study. | |
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By: Cecil Henry Bompas | |
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![]() This is an intriguing collection of folklore from the Santal Parganas, a district in India located about 150 miles from Calcutta. As its Preface implies, this collection is intended to give an unadulterated view of a culture through its folklore. It contains a variety of stories about different aspects of life, including family and marriage, religion, and work. In this first volume, taken from Part I, each story is centered around a particular human character. These range from the charmingly clever (as in the character, The Oilman, in the story, “The Oilman and His Sons”) to the tragically comical (as in the character, Jhore, in the story “Bajun and Jhore”)... |
By: Robert Michael Ballantyne (1825-1894) | |
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By: Goldsworthy Lowes Dickinson (1862-1932) | |
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![]() “With the Greek civilisation beauty perished from the world. Never again has it been possible for man to believe that harmony is in fact the truth of all existence.”This elegantly-written work provides a splendid introduction to the Greeks of the classic period: how they thought, wrote, and organised their lives and loves. Although it dates from the 1890s, there is very little about it that has dated. To its author’s credit, the subject of “Greek love” is dealt with in a sane and factual context - despite the judicial assassination of Oscar Wilde going on in the background... |
By: Giorgio Vasari (1511-1574) | |
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![]() The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite delle più eccellenti pittori, scultori, ed architettori, as it was originally known in Italian, is a series of artist biographies written by 16th century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most- read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "one of the founding texts in art history"... | |
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By: Harold Speed | |
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![]() THE PRACTICE & SCIENCE OF DRAWINGBY HAROLD SPEEDPREFACEPermit me in the first place to anticipate the disappointment of any student who opens this book with the idea of finding wrinkles on how to draw faces, trees, clouds, or what not, short cuts to excellence in drawing, or any of the tricks so popular with the drawing masters of our grandmothers and still dearly loved by a large number of people. No good can come of such methods, for there are no short cuts to excellence. But help of a very practical kind it is the aim of the following pages to give; although it may be necessary to make a greater call upon the intelligence of the student than these Victorian methods attempted... |
By: James Slough Zerbe (1850-) | |
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By: George Hamilton | |
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![]() George Hamilton was the surgeon assigned to the frigate Pandora. The British Admiralty ordered the ship to the Pacific to arrest the Bounty mutineers and bring them back to England for trial. The commander, Captain Edward Edwards, also was ordered to chart the passage between Australia and New Guinea. While Edwards managed to arrest the mutineers still on Tahiti, he sank the Pandora on a reef near Australia. Hamilton tells this story and also the story of the crew’s fate after the Pandora sank. |
By: Walter Pater (1839-1894) | |
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By: Horatio Alger (1832-1899) | |
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By: Mrs. (Isabella Mary) Beeton (1836-1865) | |
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