Tales of the brave and daring explorers that ventured into the unknown “Sea of Darkness” where it was thought monsters and angry gods lived. They dared to sail near the equator which was thought to have such intense heat that it would boil the ocean water. It was also commonly thought at the time that the world was flat, and the ships would fall off the face of the earth. These men overcame these fears to explore and discover new lands.

INFLUENCES OF GEOGRAPHIC ENVIRONMENT ON THE BASIS OF RATZEL'S SYSTEM OF ANTHROPO-GEOGRAPHY BY ELLEN CHURCHILL SEMPLE PREFACE The present book, as originally planned over seven years ago, was to be a simplified paraphrase or restatement of the principles embodied in Friedrich Ratzel's _Anthropo-Geographie_. The German work is difficult reading even for Germans. To most English and American students of geographic environment it is a closed book, a treasure-house bolted and barred. Ratzel himself realized that any English form could not be a literal translation, but must be adapted to the Anglo-Celtic and especially to the Anglo-American mind...

This book, subtitled "How and Why Tales from Brazilian Folk-Lore", is a collection of short stories, most of them etiologial myths from Brazilian Indian Folklore.

A guide for women to complement their dress to their surroundings, be it in their own home, on outings or on stage. Please note that there is a separate chapter with the captions of the fashion plates which can be found in the online text.

The expedition was given the grand title of The Imperial Trans-Antarctic Expedition. Due to be launched in 1914, two ships were to be employed. The first, the lead vessel, fittingly named the Endurance was to transport the team to the Weddell Sea from where the great explorer Ernest Shackleton and five others would cross the icy wastes of Antarctica on foot. The second ship, the Aurora was to approach the continent from the other side and put down supplies at various points to help the explorers...

The poetry of childhood is full of attractiveness to the artist, and many and varied are the forms in which he interprets it. The Christ-child has been his highest ideal. All that human imagination could conceive of innocence and purity and divine loveliness has been shown forth in the delineation of the Babe of Bethlehem. The influence of such art has made itself felt upon all child pictures. It matters not whether the subject be a prince or a street-waif; the true artist sees in him something which is lovable and winning, and transfers it to his canvas for our lasting pleasure.