In this collection of essays the author gives us an opportunity to peek into the mysterious life of the theatre; she recalls her numerous conversations with and anecdotes about the "stage folk", such as actors, actresses, playwrights, stage directors or managers. However, her portrayal of theatrical life doesn't aim at glamorising the profession and the day-to-day life of those connected with the stage. On the contrary, if there's one overarching theme to her stories it is the repeated assurance that it's a hard and precarious existence, even for those at the top of the profession, let alone those who play minor parts and are rarely mentioned.

No matter how enlightened, chances are you’ve been raised around superstitious lore of one kind or another. Fanny Dickerson Bergen was one of the original researchers of North American oral traditions relating to such key life events and experiences as babyhood and childhood, marriage, wishes and dreams, luck, warts and cures, death omens and mortuary customs, and “such truck,” as Huck Finn would say. You’ll be surprised at how many of these old saws you’ll know. Here’s a quote from...

"Cocher, drive to the rue Falguière"--this in my best restaurant French. The man with the varnished hat shrugged his shoulders, and raised his eyebrows in doubt. He evidently had never heard of the rue Falguière. "Yes, rue Falguière, the old rue des Fourneaux," I continued. Cabby's face broke out into a smile. "Ah, oui, oui, le Quartier Latin." And it was at the end of this crooked street, through a lane that led into a half court flanked by a row of studio buildings, and up one pair of dingy waxed steps, that I found a door bearing the name of the author of the following pages--his visiting card impaled on a tack...