Books Should Be Free Loyal Books Free Public Domain Audiobooks & eBook Downloads |
|
Art |
---|
Book type:
Sort by:
View by:
|
By: G. F. (George Forrest) Browne (1833-1930) | |
---|---|
![]() |
By: G. H. (George Henry) Palmer (1871-) | |
---|---|
![]() |
By: G. R. M. Devereux | |
---|---|
![]() | |
By: G. W. (George Wicker) Elderkin (1879-1965) | |
---|---|
![]() |
By: Garrett P. Serviss (1851-1929) | |
---|---|
![]() Edison’s Conquest of Mars, by Garrett P. Serviss, is one of the many science fiction novels published in the nineteenth century. Although science fiction was not at the time thought of as a distinct literary genre, it was a very popular literary form, with almost every fiction magazine regularly publishing science fiction stories and novels. “Edison’s Conquest of Mars” was published in 1898 as an unauthorized sequel to H. G. Wells’s The War of the Worlds, but did not achieve the fame of its predecessor. The book was endorsed by Thomas Edison, the hero of the book — though not by Wells. |
By: Garrett Putman Serviss (1851-1929) | |
---|---|
![]() |
By: Gaston Maspero (1846-1916) | |
---|---|
![]() A handbook of Egyptian archaeology, issued by the British Museum, considered suitable for British tourists travelling to Egypt in the 19th Century. (Introduction by Timothy Ferguson) |
By: Gene Allen Martin | |
---|---|
![]() |
By: Geographical Publishing Co. [Editor] | |
---|---|
![]() |
By: George Coffey (1857-1916) | |
---|---|
![]() |
By: George Field (1777?-1854) | |
---|---|
![]() |
By: George Hamilton | |
---|---|
![]() George Hamilton was the surgeon assigned to the frigate Pandora. The British Admiralty ordered the ship to the Pacific to arrest the Bounty mutineers and bring them back to England for trial. The commander, Captain Edward Edwards, also was ordered to chart the passage between Australia and New Guinea. While Edwards managed to arrest the mutineers still on Tahiti, he sank the Pandora on a reef near Australia. Hamilton tells this story and also the story of the crew’s fate after the Pandora sank. |
By: George Jack | |
---|---|
![]() |
By: George L. Apperson (1857-1937) | |
---|---|
![]() This work tells the history of smoking in England from the social point of view. Thus it does not deal with the history of tobacco growing or tobacco related manufacture, but is rather the story of how smoking has fitted in with the fashions and customs throughout the ages, and the changes in the attitude of society towards smoking. |
By: George Laurence Gomme (1853-1916) | |
---|---|
![]() |
By: George Manville Fenn (1831-1909) | |
---|---|
![]() |
By: George O. Smith (1911-1981) | |
---|---|
![]() |
By: George Orrin Draper (1884-) | |
---|---|
![]() |
By: George S. (George Searle) Phillips (1815-1889) | |
---|---|
![]() |
By: George Sampson (1873-1950) | |
---|---|
![]() |
By: George W. Foote (1850-1915) | |
---|---|
![]() |
By: George Washington Brooks | |
---|---|
![]() |
By: George Washington Sears (1821-1890) | |
---|---|
![]() |
By: George Wood Wingate (1840-1928) | |
---|---|
![]() |
By: Georges Perrot (1832-1914) | |
---|---|
![]() |
By: Gilbert Seldes (1893-1970) | |
---|---|
![]() “... But, beside those great men, there is a certain number of artists who have a distinct faculty of their own by which they convey to us a peculiar quality of pleasure which we cannot get elsewhere; and these, too, have their place in general culture, and must be interpreted to it by those who have felt their charm strongly, and are often the objects of a special diligence and a consideration wholly affectionate, just because there is not about them the stress of a great name and authority.” - Summary by Walter Pater |
By: Gilles Corrozet (1510-1568) | |
---|---|
![]() |
By: Giorgio Vasari (1511-1574) | |
---|---|
![]() The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite delle più eccellenti pittori, scultori, ed architettori, as it was originally known in Italian, is a series of artist biographies written by 16th century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most- read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "one of the founding texts in art history"... | |
![]() |
By: Giovanni-Andrea Gallini (1728-1805) | |
---|---|
![]() |
By: Gleeson White (1851-1898) | |
---|---|
![]() | |
![]() |
By: Goldsworthy Lowes Dickinson (1862-1932) | |
---|---|
![]() “With the Greek civilisation beauty perished from the world. Never again has it been possible for man to believe that harmony is in fact the truth of all existence.”This elegantly-written work provides a splendid introduction to the Greeks of the classic period: how they thought, wrote, and organised their lives and loves. Although it dates from the 1890s, there is very little about it that has dated. To its author’s credit, the subject of “Greek love” is dealt with in a sane and factual context - despite the judicial assassination of Oscar Wilde going on in the background... |
By: Grace Christie | |
---|---|
![]() |
By: Grace Wood | |
---|---|
![]() |
By: Gustav Kobbé (1857-1918) | |
---|---|
![]() |
By: H. E. (Henry Edward) Bird (1830-1908) | |
---|---|
![]() |
By: H. G. Wells (1866-1946) | |
---|---|
![]() H.G. Wells had so much fun playing with his children on the floor of their playroom, he decided to write a jovial little book to inspire other parents in their pursuit of quality time with the kids. While the raw materials available from hobby stores of his day were woefully short of the variety and quality of what can be bought easily now, he and his sons created their own worlds to rule. This short work describes two games of imagination played out upon the floor of his home – an archipelago of islands, and a thoroughly integrated city, conveniently organized with two mayoral positions for his sons “G... |
By: H. M. (Herbert Minton) Cundall (1848-1940) | |
---|---|
![]() |
By: Hagop K. Kevorkian | |
---|---|
![]() |
By: Haldane MacFall (1860-1928) | |
---|---|
![]() |
By: Hannibal Gamon | |
---|---|
![]() |
By: Harold Howland (1877-) | |
---|---|
![]() |
By: Harold Speed | |
---|---|
![]() THE PRACTICE & SCIENCE OF DRAWINGBY HAROLD SPEEDPREFACEPermit me in the first place to anticipate the disappointment of any student who opens this book with the idea of finding wrinkles on how to draw faces, trees, clouds, or what not, short cuts to excellence in drawing, or any of the tricks so popular with the drawing masters of our grandmothers and still dearly loved by a large number of people. No good can come of such methods, for there are no short cuts to excellence. But help of a very practical kind it is the aim of the following pages to give; although it may be necessary to make a greater call upon the intelligence of the student than these Victorian methods attempted... |
By: Harry De Windt (1856-1933) | |
---|---|
![]() |
By: Harry Furniss (1854-1925) | |
---|---|
![]() | |
![]() | |
![]() |
By: Harry Houdini | |
---|---|
![]() “A complete exposé of the modus operandi of fire eaters, heat resisters, poison eaters, venomous reptile defiers, sword swallowers, human ostriches, strong men, etc.”, [by Harry Houdini, from the subtitle]. |
By: Harry Vardon (1870-1937) | |
---|---|
![]() |
By: Hartley Withers (1867-1950) | |
---|---|
![]() |
By: Helen Churchill Hungerford Candee (1861-1949) | |
---|---|
![]() |
By: Henry Adams (1838-1918) | |
---|---|
![]() |
By: Henry Ernest Dudeney (1857-1930) | |
---|---|
![]() |
By: Henry Fisk Carlton | |
---|---|
![]() |
By: Henry Frith (1840-) | |
---|---|
![]() |
By: Henry H. Windsor (1859-1924) | |
---|---|
![]() |
By: Henry Hunt Snelling (1816-1897) | |
---|---|
![]() |
By: Henry J. Ford (1860-1941) | |
---|---|
![]() |
By: Henry James (1843-1916) | |
---|---|
![]() The Golden Bowl is a 1904 novel by Henry James. Set in England, this complex, intense study of marriage and adultery completes what some critics have called the “major phase” of James’ career. The Golden Bowl explores the tangle of interrelationships between a father and daughter and their respective spouses. The novel focuses deeply and almost exclusively on the consciousness of the central characters, with sometimes obsessive detail but also with powerful insight. | |
![]() The Real Thing is, on one level, a somewhat ironic tale of an artist and two rather particular models. Yet it also raises questions about the relationship between the notion of reality in our humdrum world, and the means that an artist must use in trying to achieve, or reflect, that reality. Though the protagonist is an artist and illustrator of books, not a writer, it's not hard to imagine that James has himself, and other writers, in mind. | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() |
By: Henry Neville (1620-1694) | |
---|---|
![]() |
By: Henry Rankin Poore (1859-1940) | |
---|---|
![]() |
By: Herbert Corey Leeds (1855-1930) | |
---|---|
![]() |
By: Horatio Alger (1832-1899) | |
---|---|
![]() |
By: Howard Staunton (1810-1874) | |
---|---|
![]() |
By: Hubert C. (Hubert Christian) Corlette | |
---|---|
![]() |
By: Hudson Bay Company | |
---|---|
![]() |
By: Hurlothrumbo | |
---|---|
![]() | |
![]() |
By: I. B. (Igino Benvenuto) Supino (1858-1940) | |
---|---|
![]() |
By: Ignatius Donnelly (1831-1901) | |
---|---|
![]() |
By: Ignatius Loyola Donnelly (1831-1901) | |
---|---|
![]() "Atlantis: The Antediluvian World is a book published during 1882 by Minnesota populist politician Ignatius L. Donnelly, who was born in Philadelphia, Pennsylvania during 1831. Donnelly considered Plato's account of Atlantis as largely factual and attempted to establish that all known ancient civilizations were descended from this supposed lost land. Many of its theories are the source of many modern-day concepts we have about Atlantis, like the civilization and technology beyond its time, the origins of all present races and civilizations, a civil war between good and evil, etc." |
By: Irving C. (Irving Collins) Rosse (1842-1901) | |
---|---|
![]() |
By: Irving Pichel (1891-1954) | |
---|---|
![]() As people live in a house, Or work, day after day, in a store or factory or public building, they become used to inconveniences, bad arrangement, and lack of proper facilities. They complain for a time, perhaps, and then forget. And after a while, when the house has become home, or the large building has gathered tradition, a sort of admiration settles upon it. What is really plain ugly or wrong or bad appears quaint and full of "atmosphere." And is imitated. Style and tradition embalm the very features that make the building a bad building... |
By: J. (John) Biddulph (1840-1921) | |
---|---|
![]() |
By: J. (John) Macgowan (-1922) | |
---|---|
![]() |
By: J. Beavington Atkinson (1822-1886) | |
---|---|
![]() |
By: J. G Patterson | |
---|---|
![]() |
By: J. J. Smith | |
---|---|
![]() |
By: J. L. (James Lewis) Caw (1864-1950) | |
---|---|
![]() |
By: Jacob Kainen (1909-2001) | |
---|---|
![]() | |
![]() |
By: James B. (James Burgess) Stetson (1832-1909) | |
---|---|
![]() |
By: James Frederic Thorne (1871-) | |
---|---|
![]() |
By: James Huneker (1857-1921) | |
---|---|
![]() |
By: James McNeill Whistler (1834-1903) | |
---|---|
![]() |