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By: James Monteith | |
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By: James Montgomery Flagg (1877-1960) | |
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By: James Slough Zerbe (1850-) | |
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By: James T. Nichols (1865-?) | |
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![]() Birdseye Views of Far Lands is an interesting, wholesome presentation of something that a keen-eyed, alert traveler with the faculty of making contrasts with all classes of people in all sorts of places, in such a sympathetic way as to win their esteem and confidence, has been able to pick up as he has roamed over the face of the earth for a quarter of a century.The book is not a geography, a history, a treatise on sociology or political economy. It is a Human Interest book which appeals to the reader who would like to go as the writer has gone and to see as the writer has seen the conformations of surface, the phenomena of nature and the human group that make up what we call a "world... |
By: Jane Ellen Harrison (1850-1928) | |
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By: Jean-François-Albert du Pouget Nadaillac (1818-1904) | |
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By: Jennette Lee (1860-1951) | |
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By: Jennie Ellis Keysor | |
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![]() Biographies of Raphael Santi, Murillo, Peter Paul Rubens, and Albrecht Durer. This is a wonderful tool for art study as there are references for further study, as well as ideas for language arts to incorporate into the study. | |
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By: Jerome A. Barhydt | |
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By: Jessie Hubbell Bancroft (1867-) | |
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By: Joel Benton (1832-1911) | |
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By: Johann Wolfgang von Goethe (1749-1832) | |
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![]() Newton's observations on the optical spectrum were widely accepted but Goethe noticed the difference between the scientific explanation and the phenomena as experienced by the human eye. He did not try to explain this, but rather collected and presented data, conducting experiments on the interplay of light and dark. His work was rejected as 'unscientific' by physicists but his color wheel is still used by artists today. - Summary by Lynne Thompson |
By: John A. Tennant | |
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By: John Addington Symonds (1840-1893) | |
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By: John Ashton (1834-1911) | |
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By: John Charles Van Dyke | |
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![]() A TEXT-BOOK OF THE HISTORY OF PAINTINGBY JOHN C. VAN DYKE, L.H.D.PREFACE.The object of this series of text-books is to provide concise teachable histories of art for class-room use in schools and colleges. The limited time given to the study of art in the average educational institution has not only dictated the condensed style of the volumes, but has limited their scope of matter to the general features of art history. Archaeological discussions on special subjects and aesthetic theories have been avoided... |
By: John D. (John Daniel) Barry (1866-1942) | |
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By: John Fiske (1842-1901) | |
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By: John Foxe (1516-1587) | |
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By: John Franklin (1786-1847) | |
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By: John Galsworthy (1867-1933) | |
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By: John H. (John Henry) Parker (1866-) | |
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By: John Kendrick Bangs (1862-1922) | |
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![]() This sequel to Bangs' A House-Boat on the Styx continues the "thought-experiment" of bringing various historical and fictional figures together, detailing the adventures of the ladies of Hades after they are kidnapped by pirates and the attempts of the Associated Shades (led by Sherlock Holmes) to retrieve their house-boat. (Introduction by Emma Joyce) | |
![]() Raffles Holmes is introduced in these stories as the son of the great Sherlock Holmes. He is also revealed to be the grandson of A.J. Raffles, a gentleman thief pursued by Sherlock Holmes many years earlier. This apparently contradictory family background sets the stage for his colorful and amusing adventures. | |
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By: John M. Burke (1842-1917) | |
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![]() William Frederick "Buffalo Bill" Cody is one of the legends of the American western frontier. As a teen he rode for the pony expressed and then drove for the Union Army during the U.S. Civil War. He later rejoined the army as a scout and was awarded the medal of honor for his valor during the Indian Wars. His fame became worldwide, however, through his flamboyant Wild West shows which toured not only across the American West but through England and Europe. John M. Burke served as Cody’s publicist and promoter for the Wild West shows, propelling him into celebrity status... |
By: John M. Garvan | |
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By: John MacGregor (1825-1892) | |
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By: John Mandeville (1300-1399?) | |
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By: John Ruskin (1819-1900) | |
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![]() A series of lectures on landscape painting delivered at Oxford in 1871, by artist, critic, and social commentator, John Ruskin. | |
![]() "The Two Paths" is a collection of five lectures delivered in 1858 and 1859 by John Ruskin on art and architecture. This is how the author himself presents the book: "The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form." The most famous of these, the fifth lecture, is commonly known simply as "The Work of Iron" | |
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![]() The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. Intending to prove how the architecture in Venice exemplified the principles he discussed in his earlier work, The Seven Lamps of Architecture, Ruskin examined the city in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city as well... | |
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By: John S. C. Abbott (1805-1877) | |
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By: John Sell Cotman (1782-1842) | |
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By: John Sherburne Sleeper (1794-1878) | |
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By: John Stuart Thomson (1869-1950) | |
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By: John Trusler (1735-1820) | |
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By: John William Bradley (1830-1916) | |
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By: Joseph Augustus Seiss (1823-1904) | |
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By: Joseph Darvall | |
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By: Joseph E. Bygate | |
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By: Joseph Jacobs (1854-1916) | |
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By: Joseph Knight (1845-) | |
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By: Joseph Lewis French (1858-1936) | |
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![]() Piracy embodies the romance of the sea at its highest expression. It is a sad but inevitable commentary on our civilization, that, so far as the sea is concerned, it has developed from its infancy down to a century or so ago, under one phase or another of piracy. If men were savages on land they were doubly so at sea, and all the years of maritime adventure–years that added to the map of the world till there was little left to discover–could not wholly eradicate the piratical germ. |
By: Joseph W. Zaehnsdorf (1853-1930) | |
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![]() This handbook explains the art of bookbinding and simultaneously reminds us what a complex technology is to make books! Zaehnsdorf, bookbinder and son of a bookbinder, made this second edition of his book to enlighten amateurs and tradesmen alike. The whole process of binding a book and the required equipment are carefully explained to the reader. |
By: Joshua M. (Joshua Melancthon) Addeman (1840-1930) | |
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By: Joshua Reynolds (1723-1792) | |
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By: Joshua Slocum (1844-1910?) | |
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By: Jozef Israëls (1824-1911) | |
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By: Jules Verne (1828-1905) | |
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![]() A historical manuscript penned by a medieval Norse poet. A mysterious code. Three intrepid explorers. A subterranean world filled with prehistoric creatures and proto-humans. These are some of the brilliant ideas that are superbly blended in A Journey to the Interior of the Earth by Jules Verne. Jules Verne, the French writer who created several works of science fiction, adventure stories and very popular novels, wrote A Journey to the Interior of the Earth in 1864. Some of his other books explore different aspects of geography, space and time travel... | |
![]() The famous writer of great adventure stories Jules Verne wrote also several lesser known, but good non-fiction works. "Celebrated travels and travellers" tells the story of geographical discovery in the same well written and precise manner we are used to finding in Verne’s fiction books. This book is divided into 3 volumes. This is the first volume, named the "Exploration of the World" and it covers the period in the World's history of exploration from B.C. 505 to the close of the 17th century. The second and third volumes are respectively entitled "The great navigators of the 18th century" and "The great navigators of the 19th century".Coordinated by Kristine Bekere and Kajo. |
By: Julia Darrow Cowles (1862-1919) | |
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![]() In preparing this book the author has sought to awaken a keener perception and a higher appreciation of the artistic and ethical value of story-telling; to simplify some of its problems; to emphasize the true delight which the story-teller may share with her hearers; and to present fresh material which answers to the test of being good in substance as well as in literary form. - Summary by From the preface |
By: Julian Street (1879-1947) | |
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By: Juliet Helena Lumbard James (1864-) | |
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By: K. Langloh (Katie Langloh) Parker (1856-1940) | |
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By: K. Langloh Parker | |
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![]() A Collection of Australian Aboriginal Legendary Folk-Lore Tales, legends of the Narran tribe, known among themselves as Noongahburrahs. |
By: Kate Douglas Smith Wiggin (1856-1923) | |
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By: Kate Heintz Watson | |
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By: Katharine Elizabeth Dopp (1863-1944) | |
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![]() Katharine E. Dopp was well-known as a teacher and writer of children’s textbooks at the turn of the 20th Century. She was among the first educators to encourage the incorporation of physical and practical activity into the elementary school curriculum at a time when such activities were becoming less commonplace in a child’s home environment. The Tree-Dwellers – The Age of Fear is the first in a series of elementary school texts written by Ms. Dopp that focus on the anthropological development of early human groups... | |
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By: Katharine Pyle (1863-1938) | |
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![]() In "Tales of Folk and Fairies" Ms. Pyle tells 15 different children's stories from around the world; each more delightful than the last. Each story stands completely on it's own and although they were probably meant for children, adults will certainly enjoy them as well. |
By: Kenyon Cox (1856-1919) | |
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By: King of England James I (1566-1625) | |
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By: L. (Leonard) Raven-Hill (1867-1942) | |
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By: L. H. (Lionel Hugh) Branson (1879-1946) | |
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By: L. Higgin | |
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By: Lacy Collison-Morley | |
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![]() A non-fiction work, comparing and collecting ghost stories by Classical Greek and Republican or Imperial Roman authors. |
By: Lawrence Beesley (1877-1967) | |
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![]() This is a 1st hand account written by a survivor of the Titanic about that fateful night and the events leading up to it as well as the events that followed its sinking. |
By: Leader Scott (1837-1902) | |
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By: Leo Tolstoy (1828-1910) | |
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By: Leonardo da Vinci | |
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![]() The Notebooks of Leonardo Da VinciPREFACEA singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third--the picture of the Last Supper at Milan--has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries... |
By: Lew Lysle Harr (1882-) | |
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By: Lewis Falley Allen (1800-1890) | |
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By: Lewis Spence (1874-1955) | |
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By: Lilian Whiting (1847-1942) | |
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By: Lina Beard | |
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By: Lord Redesdale (1837-1916) | |
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![]() Tales of Old Japan by Lord Redesdale is a collection of short stories focusing on Japanese life of the Edo period (1603 - 1868). It contains a number of classic Japanese stories, fairy tales, and other folklore; as well as Japanese sermons and non-fiction pieces on special ceremonies in Japanese life, such as marriage and harakiri, as observed by Lord Redesdale. The best know story of these is "The Forty-seven Ronins" a true account of samurai revenge as it happened at the beginning of 18th century Japan... |
By: Lorinda Munson Bryant (1855-1933) | |
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By: Louis C. Dalton | |
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By: Louis Tracy (1863-1928) | |
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