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By: Amy Walton (1848-1899) | |
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By: Anatole France (1844-1924) | |
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By: Andrew Lang (1844-1912) | |
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![]() Published in 1889, The Blue Fairy Book is the first book in the series of story collections known as Andrew Lang's “Coloured” Fairy Books, which bring to life the classic fairytales by Grimm, Madame d'Aulnoy and Perrault among other folklore sources. Most captivating is the fact that the collection features the stories in pristine an unaltered conditions, therefore they contain a darker side than the polished versions most are familiar with from childhood memories. Featuring 37 tales, The... | |
![]() Published in 1894, The Yellow Fairy Book is the fourth installment in the series of fairytale collections known as Andrew Lang's “Coloured” Fairy Books and is comprised of stories collected from various foreign language sources including French, German, English, Scottish, Russian, and Polish. Moreover, the tales not only intend to entertain, but also offer an underlying didactic purpose, as many of the stories place an important emphasis on righteous behavior. Featuring 48 stories, The Yellow... | |
![]() The Arabian Nights is a collection of Perso-Arabic folk tales and other stories. The collection, or at least certain stories drawn from it (or purporting to be drawn from it), became widely known in the West from the 18th century, after it was translated from the Arabic — first into French and then into English and other European languages. The first English language edition, based on Galland’s French rather than the original Arabic, rendered the title as The Arabian Nights’ Entertainment – and this, or simply The Arabian Nights, has been the title by which it has been best known to English-speaking people ever since. | |
![]() The Red Fairy Book is the second in a series of twelve books known as Andrew Lang’s Fairy Books or Andrew Lang’s “Coloured” Books. The series was immensely popular and proved of great influence in children’s literature, increasing the popularity of fairy tales over tales of real life. | |
![]() Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories... | |
![]() All people in the world tell nursery tales to their children, and the stories are apt to be like each other everywhere. A child who has read the Blue and Red and Yellow Fairy Books will find some old friends with new faces in the Pink Fairy Book. Courage, youth, beauty, kindness, have many trials, but they always win the battle; while witches, giants, unfriendly cruel people, are on the losing hand. So it ought to be, and so, on the whole, it is and will be; and that is all the moral of fairy tales... | |
![]() Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories... | |
![]() The Crimson Fairy Book contains thirty-six stories collected from around the world and edited by Andrew Lang. Many tales in this book are translated, or adapted, from those told by mothers and nurses in Hungary; others are familiar to Russian nurseries; the Servians are responsible for some; a rather peculiarly fanciful set of stories are adapted from the Roumanians; others are from the Baltic shores; others from sunny Sicily; a few are from Finland, and Iceland, and Japan, and Tunis, and Portugal... | |
![]() Andrew Lang’s Brown Fairy Book (1904) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books. | |
![]() Andrew Lang’s Olive Fairy Book (1907) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books. | |
![]() These are short stories about the life of Ulysses, the stealing of Helen, Paris, battles, Trojan horses, and more! | |
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![]() The tales of King Arthur and his Knights are of Celtic origin. The Celts were the people who occupied Britain at the time when the history of the country opens… It is believed that King Arthur lived in the sixth century, just after the Romans withdrew from Britain… the stories came to be handed down from father to son, in Brittany (whose people are of the same family as the Welsh) as well as in Wales and England… [story-tellers altered the stories to suit their times down through the centuries] …and so in their altered and historically inaccurate form they have reached us at the present day... |
By: Ann Hawkshaw (1812-1885) | |
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![]() Ann Hawkshaw's fourth and final collection was published privately and named for her young grandson, Cecil Wedgwood. Written for children, the volume alternates prose with poetry and is lighter in tone than her earlier work, although poems such as 'The Discontented Stream' and 'The Ambitious Water-Lily' are tinged with a sense of waste. The final piece in the collection, 'In Memoriam', is a moving elegy on childhood death, which alludes to Hawkshaw's loss of three children including Cecil's mother who died shortly after his birth. - Summary by Phil Benson |
By: Anna Bartlett Warner (1824-1915) | |
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By: Anna Sewell | |
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![]() This unique tale is narrated by a lovely, gentle horse named Black Beauty and has remained a children's classic since it was first published in 1877. It earned eternal name and fame for its author Anna Sewell, an invalid who died within a few months of publication. According to current estimates, it has sold more than fifty million copies world wide, been translated into many languages and delighted generations of children. The original title page reads: Black Beauty: Translated from the original Equine by Anna Sewell and this gives the reader an instant glimpse into what the book will be about... | |
![]() The same beloved story of the adventures and misadventures and of a young horse that we all know and love, but rewritten by the author for young people with much shorter chapters. All of the pathos, tenderness and fun are still there, just written for a younger audience. While forthrightly teaching animal welfare, it also teaches how to treat people with kindness, sympathy, and respect. |
By: Annie F. Johnston (1863-1931) | |
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![]() The scene of this story is laid in Kentucky. Its heroine is a small girl, who is known as the Little Colonel, on account of her fancied resemblance to an old-school Southern gentleman, whose fine estate and old family are famous in the region. (Introduction taken from original book.) | |
![]() This is the story of Joyce, an American girl who has been sent abroad to France to study, and of her adventures in France, - the wonderful house with the gate of The Giant Scissors, Jules, her little playmate, Sister Denis, the cruel Brossard, and her dear Aunt Kate. | |
![]() In This volume the Little Colonel returns to us like an old friend, but with added grace and charm. She is not, however, the central figure of the story, that place being taken by the “two little knights,” Malcolm and Keith, little Southern aristocrats, whose chivalrous natures lead them through a series of interesting adventures. | |
![]() Lloyd Sherman, the "Little Colonel", is a girl of eleven whose mother invites three other girls to spend a month with Lloyd in her beautiful home in Kentucky. The children come from very different homes, but fall into the new ways very readily. The account of their escapades will amuse young readers. A bit of disobedience on the part of one spoiled girl leads to something of a tragedy, in which Betty, the nicest of the children, is the sufferer.This series for girls from the early 1900’s, begun... | |
![]() In this sixth volume of “The Little Colonel Series” for girls, Lloyd is surprised with a gift for her twelfth birthday, of a summer trip to Europe. In Geneva she becomes friends with an old Prussian major and his Red Cross dog, a St. Bernard named Hero. Through many adventures, in the end the Little Colonel learns the true meaning of selfless duty. | |
![]() Because of the illness of her grandfahter, Lloyd Sherman, the Little Colonel, finds herself being sent off to boarding school from her home in Lloydsboro Valley, Kentucky. Jolly times are mixed with lessons in this 7th book in the "Little Colonel" series for girls. | |
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![]() In The Little Colonel in Arizona the story is centered around the Ware family, who, after their husband and father has died, and due to the mother's illness, have to move from Kentucky to Arizona. Joyce now has to take most of the responsibility for holding the family together. She is having difficulties in coming to terms with the family's new existence, feeling lonely and that her dreams for the future will never come true. But when she learns to know an invalid at Lee's Ranch who tells her the... |