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By: Alice Turner Curtis (1863-?) | |
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![]() Plucky eight year old Anne Nelson, living in Provincetown on the tip of Cape Cod, is determined to bring the Revolutionary War to an end so that she can be reunited with her soldier father. Will she succeed in carrying an important message from Boston to Newburyport, warning the American troops to be prepared, or will she be caught by the English ships patrolling the harbor? |
By: Alphonse Daudet (1840-1897) | |
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![]() It tells the burlesque adventures of Tartarin, a local hero of Tarascon, a small town in southern France, whose invented adventures and reputation as a swashbuckler finally force him to travel to a very prosaic Algiers in search of lions. Instead of finding a romantic, mysterious Oriental fantasy land, he finds a sordid world suspended between Europe and the Middle East. And worst of all, there are no lions left. |
By: American Sunday School Union | |
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By: Amy Brooks | |
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By: Amy Carmichael (1867-1951) | |
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By: Amy Ella Blanchard (1856-1926) | |
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![]() Dimple, the nine-year-old little girl is accustomed to being always the first. She has Bubbles, a little coloured girl as playmate and servant. One day Dimple’s cousin, Florence comes to visit her and they have a wonderful time together. But then come the rainy days and the two children easily get bored in the house… and that’s how the adventures and troubles begin. |
By: Amy LeFeuvre (1861-1929) | |
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![]() Teddy loves to tell the story of how his father heroically died on the battlefield and guards his button jealously. But this brings contention and strife when a new girl comes to town. Teddy begins to learn what it means to be a soldier under Christ, his Captain. |
By: Amy Steedman | |
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![]() “In this book you will not find the stories of all God’s saints. I have gathered a few together, just as one gathers a little posy from a garden full of roses. But the stories I have chosen to tell are those that I hope children will love best to hear.” (excerpt from In God’s Garden by Amy Steedman) | |
![]() A children's version of the Lives of Artists by Vassari with many Illustrations. Of course we won't be able to show the paintings but the descriptions and the anecdotes are interesting and may lead a child to further interest. |
By: Amy Walton (1848-1899) | |
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![]() These are three stories that will delight your heart and soul. The little girl Ruth in the first story is very privileged young lady with everything she could wish for except,of course, for companionship. Her mother has passed away and her father is a very busy lawyer who barely notices she is there. But then Ruth finds a scruffy, skinny and mostly ugly cat; the cat who lives in the kitchen and cellars,hence The Kitchen Cat. Her attempts to befriend this stray despite insurmountable obstsacles make this story a really heart warming tale... | |
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By: Anatole France (1844-1924) | |
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By: Andrew Lang (1844-1912) | |
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![]() Published in 1889, The Blue Fairy Book is the first book in the series of story collections known as Andrew Lang's “Coloured” Fairy Books, which bring to life the classic fairytales by Grimm, Madame d'Aulnoy and Perrault among other folklore sources. Most captivating is the fact that the collection features the stories in pristine an unaltered conditions, therefore they contain a darker side than the polished versions most are familiar with from childhood memories. Featuring 37 tales, The... | |
![]() Published in 1894, The Yellow Fairy Book is the fourth installment in the series of fairytale collections known as Andrew Lang's “Coloured” Fairy Books and is comprised of stories collected from various foreign language sources including French, German, English, Scottish, Russian, and Polish. Moreover, the tales not only intend to entertain, but also offer an underlying didactic purpose, as many of the stories place an important emphasis on righteous behavior. Featuring 48 stories, The Yellow... | |
![]() The Arabian Nights is a collection of Perso-Arabic folk tales and other stories. The collection, or at least certain stories drawn from it (or purporting to be drawn from it), became widely known in the West from the 18th century, after it was translated from the Arabic — first into French and then into English and other European languages. The first English language edition, based on Galland’s French rather than the original Arabic, rendered the title as The Arabian Nights’ Entertainment – and this, or simply The Arabian Nights, has been the title by which it has been best known to English-speaking people ever since. | |
![]() The Red Fairy Book is the second in a series of twelve books known as Andrew Lang’s Fairy Books or Andrew Lang’s “Coloured” Books. The series was immensely popular and proved of great influence in children’s literature, increasing the popularity of fairy tales over tales of real life. | |
![]() Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories... | |
![]() All people in the world tell nursery tales to their children, and the stories are apt to be like each other everywhere. A child who has read the Blue and Red and Yellow Fairy Books will find some old friends with new faces in the Pink Fairy Book. Courage, youth, beauty, kindness, have many trials, but they always win the battle; while witches, giants, unfriendly cruel people, are on the losing hand. So it ought to be, and so, on the whole, it is and will be; and that is all the moral of fairy tales... | |
![]() Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories... | |
![]() The Crimson Fairy Book contains thirty-six stories collected from around the world and edited by Andrew Lang. Many tales in this book are translated, or adapted, from those told by mothers and nurses in Hungary; others are familiar to Russian nurseries; the Servians are responsible for some; a rather peculiarly fanciful set of stories are adapted from the Roumanians; others are from the Baltic shores; others from sunny Sicily; a few are from Finland, and Iceland, and Japan, and Tunis, and Portugal... | |
![]() Andrew Lang’s Brown Fairy Book (1904) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books. | |
![]() Andrew Lang’s Olive Fairy Book (1907) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books. | |
![]() These are short stories about the life of Ulysses, the stealing of Helen, Paris, battles, Trojan horses, and more! | |
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By: Anna Bartlett Warner (1824-1915) | |
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By: Anna Sewell | |
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![]() This unique tale is narrated by a lovely, gentle horse named Black Beauty and has remained a children's classic since it was first published in 1877. It earned eternal name and fame for its author Anna Sewell, an invalid who died within a few months of publication. According to current estimates, it has sold more than fifty million copies world wide, been translated into many languages and delighted generations of children. The original title page reads: Black Beauty: Translated from the original Equine by Anna Sewell and this gives the reader an instant glimpse into what the book will be about... |