This collection of eight one-act dramas features plays by Eugene O'Neill, George Bernard Shaw, John Galsworthy, Susan Glaspell, William Dean Howells and John Millington Synge. It also includes a dramatic reading of a short story by Frank Richard Stockton.

The Wild Duck (1884) (original Norwegian title: Vildanden) is by many considered Ibsen's finest work, and it is certainly the most complex. It tells the story of Gregers Werle, a young man who returns to his hometown after an extended exile and is reunited with his boyhood friend Hjalmar Ekdal. Over the course of the play, the many secrets that lie behind the Ekdals' apparently happy home are revealed to Gregers, who insists on pursuing the absolute truth, or the "Summons of the Ideal". Among these truths: Gregers' father impregnated his servant Gina, then married her off to Hjalmar to legitimize the child...

Beyond the Horizon is a 1920 play written by American playwright Eugene O'Neill. It was O'Neill's first full-length work, and the winner of the 1920 Pulitzer Prize for Drama. The play focuses on the portrait of a family, and particularly two brothers Andrew and Robert. In the first act of the play, Robert is about to go off to sea with their uncle Dick, a sea captain while Andrew looks forward to marrying his sweetheart Ruth and working on the family farm as he starts a family.

Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. Modern editors generally agree that Shakespeare is responsible for almost exactly half the play—827 lines—the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies indicate that the first two acts of 835 lines detailing the many voyages of Pericles were written by a mediocre collaborator, which strong evidence suggests to have been the victualler, pander, dramatist and pamphleteer George Wilkins.

John Webster's The White Devil (1612) is a Jacobean revenge tragedy, replete with adultery, murder, ghosts, and violence. The Duke of Brachiano and Vittoria Corombona decide to kill their spouses, Isabella and Camillo, in order to be together, aided by the crafty and ambitious Flamineo, Vittoria's brother. Their actions prompt vows of revenge from Isabella's brother Francisco, the Duke of Florence, and Count Lodovico, who was secretly in love with her. The title refers to the early modern proverb that "the white devil is worse than the black," indicating the hypocrisy practiced by many of the characters in the play.

The Roaring Girl is a rip-roaring Jacobean comedy co-written by Thomas Middleton and Thomas Dekker and first published in 1611. The play is a fictionalized dramatization of the life of Mary Frith, known as "Moll Cutpurse", a woman who had gained a reputation as a virago in the early 17th century. (The term "roaring girl" was adapted from the slang term "roaring boy", which was applied to a young man who caroused publicly, brawled, and committed petty crimes.) The play combines the exploits of the cross-dressed Moll with the amorous adventures of a trio of merchants' wives, and the forbidden romance between Sebastian Wengrave and Mary Fitzallard.

Rosmersholm is a play written in 1886 by Norwegian playwright Henrik Ibsen. In the estimation of many critics the piece is Ibsen’s masterwork, only equalled by The Wild Duck of 1884. As expressed by the protagonist, Rosmer, the theme of the play is social and political change, in which the traditional ruling classes relinquish their right to impose their ideals on the rest of society, but the action is entirely personal, resting on the conduct of the immoral, or amoral, “free thinking” heroine, Rebecca, who sets herself to undermine Rosmer’s religious and political beliefs because of his influential position in the community...

This is a collection of theatrical essays from the American quarterly The Drama, including six non-fiction works -- 3 profiles: Schnitzler, Andreyev, and O'Neill, and 3 articles: Characterization vs Situation, The Actor in England, & The Evolution of The Actor.

This 1895 farce inspired by the outlandish idea of women wearing pants, centers around the predicament of the three daughters of the eccentric Marchioness of Castlejordan, who determined to have sons, raised them like boys. She encouraged them to dress and act like boys at home, yet dress like ladies when out. As the girls come of age, they are conflicted. They want to please mother by acting as her sons, but, suddenly smitten with three gentlemen, they are compelled to grow up and be ladies. When their suitors secretly come to woo, they aren’t sure what to do……and what will mother do if she finds out?

Before he became a novelist, Dickens wrote several successful plays. This one from 1836, his first, he called, "A Comic Burletta in Two Acts". Characters arrive at a village inn called "The St. James Arms" and much confusion ensues.

This collection of twelve one-act dramas features plays by James Allen, John Kendrick Bangs, Gordon Bottomley, Charles Dickens, Lord Dunsany, Susan Glaspell, George Bernard Shaw, August Strindberg, Marion Craig Wentworth, and William Butler Yeats. The plays were coordinated by Elizabeth Barr, Margaret Espaillat, Amanda Friday, Elizabeth Klett, Kristingj, David Lawrence, Algy Pug, Todd, and Chuck Williamson.

Headlong Hall is the first novel by Thomas Love Peacock, published in 1815 (dated 1816). As in his later novel Crotchet Castle, Peacock assembles a group of eccentrics, each with a single monomaniacal obsession, and derives humor and social satire from their various interactions and conversations. The setting is the country estate of Squire Harry Headlong Ap-Rhaiader, Esq. in Wales.

This is a collection of scenes from Shakespeare's plays, mainly comprising dialogues between two characters. The theme for this collection is "Wooing, Wedding, and Repenting" (inspired by a line from Much Ado About Nothing).

The Imaginary Invalid is a three-act comédie-ballet by the French playwright Molière. It was first performed in 1673 and was the last work he wrote. The plot centers around Argan, the 'imaginary invalid' who is completely dependent on his doctors and wants to marry his daughter to a doctor against her will, so that he will always have medical care freely available to him. In an ironic twist of fate, Molière collapsed during his fourth performance as Argan on 17 February and died soon after.

Thomas Middleton's masterful 17th century tragedy is packed with adultery, incest, intrigue, revenge, and inventive methods for murder. Leantio elopes with Bianca against her family's wishes and tries to hide her in the house he shares with his widowed mother. Yet the Duke sees Bianca at the window and is powerfully attracted to her, threatening Leantio's security. Livia, a wealthy widow, delights in intrigue, aiding the Duke to satisfy his desires with Bianca, and bringing together her brother Hippolito with her niece Isabella, despite their familial relationship...

The Ghost Sonata (Spoksonaten) is a play in three acts by Swedish playwright August Strindberg. Written in 1907, it was first produced at Strindberg's Intimate Theatre in Stockholm on 21 January 1908... The Ghost Sonata is a key text in the development of modernist drama and a vivid example of a chamber play. In it, Strindberg creates a world in which ghosts walk in bright daylight, a beautiful woman is transformed into a mummy and lives in the closet, and the household cook sucks all the nourishment out of the food before she serves it to her masters...

The Awakening of Spring is the German dramatist Frank Wedekind's first major play and a seminal work in the modern history of theatre. It is the source material for the contemporary rock musical Spring Awakening. The play criticises the sexually-oppressive culture of fin de siècle Germany and offers a vivid dramatisation of the erotic fantasies that it breeds. Due to the nature of its content, the play has often been banned.

In this, the only extant tragedy from Aeschylus' trilogy about the House of Oedipus, Thebes is under siege from Polynices, a former prince of Thebes. After King Oedipus left his city and cursed the princes, Polynices and his brother, Eteocles, decided to rule alternately, switching at the end of every year. However, at the end of his year as king, Eteocles refused to turn power over to his brother and exiled him, fulfilling his father's curse that the two brothers could not rule peacefully. In the action of the play, Polynices and a group of Argive soldiers are attacking Thebes so that he can take his place as ruler...

Myrtle Reed may always be depended upon to write a story in which poetry, charm, tenderness and humor are combined into a clever and entertaining book. Her characters are delightful and she always displays a quaint humor of expression and a quiet feeling of pathos which give a touch of active realism to all her writings. In "A Spinner in the Sun" she tells an old-fashioned love story, of a veiled lady who lives in solitude and whose features her neighbors have never seen. There is a mystery at the heart of the book that throws over it the glamour of romance.

Young Laroon plans to marry Isabel, but Father Martin manipulates Isabel's father, Jourdain, in order to seduce Isabel. However, other characters, including both of the Laroons, try to manipulate Jourdain for their own ends; they accomplish it through disguising themselves as priests and using his guilt to convince him of what they say. As Father Martin pursues Isabel, she is clever enough to realize what is happening and plans her own trap. After catching him and exposing his lust, Father Martin is set to be punished.

In accordance with the advice of the god Apollo, Orestes has killed his mother Clytemnestra to avenge the death of his father Agamemnon at her hands. Despite Apollo’s earlier prophecy, Orestes finds himself tormented by Erinyes or Furies to the blood guilt stemming from his matricide. The only person capable of calming Orestes down from his madness is his sister Electra. To complicate matters further, a leading political faction of Argos wants to put Orestes to death for the murder. Orestes’ only hope to save his life lies in his uncle Menelaus, who has returned with Helen after spending ten years in Troy and several more years amassing wealth in Egypt...

Alan Jeffcote, son of Nat Hawthorn, Hindle's richest factory owner, meets Fanny Hawthorn, daughter of Nat's 'slasher' and oldest friend, in Blackpool and the two go off for what they believe to be secret fling in Llandudno. But after the death of Fanny's friend, Mary, in a pleasure boat accident at Blackpool the secret is revealed and the the two families are thrown into disarray. The leading light of the so-called Manchester School of realist dramatists, Stanley Houghton wrote Hindle Wakes in 1911 and it was a hit both in Mrs...

John Fletcher's comedy (probably written and performed around 1611) is a sequel to Shakespeare's The Taming of the Shrew, in which, as the title suggests, the tamer will be tamed. Petruchio, the shrew-tamer, has been widowed, and marries a second wife, Maria, a "chaste witty lady." At the instigation of her cousin Bianca, and with the fellowship of her sister Livia, Maria decides to go on strike for equal rights, refusing to behave as a proper 17th century wife. Fletcher's play addresses the issue of men and women's roles within marriage, a controversial issue for his day.

The History of King Lear is an adaptation by Nahum Tate of William Shakespeare's King Lear. It first appeared in 1681, some seventy-five years after Shakespeare's version, and is believed to have replaced Shakespeare's version on the English stage in whole or in part until 1838. Unlike Shakespeare's tragedy, Tate's play has a happy ending, with Lear regaining his throne, Cordelia marrying Edgar, and Edgar joyfully declaring that "truth and virtue shall at last succeed." Regarded as a tragicomedy, the play has five acts, as does Shakespeare's, although the number of scenes is different, and the text is about eight hundred lines shorter than Shakespeare's...

Strepsiades is an Athenian burdened with debt from a bad marriage and a spendthrift son. He resolves to go to the Thinking Shop, where he can purchase lessons from the famous Socrates in ways to manipulate language in order to outwit his creditors in court. Socrates, represented as a cunning, manipulative, irreverent sophist, has little success with the dull-witted Strepsiades, but is able to teach the old man's son Phidippides a few tricks. In the end, the play is a cynical, clever commentary on Old Ways vs. New Ways, to the disparagement of the former.

Gordon Bottomley's verse drama in two scenes is a prequel to Shakespeare's Macbeth. He provides Lady Macbeth with a name - Gruach - and imagines her family life and how she meets Macbeth.

Sir Thomas More is a collaborative Elizabethan play by Anthony Munday and others depicting the life and death of Thomas More. It survives only in a single manuscript, now owned by the British Library. The manuscript is notable because three pages of it are considered to be in the hand of William Shakespeare and for the light it sheds on the collaborative nature of Elizabethan drama and the theatrical censorship of the era. The play dramatizes events in More's life, both real and legendary, in an episodic manner in 17 scenes, unified only by the rise and fall of More's fortunes.

The Marvelous Land of Oz Being an account of the further adventures of the Scarecrow and Tin Woodman and also the strange experiences of the highly magnified Woggle-Bug, Jack Pumpkin-head, the Animated Saw-Horse and the Gump; the story being A Sequel to The Wizard of Oz.

Shakespeare's pastoral comedy was written and first performed around 1599, and presents some of his familiar motifs: a cross-dressing heroine, a wise-cracking fool, brothers usurping their brothers' power, a journey from the court to the country, and various romantic entanglements.

A feminist drama that gained considerable critical and commercial success when it originally ran on Broadway. The play is about a husband and wife who also happen to be artists. A socially conscious battle of the sexes ensues over professional jealousy and whether the woman's place in the home should be thrown over for occupational dreams.

Henrietta is a strong willed young lady who will not give in to her aunt and marry the suitors she proposes. She runs away and adventure ensues. However she meets one young man who she is quite taken with but he does not share all about himself and Henrietta finds herself in some tricky situations.